Let’s consider three elements when purchasing foam: physical construction (firmness and density), relationship between foam thickness and bell sizes/ techniques, and coverings for the foam pads.
Foam is defined in two ways: firmness and density.
IFD or ILD (Indentation Load Deflection) is the foam firmness. This is measured by the force in “x” pounds required to compress a foam sample. The most common compression ration used is 25% of a 4” thick sample. For example, on foam designated 28180, it would take 28 pounds of pressure to compress the foam from 4” to 3”, or 25% of the total thickness. The higher the number, the more pressure it can take, and therefore the harder the foam feels. For bells, some choirs use foam as soft as “12” and some like “30”. Personally, I think the firmness should correlate with the size of the bell and how quickly it compresses the foam (thinking about marts!). If you have 5+ octaves of castings ranging from a half pound to 10+ pounds per individual bell, a variety of firmness would respond more consistently throughout the set. Upholsters would use an ILD of 25-35 lbs for bedding and an ILD of 40-55 lbs for sitting use. Bell ringers could use an ILD of 12 – 30.
Density is how much the foam weighs per cubic foot (pcf). The equation is: density= weight divided by length x width x height. In a 28180 foam sample, the 180 is actually a reading of 1.8 pcf. Density does not tell you how firm or soft the foam will be. It is closely tied to foam performance and the higher the foam density, the better it is for seat cushions (and you should have at least a 180 for seat cushions)… and durability for bells! The higher the density, the more durable the foam, and the more costly. Foam is a petroleum product. When I purchased foam from a supplier, I explored a range from as soft as 12110 through 16120, 22150 and as hard as 30180.
Manufacturers will also offer each of the above in different grade-levels – depending on manufacturer, the best can last 10+ years, depending on usage, with lesser grades lasting 6-8 years and 3-5 years. Foam will need to be replaced depending on the number of bell choirs rehearsing week, and the rate of disintegration.
The second consideration is personal – what gives the “best” sound or damping and is least traumatic to the table techniques used? Foam thickness is critical to the size bells using table techniques. Most agree that 4” foam is best overall. Is there significant difference for the foam in ensemble ringing versus solo ringing? Will handbell manufacturers put the time and money into research on the firmness and densities of foam on the market to recommend which best matches the different bell sizes and techniques? This may not be as cost-effective as many foam manufacturers zealously guard their formulas and new products are always coming out. However, this could be an area for further research as the instrument continues to evolve in its design and use.
Finally, consider the covers used to protect the foam both from handling and light. Foam will deteriorate at a faster rate when exposed to light. The fabric selected will have a direct effect on the sound produced by table techniques and damping – in addition to the residual sound when a bell is placed on the table after ringing and before damping. If you are shopping for foam locally, take the fabric with you that you are planning to cover the foam. Many discussions on fabric have occurred on Handbell-L (internet handbell forum) and are archived for your perusal. Corduroy seems to be a favorite. “Nakid” foam is preferred by some solo ringers since the foam can be placed on the table without having seams between foam pieces – and then covered with a long cloth.
Bottom line – “test drive” the products and covers to get the best possible response / sound and support for the investment you have in the instrument!
Here is a explanation from a foam manufacturer:
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> Let’s consider three elements when purchasing foam: physical
> construction (firmness and density), relationship between foam
> thickness and bell sizes/ techniques, and coverings for the foam
> pads.
<snip>
Wow. That really was fascinating and informative. Who knew foam was so
complicated? :-)
That said (and I was sincere - I'm a science geek, so that stuff
fascinates me), Sonos and I use foam that we get from Joann Fabrics.
That green 3" thick stuff that comes in sheets. We cut it to size & it
works great. I have no idea what its official density/softness rating
is.
Sonos goes through foam fairly quickly, though, because we vacuum pack
our foam for travel. That breaks the cell structure down faster than if
we didn't do that, so we don't want to spend a lot of money replacing
foam when it's not going to last that long, anyway.
THAT said, I don't vacuum pack my own foam & it has lasted several
years. I do have it covered in muslin to protect it from dirt when I
take it to local gigs, etc.
3" foam is enough for marting if you mart correctly. Don't slam the
bell into the table, but rather put your weight on your back foot &
PLACE the bell on the table. You'd be surprised how little energy/effort
it takes to make the bell sound.
-Michèle <== blatant ad: has a DVD that explains marting and bunches of
other stuff
http://www.HandbellMusic.com