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I did both of these and I quit having trouble. If #1 helps alone, it's
because you are drawing too hard and the long reed it actually hitting
the cover. That was my main problem at the time.
Seth
> ? Key of " G " Marine Bands (MB) and Blues harps....the low/one
> hole, draw is 'rattelin the cage' or what you might call
> buzzing....some times alot....I sometimes use a vest pocket or an
> oversizer MB to get around this jamb up. i have seen a crazy dimple
> beat'n into the cover plate...for me NO...Playing with many string
> players makes playing in "D" important to me.....what to do?
> On a slightly different related question... I'm considering
> organizing a workshop in New Haven to get players, techs and player/
> techs together...i got a box full of harps in need of repair and
> stuff to build a couple of good mic....any thoughts.....still in
> the incubatory stages
> ........it seems like a good idea before cabin fever sets in.
> rattelin in new Haven Ben Ross aka WBjr
>
>
> Make a set of wedges (0 to 1/16th inch) to fit under the ends of
> the covers. This will raise the covers in a graduated angle AWAY
> from the plates. In other words..stock at the mouthpiece but raised
> at the backs. This should give you the clearance and may produce
> more volume.