Death Rattle Font Download BETTER
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I made a font from my handwriting on Calligraphr as others in the thread have mentioned! Similar reasons, no licensing worries, gives a custom feel, easy. Then for Sound effects and such I just hand letter them typically.
But here's the kicker: one of my classes this semester is typography. And in the very first lecture we learned about no-no fonts you should never use and apparently tekton pro is on this list alongside comic sans.
Hey all!
Sorry for the technical issue! Submittable only lets us have a limited amount of "free to submit" submissions and when our limit was reached a few days ago it automatically shut off our submission portal for Penrose! If you'd send your submission to deathrat...@gmail.org we'll count it just as if it had gone through the submittable :) -- please just attach your cover letter (why you are submitting to the Penrose Poetry Prize and a short biography about yourself and/or your work) and reminder it's 1-3 poems maximum per entry. Attaching your work as a google doc is also preferred (sometimes when a word doc is uploaded to google drive it changes formatting / font / font size etc.) so sending us a google doc will help ensure that your work will uploaded and read as you intended. Let us know if you have any questions or anything!
Sorry again for the confusion and we look forward to your submission!
Sarah & Diana
OROBORO / PENROSE
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To install this font for free, please follow the next advice:Before installing the Death Rattle BB font in OS X, you must first completely close all applications. Many programs display new fonts only after restarting.
1. Double-click on the font file - a window will open with a font overview.
2. To install the font, click the Install button.
3. If the font file is in order and the system has not yet installed the same one, the Fonts program will open, in which the new font will be displayed.
4. If the font file contains errors or such a font is already installed in the system, the Font Check window will open. Click on the triangle in front of the font name to see the errors. If you still want to install the font - put a tick in front of this font and click on the Set selected button. The Fonts program opens, displaying the new font.
To install Death Rattle BB for Windows, please follow the next advice:1. Unzip the file with the font, if it is archived - right-click it and select "Install" from the context menu. The font will be installed (copied to the "Windows\Fonts" folder and registered in the Windows Registry).
2. Click on the font file with the right mouse button, select "View" from the context menu, in the next window click Install.
3 click Start > Control Panel > Fonts. In the window that opens, select the File / Add Font menu - in the Add Fonts window, specify the location of the font, click Install.
4 Open the WINDOWS > Fonts folder. In the Add Fonts window, specify the location of the font, click Install.
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Typeface Details:
Font Style: Regular
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Then I thought of the "Creature of the night" line and how the baby is suspected because Oliver says it was the only living thing with the victim. I thought how Ben's Detective says only that he wanted to check out mysterious happenings at the lighthouse and not that he was sent to investigate the rattle murder. I thought of somebody noting early on that Charles name drops architect Christopher Wren which is also a character in the long-running Agatha Christie play The Mousetrap in which the Detective did it.
If this is true (and I am not at all convinced that it is), then it is interesting that Taravangian made the opposite choice in reality. This makes sense if we consider that Odium/Moeloch could be trying to manipulate Taravangian with through the death rattles. By showing him a metaphorical vision of their future bargain, Odium could influence Taravangian's decision in advance, by presents a potential version of the future that paints his options in stark contrast. For example, by playing up the pain and inevitability of the losing Kharbranth, while minimising the value of saving the helpless, baby Knights Radiant, Odium could nudge Taravangian towards choosing to save his city and give up the KR as a lost cause.
I listed and numbered every Death Rattle, along with representative comments from Coppermind and this thread, and labelled each rattle as either Solved or Contested. Where it was solved, I gave a short description of the event it refers to, and where it was contested I gave short descriptions of the most likely events it refers to.
I then created the following loose groupings based on the event or characters that the rattle is most likely to refer to. I believe this is the most logical way to begin creating groups because it is clear from the solved rattles, and the WoB above, that the rattles focus on a discreet number of subjects. Here are the Primary Categories I came up with:
The "Not a Rattle" category included the two examples that were clearly false rattles (the Shin man, and the person who saw a Cryptic), with the expectation that one or more of the remaining Uncontested rattles may be found to be false also.
My Results:
To be honest, the most valuable part of this exercise was the initial work of identifying the main themes, emotions and keywords within the Death Rattles. This surfaced a few clear patterns that made fairly obvious sense when compared side-by-side with other similar rattles. The deeper analysis using pivot tables didn't do much more than confirm some of these patterns. The sample size is just too small, especially since some of the rattles seem to be isolated events anyway. Here are some of the main things I found.
Breaking Down the Categories:
This is the guts of my analysis, going through each category and discussing the interesting points. I won't cover every rattle, as many of them are already well understood, but I'll go into detail where I think I can add something to the discussion.
Everstorm/Desolation:
This was the biggest category, containing 12 of the 35 quotes. In some ways it's least interesting to us now though, because we have read past these events and solved most of the rattles (with one exception). The most striking feature of this group was the sustained intensity of the emotional responses that it evoked, focusing on Fear, Fatalism, Despair and Horror. Clearly these rattles were a form of pre-war posturing, intended to frighten the wits out of whoever heard them, and convince them to give up before the fight ever starts. Half of the rattles clearly refer to the Everstorm and the Desolation directly. Four shine a horrible dark light on the Voidbringers, with the rasping singing of Storm Form, and the burning rage and vengeful spite of the Fused and the Thunderclasts. Two rattles refer more generally to Odium's final victory in inevitable terms.
The Contested rattle (Number 9: "Victory! We stand atop the mount! ...") has features of all three secondary categories: it seems to be from the perspective of the Fused, with their characteristic rage and vengefulness; it seems to tell the story of Odium's victory; but it may also refer to the a general victory early in the Desolation. Even if I can't pinpoint the "victory on the mount" event, one thing I am sure of is that it fits thematically and emotionally with the other rattles in the Everstorm/Desolation category, and is therefore almost certainly a prediction of a victory for Odium, rather than a flashback to a previous desolation as has been suggested.
Knights Radiant:
This category currently contains 5 rattles, 4 of which have generally agreed explanations. These 4 I have labelled "Rise of the Radiants", although I could easily have flagged them as Kaladin's Journey, as they focus on him almost exclusively (Shallan gets a brief mention as one of two 'dead men' coming from the pit). As I alluded to above in my discussion of the Rebirth theme, the common emotion in this group of rattles is Hope, accompanied by Defiance, Determination and Awe. The negative emotions associated with Odium (fear, horror, despair, confusion) are evoked here only as representations of challenges to be overcome. It is also worth noting the verb chooses in these rattles. Kaladin is always described acting positively; he "stands", "speaks", "drinks", "saves", "protects", "raises" and "picks up". They are decisive, progressive actions that are in stark contract to the passive actions of humans and Heralds in other rattles, who "sit", "weep", "grieve", "fall" and "die", "die", "die".