Dear Adil,
Thank you for giving me the sad news about the passing of Eunice.
I checked the papers and read about some of her later work and saw her image and heard her voice on-line.
I liked her poetry from the beginning. I included five poems by her in the issue of JSAL I edited on Goan literature, published as a book a few years ago by Goa 1556 as "Pivoting on the Point of Return". You would be aware of this as I included your fine analysis of her (early) poetry.
Her students praised her highly, as I discovered from the few I knew. I am sorry I did not get to know her better. She was supposed to come to the International Writing Program some years ago but Clark Blaise, then the Director, informed me that she had decided not to come because she found out that American planes did not permit passengers to smoke.
I am attaching fyi a review I wrote for a history journal in Essex that may interest you. That is assuming that you receive it as last I knew from Eunice she used to send your messages on her computer.
Greetings from Mary. This Fall will be the fiftieth anniversary of the IWP.
Best.
PeterEunice de Souza was a legend who notoriously “terrorised (successfully) the bank manager” as well as her contemporaries, colleagues and generations of students (even college principals have been known to quake before her). Her weapons: an acerbic tongue and devastating wit bolstered by impeccable logic. She was a true savant whose departure leaves a gaping hole in our intellectual sphere.
Eunice has been widely acclaimed as a poet, novelist and anthologist of 19th and 20th century Indian writing. She was also a critic, columnist and writer for children. Her first book of poetry Fix (1979) was hailed as “…a practically perfect book, and one of the most brilliant first books I have encountered” (K.D. Katrak, The Sunday Observer). Most of the poems seem at first to be caricatures of the Goan community, but are in fact minutely-observed revelations, occasionally indulgent but more often critical. There are also several wrenching poems about the poet’s own fraught and unresolved relationships. Her mix of trenchant observation and the confessional with more than a touch of self-deprecation and black humour became her distinctive style, reappearing in later collections, Women in Dutch Painting (1988), Ways of Belonging (1990), Selected and New Poems (1994), and A Necklace of Skulls (2009), unabashed even in her last volume Learn from the Almond Leaf (2016)
Noted poet Eunice De Souza passes away: The Hindu (Kenneth Rosario)
Eunice de Souza (1940-2017): Poet and inspirational teacher who lived with enjoyment and defiance (Scroll.in Rochelle Pinto)