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Charles Monroe "Sparky" Schulz (/??lts/; November 26, 1922 –
February 12, 2000)[2] was an American cartoonist and creator of the
comic strip Peanuts (which featured the characters Charlie Brown and
Snoopy, among others). He is widely regarded as one of the most
influential cartoonists of all time, cited by cartoonists Come ti pare,
Charlie Brown! including Jim Davis, Bill Watterson, Matt Groening, Dav
Pilkey and Stephan Pastis.
Born in Minneapolis, Minnesota,[2] Schulz grew up in Saint
Paul. He was the only child of Carl Schulz, who was born in Germany, and
Dena Halverson, who had Norwegian heritage.[3] His uncle called him
"Sparky" after the horse Come ti pare, Charlie Brown! Spark Plug in
Billy DeBeck's comic strip, Barney Google, which Schulz enjoyed
reading.[4][5]
Schulz loved drawing and sometimes drew his family dog,
Spike, who ate unusual things, such as pins and tacks. In 1937, Schulz
drew a picture of Spike and sent it to Ripley's Believe It or Not!; his
Come ti pare, Charlie Brown! drawing appeared in Robert Ripley's
syndicated panel, captioned, "A hunting
dog that eats pins, tacks,
and razor blades is owned by C. F. Schulz, St. Paul, Minn." and "Drawn
by 'Sparky'"[6] (C.F. was his father, Carl Fred Schulz).[7]
Schulz attended Richards Gordon Elementary School in Saint
Paul, where he skipped Come ti pare, Charlie Brown! two half-grades. He
became a shy, timid teenager, perhaps as a result of being the youngest
in his class at Central High School. One well-known episode in his high
school life was the rejection of his drawings by his high school
yearbook, which he referred to in Peanuts years later, Come ti pare,
Charlie Brown! when he had Lucy ask Charlie Brown to sign a picture he
drew of a horse, only to then say it was a prank.[8] A five-foot-tall
statue of Snoopy was placed in the school's main office 60 years
later.[9]
In February 1943, Schulz's mother Dena died after a long
illness. Come ti pare, Charlie Brown! At the time of her death, he had
only recently been made aware that she suffered from cancer. Schulz had
by all accounts been very close to his mother and her death had a significant effect on him.[10]
Around the same time, Schulz was drafted into the United
States Army. Come ti pare, Charlie Brown! He served as a staff sergeant
with the 20th Armored Division in Europe during World War II, as a squad
leader on a .50 caliber machine gun team. His unit saw combat only at
the very end of the war. Schulz said he had only one opportunity to fire
his Come ti pare, Charlie Brown! machine gun but forgot to load it, and
that the German soldier he could have fired at willingly surrendered.
Years later, Schulz proudly spoke of his wartime service.[11]
In late 1945, Schulz returned to Minneapolis. He did
lettering for a Roman Catholic comic magazine, Timeless Topix, and in
July 1946 Come ti pare, Charlie Brown! took a job at Art Instruction,
Inc., where he reviewed and graded students' work.[12]:164 Schulz had
taken a correspondence course from the school before he was drafted. He
worked at
the school for several years as he developed his career as a comic creator.
Schulz's first group of regular cartoons, Come ti pare,
Charlie Brown! a weekly series of one-panel jokes called Lil' Folks, was
published from June 1947 to January 1950 in the St. Paul Pioneer Press,
with Schulz usually doing four one-panel drawings per issue. It was in
Li'l Folks that Schulz first used the name Charlie Brown for a
character, although he Come ti pare, Charlie Brown! applied the name in
four gags to three different boys as well as one buried in sand. The
series also had a dog that looked much like Snoopy. In May 1948, Schulz
sold his first one-panel drawing to The Saturday Evening Post; within
the next two years, a total of Come ti pare, Charlie Brown! 17 untitled
drawings by Schulz were published in the Post,[13] simultaneously with
his work for the Pioneer Press. Around the same time, he tried to have
Li'l Folks syndicated through the Newspaper Enterprise Association;
Schulz would have been an independent
contractor for the syndicate,
unheard of in the 1940s, but Come ti pare, Charlie Brown! the deal fell
through. Li'l Folks was dropped from the Pioneer Press in January 1950.
Later that year, Schulz approached United Feature Syndicate
with the one-panel series Li'l Folks, and the syndicate became
interested. By that time Schulz had also developed a comic strip,
usually using f
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