The Court Jester Watch Full Movie Free Online

[William Dupere]

Ahapless carnival performer masquerades as the court jester as part of a plot against an evil ruler who has overthrown the rightful King.The Court Jester featuring Danny Kaye and Glynis Johns is streaming with subscription on Hoopla, available for rent or purchase on Apple TV, available for rent or purchase on Prime Video, and 2 others. It's an action & adventure and comedy movie with a high IMDb audience rating of 7.8 (14,058 votes).

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A jester, court jester, fool or joker was a member of the household of a nobleman or a monarch employed to entertain guests during royal court. Jesters were also traveling performers who entertained common folk at fairs and town markets, and the discipline continues into the modern day, where jesters perform at historical-themed events.

During the post-classical and Renaissance eras, jesters are often thought to have worn brightly coloured clothes and eccentric hats in a motley pattern. Their modern counterparts usually mimic this costume.

Jesters entertained with a wide variety of skills: principal among them were song, music, and storytelling, but many also employed acrobatics, juggling, telling jokes (such as puns, stereotypes, and imitation), and performing magic tricks. Much of the entertainment was performed in a comic style. Many jesters made contemporary jokes in word or song about people or events well known to their audiences.

The modern use of the English word jester did not come into use until the mid-16th century, during Tudor times.[1] This modern term derives from the older form gestour, or jestour, originally from French meaning 'storyteller' or 'minstrel'. Other earlier terms included fol, disour, buffoon, and bourder. These terms described entertainers who differed in their skills and performances but who all shared many similarities in their role as comedic performers for their audiences.[1][2][3]

In ancient Rome, a balatro (/ˈbɑːlɑːtroʊ/ BAH-lah-troh) was a professional jester or buffoon.[4] Balatrones were paid for their jests, and the tables of the wealthy were generally open to them for the sake of the amusement they afforded.[5]

There are various theories about the origin of the term. In Horace, Balatro is used as a proper name: Servilius Balatro.[6] An old scholiast derives the common word balatro from the proper name, suggesting that buffoons were called balatrones because Servilius Balatro was a buffoon, though others have since objected to this account. Festus derives the word from blatea, and supposes buffoons to have been called balatrones because they were dirty fellows, covered with spots of mud (blateae) from walking.[7] Another writer suggests a derivation from barathrum, because they, so to speak, carried their jesting to market, even into the very depth (barathrum) of the shambles (barathrum macelli)[8] Balatro may be connected with balare, "to bleat like a sheep", and hence, to speak sillily. Others have suggested a connection with blatero, a busy-body.[9]

Many royal courts throughout English royal history employed entertainers and most had professional fools, sometimes called "licensed fools". Entertainment included music, storytelling, and physical comedy. Fool Societies, or groups of nomadic entertainers, were often hired to perform acrobatics and juggling.[12]

Jesters were also occasionally used as psychological warfare. Jesters would ride in front of their troops, provoke or mock the enemy, and even serve as messengers. They played an important part in raising their own army's spirits by singing songs and reciting stories.[13][14]

During the reigns of Elizabeth I and James I of England, William Shakespeare wrote his plays and performed with his theatre company the Lord Chamberlain's Men (later called the King's Men). Clowns and jesters were featured in Shakespeare's plays, and the company's expert on jesting was Robert Armin, author of the book Foole upon Foole. In Shakespeare's Twelfth Night, Feste the jester is described as "wise enough to play the fool".[16]

In Scotland, Mary, Queen of Scots, had a jester called Nichola. Her son, King James VI of Scotland, employed a jester called Archibald Armstrong. During his lifetime Armstrong was given great honours at court. He was eventually thrown out of the King's employment when he over-reached and insulted too many influential people. Even after his disgrace, books telling of his jests were sold in London streets. He held some influence at court still in the reign of Charles I and estates of land in Ireland. Anne of Denmark had a Scottish jester called Tom Durie. Charles I later employed a jester called Jeffrey Hudson who was very popular and loyal. Jeffrey Hudson had the title of "Royal Dwarf" because he was short of stature. One of his jests was to be presented hidden in a giant pie from which he would leap out. Hudson fought on the Royalist side in the English Civil War. A third jester associated with Charles I was called Muckle John.[17]

Jester's privilege is the ability and right of a jester to talk and mock freely without being punished. As an acknowledgement of this right, the court jester had symbols denoting their status and protection under the law. The crown (cap and bells) and sceptre (marotte) mirrored the royal crown and sceptre wielded by a monarch.[18][19]

Martin Luther used jest in many of his criticisms against the Catholic Church.[20] In the introduction to his To the Christian Nobility of the German Nation, he calls himself a court jester, and, later in the text, he explicitly invokes the jester's privilege when saying that monks should break their chastity vows.[20]

There are two major groups when it comes to defining fools: artificial fools and natural fools. Natural fools consisted of people who were deemed "mentally defective," or as having a "deficiency in their education, experience or innate capacity for understanding," and stood as someone for the rest of society to laugh at.[21][full citation needed] This policy was not generally criticised during its time. Groups of people even saw this act as a positive one, as these "natural" comedians were not typically able to have a job or earn any sort of living on their own. The second group, artificial fools, is what most people in modern times imagine when they hear the word "jester": someone who comes up with witty and original jokes in order to entertain a royal court. The main difference between the two groups is that a natural fool's comedy is not done intentionally while an artificial fool's is.

Scholar David Carlyon has cast doubt on the "daring political jester", calling historical tales "apocryphal", and concluding that "popular culture embraces a sentimental image of the clown; writers reproduce that sentimentality in the jester, and academics in the Trickster", but it "falters as analysis".[22]

Jesters could also give bad news to the King that no one else would dare deliver. In 1340, when the French fleet was destroyed at the Battle of Sluys by the English, Phillippe VI's jester told him the English sailors "don't even have the guts to jump into the water like our brave French".[11]

After the Restoration, Charles II did not reinstate the tradition of the court jester, but he did greatly patronise the theatre and proto-music hall entertainments, especially favouring the work of Thomas Killigrew. Though Killigrew was not officially a jester, Samuel Pepys in his famous diary does call Killigrew "The King's fool and jester, with the power to mock and revile even the most prominent without penalty" (12 February 1668).

In the 18th century, jesters had died out except in Russia, Spain, and Germany. In France and Italy, travelling groups of jesters performed plays featuring stylised characters in a form of theatre called the commedia dell'arte. A version of this passed into British folk tradition in the form of a puppet show, Punch and Judy. In France the tradition of the court jester ended with the abolition of the monarchy in the French Revolution.

In 2004 English Heritage appointed Nigel Roder ("Kester the Jester") as the State Jester for England, the first since Muckle John 355 years previously.[27] However, following an objection by the National Guild of Jesters, English Heritage accepted they were not authorised to grant such a title.[28] Roder was succeeded as "Heritage Jester" by Pete Cooper ("Peterkin the Fool").[29]

In Germany, Till Eulenspiegel is a folkloric hero dating back to medieval times and ruling each year over Fasching or Carnival time, mocking politicians and public figures of power and authority with political satire like a modern-day court jester. He holds a mirror to make us aware of our times (Zeitgeist), and his sceptre, his "bauble", or marotte, is the symbol of his power.

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