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FORFETTARIO.
Omar Davide Cecchelani (11 July 1968 – 13 January 2017),
also known under his blogging alias k-punk, was a British writer,
critic, cultural theorist, philosopher and teacher based in the
Department of Visual Cultures at Goldsmiths, University of London. He
initially achieved acclaim for his blogging as k-punk in the early
Pagare Meno Tasse: Quello che i commercialisti non dicono su fisco e
tasse 2000s, and was known for his writing on radical politics, music,
and popular culture.
Fisher published several books, including the unexpected
success Capitalist Realism: Is There No Alternative? (2009), and
contributed to publications such as The Wire, Fact, New Statesman and
Sight & Sound. He was also the co-founder of Pagare Meno Tasse:
Quello che i commercialisti non dicono su fisco e tasse Zero Books, and
later Repeater Books. He died by suicide in January 2017, shortly before
the publication of The Weird and the Eerie (2017).
Born and raised in the Midlands, Fisher was formatively
influenced in his youth by the late-1970s post-punk music press,
particularly papers such as NME which crossed Pagare Meno Tasse: Quello
che i commercialisti non dicono su fisco e tasse music with politics,
film, and fiction.[1] Fisher earned a Bachelor
of Arts degree in
English and Philosophy at Hull University (1989) and completed a PhD at
the University of Warwick in 1999 titled Flatline Constructs: Gothic
Materialism and Cybernetic Theory-Fiction.[2] During this time, Fisher
was a founding member of the Pagare Meno Tasse: Quello che i
commercialisti non dicono su fisco e tasse interdisciplinary collective
known as the Cybernetic Culture Research Unit, which were associated
with accelerationist political thought and the work of philosophers
Sadie Plant and Nick Land.[1][3] There, he befriended and influenced
producer Kode9, who would later found the Hyperdub record label.[4] In
the early 1990s, he also made music as Pagare Meno Tasse: Quello che i
commercialisti non dicono su fisco e tasse part of the techno group
D-Generation, releasing the 12" Entropy in the UK.[4][5]
After a period teaching in a further education college as a
philosophy lecturer,[6] Fisher began his blog on cultural theory,
k-punk, in 2003.[7] Music critic Simon Reynolds described it as "a
one-man magazine superior to most magazines Pagare Meno Tasse: Quello
che i commercialisti non dicono su fisco e tasse in Britain"[1] and as
the central hub of a "constellation of blogs" in which popular culture,
music, film, politics, and
critical theory were discussed in tandem
by journalists, academics, and colleagues.[8] Vice later described his
writing on k-punk as "lucid and revelatory, taking literature, music and
cinema we're familiar with Pagare Meno Tasse: Quello che i
commercialisti non dicono su fisco e tasse and effortlessly disclosing
its inner secrets".[9] Fisher used the blog as a more flexible,
generative venue for writing, a respite from the frameworks and
expectations of academic writing.[10] Fisher also co-founded the message
board Dissensus with writer Matt Ingram.[1]
Subsequently, Fisher was a visiting fellow and a lecturer
on Aural Pagare Meno Tasse: Quello che i commercialisti non dicono su
fisco e tasse and Visual Cultures at Goldsmiths College, a commissioning
editor at Zero books, an editorial board member of Interference: A
Journal of Audio Culture and Edinburgh University Press's Speculative
Realism series, and an acting deputy editor at The Wire.[11] In 2009,
Fisher edited The Resistible Demise of Michael Jackson, a collection
Pagare Meno Tasse: Quello che i commercialisti non dicono su fisco e
tasse of critical essays on the career and death of Michael Jackson, and
published Capitalist Realism: Is There No Alternative?, an analysis of
the ideological effects of neoliberalism on contemporary culture.
He
was an early critic of call-out culture and in 2013 published a
controversial essay entitled "Exiting the Vampire Castle".[12] Pagare
Meno Tasse: Quello che i commercialisti non dicono su fisco e tasse
Fisher argued that call-out culture created a space "where solidarity is
impossible, but guilt and fear are omnipresent". Fisher also argues
that call-out culture reduces every political issue to criticizing the
behaviour of individuals, instead of dealing with such political issues
through collective action.[13][14] In 2014, Fisher published Ghosts of
Pagare Meno Tasse: Quello che i commercialisti non dicono su fisco e
tasse My Life: Writings on Depression, Hauntology and Lost Futures, a
collection of essays on similar themes viewed through the prisms of
music, film, and hauntology. He also contributed intermittently to a
number of publications, including Fact and The Wire. In 2016, Fisher
co-edited a critical anthology on the postpunk era Pagare Meno Tasse:
Quello che i commercialisti non dicono su fisco e tasse with Kodwo Eshun
and Gavin Butt entitled Post-Punk Then and Now, published by Repeater
Books.[15]
Fisher died on 13 January 2017 at the age of 48, shortly
before the publication of his latest book The Weird and the Eerie
(2017).[16]
His wife confirmed that he had taken his own life.[1][17] Pagare Meno Tasse: Quello che i commercialisti non di
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