I’m not quite sure why the additional spaces are appearing as the spacing algorithms should be able to put lyric syllables together when they are attached to an empty set of notes. I’ll have to look into that further at some point.
However, the quickest fix for this sort of thing is simply to combine the syllables yourself:
(c4) Ma(f)gní(gh)ficat(hr) <v>{\greheightstar}</v>(;) ánima(hr) <i>me</i>(g)<i>a</i>(f) <b>Dó</b>(gr1[ocb:1{])mi(gr[ocb:0}])num.(go!hv) (::)
The vowel identification routines will always find the first vowel in a “syllable” that has multiple candidates and align the notes there. Said “syllable” can even contain spaces (i.e. be multiple words), which is especially useful for recitation tones like you’re doing.
✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝✝
Fr. Samuel, OSB
(R. Padraic Springuel)
St. Anselm’s Abbey
4501 South Dakota Ave, NE
Washington, DC, 20017
202-269-2300
(c)
202-853-7036
PAX ☧ ΧΡΙΣΤΟΣ
> On Jan 6, 2024, at 3:58 AM,
andrew....@gmail.com <
andrew....@gmail.com> wrote:
>
> Hello,
>
> I'm trying to use a reciting tone for Psalms followed by empty brackets instead of repeated notes. For some reason the syllables are separated. How do I stop this happening?
>
> The code
> (c4) Ma(f)gní(gh)fi(hr)cat() <v>\redtext{\greheightstar}</v>(;) á(hr)ni()ma() <i>me</i>(g)<i>a</i>(f) <b>Dó</b>(gr1[ocb:1{])mi(gr[ocb:0}])num.(go!hv) (::)
>
> produces
>
> <2024-01-06_21-44.png>
> Thank you,
> Andrew.
>
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> <2024-01-06_21-44.png>