I've been watching the discussion about the words "choreography" and
"blocking" with some interest. I even posted to the "Handbell Soloist"
group on Facebook saying that I have no opinion on the matter.
Well, after giving it further thought, I found that *do* have an opinion
after all.
It has been suggested that the word "blocking" be used to describe the
physical moving of bells about the table, while "choreography" describes
visual & musical aspects of the performance.
I think this is a false dichotomy. The former determines the latter &
the latter depends on the former. They are not two processes, but one,
inseparably intertwined.
If we want to argue whether "choreography" is the correct word to
describe the process (or whether "choreography" should be reserved to
describe actual dance or schtick), I'm up for that, but let's not make
divisions where there are none.
-Mich�le
> It has been suggested that the word "blocking" be used to describe the physical moving of bells about the table, while "choreography" describes visual & musical aspects of the performance.
>
> I think this is a false dichotomy. The former determines the latter & the latter depends on the former. They are not two processes, but one, inseparably intertwined.
I agree, they certainly SHOULD be, by the time you're done. ;-D But I'm not sure I agree that they are the same. I think they're two sides of the same coin, but not the same side.
> If we want to argue whether "choreography" is the correct word to describe the process (or whether "choreography" should be reserved to describe actual dance or schtick), I'm up for that, but let's not make divisions where there are none.
That's noun vs verb. I think it works both ways.
This is why I was thinking to distinguish between campanography and choreography. Because you CAN (and many do!) ring without dancing (although that's obviously not my fave way to do things). And you can dance without ringing. And you can do both simultaneously.
But, I think it's an important distinction to make. For example, you could say that the first half of Sonos' current show has no "choreography" (except for the table entrance), but the second half does. I think it makes it easier for people to talk about it if you make the distinction.
Rima
>
> -Michèle
>
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Cyndy Patterson
Stevie in MI
The Rogue Ringers are looking for a piece for Organ and Bells that is great for both. We would be plain it in a concert celebrating the 20th anniversary of our pipe organ. An great ideas?
Cyndy Patterson
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Thomas
Thomas
Thomas
Stephanie in MI
The Rogue Ringers are looking for a piece for Organ and Bells that is great for both. We would be plain it in a concert celebrating the 20th anniversary of our pipe organ. An great ideas?
I've made an arrangement of the Grand-Choir Dialogue of Eugene Gigout
for 5-7 octaves of bells and organ. The original alternates between manuals
of the organ. I transferred one manual part to bells. It is published by Above
the Line and I'm sure Rima can supply the link.
Paul Kinney
R
http://www.ATLPublishing.com
http://www.portablebellfest.com
http://www.areaxii.org
http://www.campanilemusic.com
On Aug 30, 2011, at 10:40 AM, Paul Kinney wrote: