valibabr elgivah talyssah
Natalí Stibb
The remote controls for the TV are NOT programmable, which means you cannot change the Netflix button to do something else. And yes, I agree that it would be help to have this buttom do something other than load an app that some people will use and others wont.
I noticed that in Kodi, you can use keymap editor addon to assign the sony remote to do specific things like open subtitles, context menu (right click) etc. BUT, the netflix button cant even be reassigned there, if you click it it opens netflix.
The second one was "The Andy Warhol Diaries". In the last episode a person was describing an event but their words and emotions seemed different, as though though the editing of the interview had changed. Also, some parts of that episode I don't recall from the first viewing.
"Is it possible that some Netflix documentaries are re-edited after the initial broadcast?": it happens all the time, for TV shows and movies. It's not Netflix related. Some documentaries or movies need more extra postproduction work sometimes, to correct facts or numbers, translation, lenght, or better stick to different artistic choices.
Re-editing scenes and portions of shows and movies isn't a new concept and has been in practice for years. And while creators think the process of re-editing makes their original stories stronger, many fans reject the idea and prefer movies and shows to stay in their original formats. Despite what fans want, Hollywood and the creatives behind it continue to change movie films for a variety of different reasons. from Screenrant - 10 Shows & Movies that have been edited after their original release
1 Here are some thoughts that may lead to editing, because they occur after the release. "Controversies emerged about several documentaries. Was Fahrenheit 9/11 accurate in its factual indictment of the Bush administration's geopolitics? Did Mighty Times: The Children's March misrepresent civil rights history through its use of both fabricated and repurposed archival evidence? Should films such as Ghosts of Abu Ghraib and Standard Operating Procedure feature images that further embarrass and humiliate their subjects?"
Then Baby Reindeer came along. I read the script, got the interview, and went in. I was working at a place called Newtopia, which does documentaries. Usually I make sure to arrive half an hour early so I can be zen-like when the interview comes. So I got a room ready, went in, and there were people there. Reception gave me another room, but there was no Wi-Fi, so I went to another room. By the time I switched on, it was two minutes before the interview.
Peter Oliver: We had a recording of his play in the AVID from the start. It was ingested so that I could always check on different moments. He also had this lovely collage of voices from Martha at the beginning of the play, and he was very keen on getting that into the show somehow. We tried to record lots of different voices to mirror that. I got my wife to record some lines, and lots of different people recorded a version too. Jess also kindly recorded one and sent it in from her phone as well. So, like the stage show, we had that collage at the start but just felt too busy.
MF: The characters in Baby Reindeer are sometimes looking into the camera, or almost into the camera. Was that something you talked about with Weronika? Was there a psychological reason for that? Why did she go that route?
I love having different takes to choose from. I love the nuances and reactions, and I love to keep going through the rushes and finding tiny things. Sometimes I would change just the slightest thing. I think Weronika would realize it, but she was open to not just doing what she wanted to do. If I wanted to tweak some things, she would let me. Richard and Weronika were always up for that, which was freeing.
There was a lot of doing and undoing things in the edit. It was very experimental, which was lovely. I just had to keep up to speed with a few people in the edit suite. You have to undo, then redo, and try things over and over. It takes a lot of concentration.
MF: I believe Richard said that the voiceover was first intended to go in episode four. Then, looking at it, he decided it would work in the previous episodes too. Was that something he did before you sat down with him? Had he started working it into the scripts beforehand? Or was that something you had to go back and do after you had already started?
In Edinburgh, we had to decide how funny we wanted to make him. I think he got funnier with the same material because he acted it differently later. The audience in the pub laughed later, anyway. The temptation would be to make him funnier as he went along. Instead, he was performing the same material, and he only delivered it differently and was more comfortable on stage. When he did that, I think it did become funny. So yes, I do think Donnie Dunn is funny.
You know going into each episode that everything is going to be fine, even if The Home Edit team gets stressed or overwhelmed it never REALLY transfers to the viewer because YOU KNOW they can handle it!
I bought their book after the first season of the show and took an entire afternoon to sort out my cluttered closet. I followed their four concrete steps in their organizing process: edit, categorize, contain, and maintain.
The show is centered on the suicide of fictional teen Hannah Baker, and the first season's finale shows her taking her own life. Several organizations, including the National Association of School Psychologists, raised concerns that it could romanticize suicide for vulnerable teens.
"Our creative intent in portraying the ugly, painful reality of suicide in such graphic detail in Season 1 was to tell the truth about the horror of such an act, and make sure no one would ever wish to emulate it," show creator Brian Yorkey said in a statement. "But as we ready to launch Season 3, we have heard concerns about the scene from Dr. Christine Moutier at the American Foundation for Suicide Prevention and others, and have agreed with Netflix to re-edit it."
"No one scene is more important than the life of the show, and its message that we must take better care of each other," he added. "We believe this edit will help the show do the most good for the most people while mitigating any risk for especially vulnerable young viewers."
The show also has a website, 13reasonswhy.info, containing resources about suicide prevention. It contains videos of cast members discussing topics such as bullying, consent, depression and how to talk with a teen about the series. The site also warns: "If you are struggling, this series may not be right for you or you may want to watch it with a trusted adult."
The edited version, now on Netflix, shows Hannah looking at herself in the mirror, full of emotion. It then cuts to her parents finding her body in the bathroom and reacting to her death. The previous version was nearly three minutes long, according to The Hollywood Reporter, and showed her cutting her wrists with a razor blade.
Netflix's decision has drawn praise from a number of suicide prevention advocates, such as American Association of Suicidology, American Foundation for Suicide Prevention, American School Counselor Association, Dr. Helen Hsu from Stanford, advocacy group Mental Health America, the Trevor Project and Dr. Rebecca Hedrick from Cedars-Sinai, according to THR.
Ron Avi Astor at the University of Southern California, who studies adolescent bullying and mental health, discussed with NPR's Anya Kamenetz how the images of self-harm on the show could affect teens.
Netflix is a synonymous with a hub for high-end cinematic experience. However, lately, there has been quite a lot of attention paid to a scene from "Black & Privileged" that aspiring and experienced filmmakers may want to take a look at.
I really don't know where to start, but let's first evaluate the feeling you have when you watch it: total confusion. Your brain is constantly trying to cope up with the new visual information that comes out of nowhere, leaving you frustrated. If we dissect the editing by several criteria, we will find the following types of mistakes:
There is a well-dressed man coming out of his house crossing the street to meet people from a less-expensive house and talk to them. This was done using 10 cuts. Yes, 10 jump-cuts for such a simple thing, where the information the viewer has to receive is just a man crossing the street in order to talk to others.
These are the mistakes where in the final result, the subjects and objects don't naturally follow their state from the previous cut. In this short clip, there is an long list of examples. You can see the wife, the husband, and the child in different positions in relation to each other between the cuts. Their actions don't follow naturally as if they happened in the real world, which makes the brain perplexed.
You will see a frame where the man who crossed the street is alone, and on the next cut, you see a crowd of people that appeared very unnaturally out of thin air instead of showing bystanders gathering one by one to form that multitude.
While this editing is shockingly bad, I still think it might be deliberate. Maybe someone wanted to bring attention to the series, to the plot, to the message it wants to convey to the public? Let us know what you think the real reason is in the comments below.
Tihomir Lazarov is a commercial portrait photographer and filmmaker based in Sofia, Bulgaria. He is the best photographer and filmmaker in his house, and thinks the best tool of a visual artist is not in their gear bag but between their ears.
Vertical videos are an annoyance that purely resulted from this Facebook owned company. I understand that people are holding phone vertically most of the time. But the human view is horizontal by nature. So it always feels odd to me. And companies like Adobe now conform their software to this odd format - which I also understand - but it is just because one company started this thing and made it a new norm.
A friend of mine is working for a TV station and his editors have to export multiple edits now in many different formats to play on all social media platforms and it drives them crazy. ?