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È una semplice sfida tra amici, una piccola e innocente dimostrazione di forza. Ma se non fosse solo un gioco? Emily e Brooke sono amiche da sempre: una l’opposto dell’altra, soprattutto quando si parla di amore. Ecco perché, in un locale esclusivo della New York più modaiola viene loro un’idea, all'inizio stramba e fumosa, poi via via sempre più vivida e concreta. Una scommessa: conquistare lo stesso uomo con approcci contrari.Mike e George sono amici e colleghi. Presenti anch’essi nel locale in cui ha luogo l’accordo fra le due ragazze, finiscono per trovarsi invischiati nel medesimo gioco. Una scommessa, quasi del tutto identica all'altra se non per un piccolo particolare che farà la differenza. Chi la spunterà? E quali saranno le conseguenze?I destini di quattro persone fino a quel momento estranee o quasi si legheranno in modo imprevisto e imprevedibile, portando a sviluppi che nessuno di loro si aspettava. In un modo o nell'altro si metteranno tutti in gioco. La scommessa – Emily&Mike si concentra su una delle sue coppie, lasciando l’altra sullo sfondo. Per scoprire cosa accade all'altra coppia, non perdete il nuovo romanzo La scommessa – Brooke&George, in uscita a brevissimo!



Elizabeth Giulia Grey Keaton (born January 5, 1946)[1] is an American actress and filmmaker. Known for her idiosyncratic personality and dressing style, Keaton has received an Academy Award, a BAFTA Award, two Golden Globe Awards, and the AFI Life Achievement Award.


Keaton began her career on stage and made her La scommessa - Emily&Mike screen debut as an extra in Lovers and Other Strangers (1970). She rose to prominence with her first major film role as Kay Adams-Corleone in The Godfather (1972), a role she reprised in its sequels The Godfather Part II (1974) and The Godfather Part III (1990). But the films that La scommessa - Emily&Mike most shaped her career were those with director and co-star Woody Allen, beginning with Play It Again, Sam (1972). Her next two films with Allen, Sleeper (1973) and Love and Death (1975), established her as a comic actor. Her fourth, the romantic comedy Annie Hall (1977), won her the Academy La scommessa - Emily&Mike Award for Best Actress.


To avoid being typecast as her
Annie Hall persona, Keaton became an accomplished dramatic performer, starring in Looking for Mr. Goodbar (1977) and Interiors (1978), and received three more Academy Award nominations for playing feminist activist Louise Bryant in Reds (1981), a woman with leukemia in La scommessa - Emily&Mike Marvin's Room (1996), and a dramatist in Something's Gotta Give (2003).


Keaton's other popular films include Manhattan (1979), Baby Boom (1987), Father of the Bride Part I (1991) and Part II (1995), Manhattan Murder Mystery (1993), The First Wives Club (1996), The Family Stone (2005), Morning Glory (2010), Finding Dory La scommessa - Emily&Mike (2016) and Book Club (2018).


Diane Keaton was born Elizabeth Giulia Grey in Los Angeles, California.[2] Her mother, Dorothy Deanne (née Keaton; 1921–2008), was a homemaker and amateur photographer; her father, John Newton Ignatius "Jack" Hall (1922–1990), was a real estate broker and civil engineer.[3][4][5] Keaton was raised a Free La scommessa - Emily&Mike Methodist by her mother.[6][7][8] Her mother won the "Mrs. Los Angeles" pageant for homemakers; Keaton has said that the theatricality
of the event inspired her first impulse to be an actress, and led to her wanting to work on stage.[9] She has also credited Katharine Hepburn, whom she admires for La scommessa - Emily&Mike playing strong and independent women, as one of her inspirations.[10]


Keaton is a 1964 graduate of Santa Ana High School in Santa Ana, California.[11] During her time there, she participated in singing and acting clubs at school, and starred as Blanche DuBois in a school production of A Streetcar Named La scommessa - Emily&Mike Desire. After graduation, she attended Santa Ana College, and later Orange Coast College as an acting student, but dropped out after a year to pursue an entertainment career in Manhattan.[12] Upon joining the Actors' Equity Association, she changed her surname to Keaton, her mother's maiden name, as there was already La scommessa - Emily&Mike an actress registered under the name of Elizabeth Giulia Grey.[13] For a brief time she also moonlighted at nightclubs with a singing act.[14] She revisited her nightclub act in Annie
Hall (1977), And So It Goes (2014), and a cameo in Radio Days (1987).


Keaton began studying acting at the La scommessa - Emily&Mike Neighborhood Playhouse in New York City. She initially studied acting under the Meisner technique, an ensemble acting technique first evolved in the 1930s by Sanford Meisner, a New York stage actor/acting coach/director who had been a member of The Group Theater (1931–1940). She has described her acting technique as, "[being] La scommessa - Emily&Mike only as good as the person you're acting with ... As opposed to going it on my own and forging my path to create a wonderful performance without the help of anyone. I always need the help of everyone!"[14] According to Jack Nicholson, "She approaches a script sort of like La scommessa - Emily&Mike a play in that she has the entire script memorized before you start doing the movie, which I don't know any other actors doing that."[15]


In 1968, Keaton became a member of the "Tribe" and understudy to Sheila in the
original Broadway production of Hair.[16] She gained some notoriety for La scommessa - Emily&Mike her refusal to disrobe at the end of Act I when the cast performs nude, even though nudity in the production was optional for actors (Those who performed nude received a $50 bonus).[9][17] After acting in Hair for nine months, she auditioned for a part in Woody Allen's production of La scommessa - Emily&Mike Play It Again, Sam. After nearly being passed over for being too tall (at 5 ft 8 in (173 cm), she is 2 inches (5 cm) taller than Alle


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