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I was in a discussion with a Canadian handbell ringer who plays Schulmerich bells B4 and C5. He insisted the pitch of the C5 is middle C on piano. He insisted that he could sing the middle C that was same as his C5 bell.
I went so far into this discussion as to put a C5 Malmark bell in his hand. He said it was octave above his C5 bell.
Besides his being wrong is there an explanation? I'm very puzzled!
Caroline Valentine
Anchorage Alaska
F Simpson
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Aug 25, 2017, 1:17:07 AM8/25/17
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LOL!
jc/Greater Toronto Area
Sent from Samsung Mobile
TimR
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Aug 25, 2017, 9:47:17 AM8/25/17
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On Friday, August 25, 2017 at 12:57:17 AM UTC-4, Caroline Valentine wrote:
I was in a discussion with a Canadian handbell ringer who plays Schulmerich bells B4 and C5. He insisted the pitch of the C5 is middle C on piano. He insisted that he could sing the middle C that was same as his C5 bell.
IIRC, middle C is C5 if you play handbells and C4 on all other known instruments.
Yes, he can sing the middle C that he sees on his music, most males can. I doubt he can sing the "middle C" that his bell sounds. Don't handbells ring one octave above notated?
Michele Sharik - TGD
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Aug 25, 2017, 11:35:16 AM8/25/17
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"c4" is the name of the pitch that sounds at middle C.
Handbells have the sounding pitch on their handles. They're just notated like piccolo - sounding an octave higher than notated. Makes it easier to read.
So while we read C5 at the middle C position, C5 is NOT middle C. C4 is middle c.