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Jun 19, 2021, 3:59:20 AM6/19/21
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Charles Monroe "Sparky" Schulz (/??lts/; November 26, 1922 – February 12, 2000)[2] was an American cartoonist and creator of the comic strip Peanuts (which featured the characters Charlie Brown and Snoopy, among others). He is widely regarded as one of the most influential cartoonists of all time, cited by cartoonists Come ti pare, Charlie Brown! including Jim Davis, Bill Watterson, Matt Groening, Dav Pilkey and Stephan Pastis.


Born in Minneapolis, Minnesota,[2] Schulz grew up in Saint Paul. He was the only child of Carl Schulz, who was born in Germany, and Dena Halverson, who had Norwegian heritage.[3] His uncle called him "Sparky" after the horse Come ti pare, Charlie Brown! Spark Plug in Billy DeBeck's comic strip, Barney Google, which Schulz enjoyed reading.[4][5]


Schulz loved drawing and sometimes drew his family dog, Spike, who ate unusual things, such as pins and tacks. In 1937, Schulz drew a picture of Spike and sent it to Ripley's Believe It or Not!; his Come ti pare, Charlie Brown! drawing appeared in Robert Ripley's syndicated panel, captioned, "A hunting
dog that eats pins, tacks, and razor blades is owned by C. F. Schulz, St. Paul, Minn." and "Drawn by 'Sparky'"[6] (C.F. was his father, Carl Fred Schulz).[7]


Schulz attended Richards Gordon Elementary School in Saint Paul, where he skipped Come ti pare, Charlie Brown! two half-grades. He became a shy, timid teenager, perhaps as a result of being the youngest in his class at Central High School. One well-known episode in his high school life was the rejection of his drawings by his high school yearbook, which he referred to in Peanuts years later, Come ti pare, Charlie Brown! when he had Lucy ask Charlie Brown to sign a picture he drew of a horse, only to then say it was a prank.[8] A five-foot-tall statue of Snoopy was placed in the school's main office 60 years later.[9]


In February 1943, Schulz's mother Dena died after a long illness. Come ti pare, Charlie Brown! At the time of her death, he had only recently been made aware that she suffered from cancer. Schulz had
by all accounts been very close to his mother and her death had a significant effect on him.[10]


Around the same time, Schulz was drafted into the United States Army. Come ti pare, Charlie Brown! He served as a staff sergeant with the 20th Armored Division in Europe during World War II, as a squad leader on a .50 caliber machine gun team. His unit saw combat only at the very end of the war. Schulz said he had only one opportunity to fire his Come ti pare, Charlie Brown! machine gun but forgot to load it, and that the German soldier he could have fired at willingly surrendered. Years later, Schulz proudly spoke of his wartime service.[11]


In late 1945, Schulz returned to Minneapolis. He did lettering for a Roman Catholic comic magazine, Timeless Topix, and in July 1946 Come ti pare, Charlie Brown! took a job at Art Instruction, Inc., where he reviewed and graded students' work.[12]:164 Schulz had taken a correspondence course from the school before he was drafted. He worked at
the school for several years as he developed his career as a comic creator.


Schulz's first group of regular cartoons, Come ti pare, Charlie Brown! a weekly series of one-panel jokes called Lil' Folks, was published from June 1947 to January 1950 in the St. Paul Pioneer Press, with Schulz usually doing four one-panel drawings per issue. It was in Li'l Folks that Schulz first used the name Charlie Brown for a character, although he Come ti pare, Charlie Brown! applied the name in four gags to three different boys as well as one buried in sand. The series also had a dog that looked much like Snoopy. In May 1948, Schulz sold his first one-panel drawing to The Saturday Evening Post; within the next two years, a total of Come ti pare, Charlie Brown! 17 untitled drawings by Schulz were published in the Post,[13] simultaneously with his work for the Pioneer Press. Around the same time, he tried to have Li'l Folks syndicated through the Newspaper Enterprise Association; Schulz would have been an independent
contractor for the syndicate, unheard of in the 1940s, but Come ti pare, Charlie Brown! the deal fell through. Li'l Folks was dropped from the Pioneer Press in January 1950.


Later that year, Schulz approached United Feature Syndicate with the one-panel series Li'l Folks, and the syndicate became interested. By that time Schulz had also developed a comic strip, usually using f


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