The Wiz was one of the first shows I saw on Broadway back in the 70s: the funky twist on the classic
Wizard of Oz, one of the first Broadway shows to feature an all-Black cast. I still remember the entrance of the magnificent wicked witch Evillene, pulled in on a huge sleigh by a seemingly endless line of minions. No sleigh-dragging in this version but you will be wowed by her Evil-ness (and you will NOT “bring her no bad news!”)
At our opening night performance, Evillene was dazzlingly played by Kaila Gross - who, surprisingly, also played Aunt Em, with a lovely nurturing-Aunt song at the beginning. Dorothy was played by the endearing Cyniah Elise who also sported a soulful and powerful voice, having appeared on American Idol in 2020. I imagine the program-listed Kyla Jade and Dana Cimone will be playing these roles at other performances, but I find it hard to imagine the two we saw will be equalled.
Lion, Tin Man and Scarecrow (Cal Mitchell, D. Jerome and Elijah Ahmad Lewis, respectively) were each a treat in his own right, with cool dance moves and powerhouse voices. Alan Mongo Jr. was charmingly over the top as the Wiz, himself.
But it’s the glitz and glam and of the set/projections/costumes and many show-stopping song and dance numbers that make this production shine. The score features soul, gospel, rock, and 70s funk with a fantastic fusion of ballet, jazz, and modern pop dance numbers.The storm/tornado dance/light show was impressive. Dancers portrayed both poppies and the yellow brick road itself.
I miss the Gift Shop at Wharton, but appreciated the little art gallery sponsored by Peace Quest that took its place, featuring student art portraying the impact of technology, You are invited to vote for your favorite.
Jane Zussman
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