The Pasolini "Matthew" (
https://www.imdb.com/title/tt0058715/reference) is very widely admired, at least by those into the director. I see it much as Marilyn describes, but it is often said to be actually very radical. Pasolini was a Marxist and an early gay activist, and some viewers see those viewpoints underlying the way he tells this story.
BTW, besides that YT version, it also seems to be on Prime. I'm looking at the first couple minutes of each, and the Prime may be a little more stable picture -- for those who have that as an option.
I'll leave for another time the story of how a friend and I as teenagers at a musical club event were invited by a weird hanger-on by the door to go see a movie in his garage. He turned out to be an Ayn Randist, yet the movie was this maybe-leftist take on the gospel. Oh wait, that's all there is to the story ...
Why did I change the posting Subject? A striking feature of this movie, for those who know the music, is that the opening credits have as music background the Gloria from the Missa Luba. If that was a recently-released LP (1965) and you had been listening to it lately, hearing it at the start of this peculiar film would be a shock of recognition.
The Missa Luba recording also had early popular culture appearance in the 1968 British New Wave movie "If"
https://www.imdb.com/title/tt0063850/reference . Malcolm McDowell's character goes to his boarding-school dorm, puts the record player arm down on a track he selects, and lies down to listen to it. It's the Sanctus from Missa Luba. (Maybe continuing thru the Benedictus.) I forget exactly how, but this is sort of a turning point for him, and it maybe was when he decides to join the youth uprising.
Anyway, the Missa Luba was a sort of big deal in some circles. My family's copy of the LP was in the somewhat ornate original issue album material -- one disc but in a double-album folding sleeve, with furthermore several internal leaves, like a mini-book, but cut to different heights so it was like tabs. One of the printed pieces inside was an essay by a writer I did not yet know of -- Studs Terkel.
Anyway, here is a link for a YouTube playlist covering that original recording. Note that the cuts from the record are individual YouTube clips; but the playlist should work to assemble them in order. Yet allow them to be played or shared separately.
I don't know where to find the original texts from the album. Small quotations appear over some of the videos. I'll look for Studs's note.
I also have at some point bought the 1990 CD of Muungano National Choir of Nairobi performing this (they toured with it) and the album notes look into the fact that the original was of course an outright product of colonialism and a kind of exploitation -- but the music was created more by the boys in the choir than Father Haazen and has been taken up by African musical organizations who make it a positive touchstone rather than something to be shunned as Euro-American appropriation.
Cheers,
==mitch