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But recently, while working on my Luminosity Masking course (the course that spurred this comment that inspired this post), I found that I fell in love with Photoshop all over again. I found myself going through old photos in my library and editing them in a different way. Doing things with areas in the sky I had never done on those photos before.
Your comments to this article are spot on and well inline with my feelings. Especially back in the day of working in the darkroom. Thats where it all happened. I look at Lightroom and Photoshop as a modern darkroom with endless creative possibilities.
I am 60 years old and for many years have played with Lightroom and Photoshop. I feel I have got quite proficient at using them and get a huge amount of pleasure from using them with my photos (that are not always perfect at all).
I know this may sound a bit strange but I feel like a huge load has come off my shoulders. From this point on I will never feel guilty or un-proficient again but just enjoy what makes me so happy and to hell with what everyone else thinks.
Interesting article. I am probably in the minority, but I enjoy the editing process better than actually taking the shot. There are so many different looks that can be given to each shot that it makes it a challenge to see what I can come up with.
I am trawling through my substantial digital archives to play with some in PS, as my editing skills have improved since the really old ones were taken. There are periods of every persons life where you have to be satisfied with the things you are able to do, rather than resent the things which are no longer possible.
I actually enjoy shooting and editing equally. Like you mentioned in your article, work and family obligations hinder when and where I get a chance to take photographs, but with RAW shots, I can work and re-work them as I have time (and knowledge of new techniques). I immensely appreciate you and your peers who so graciously and effectively share your knowledge about the amazing tools we have to work with. Learning is a lifelong journey, and this is one I love!
I agree with you that the person who states they hate something is most likely miserable at it. It is true almost always. I did have a friend, a fellow French horn player who was a professional musician and played with serious orchestras, but when he one day got tired of it and decided he hated that life, he abandoned everything to do with it. So here you have an example of someone who is an expert at their field but hates it just the same!
I used to watch Photoshop TV with you and Scott Kelby and David Cross. I got a lot out of those shows. These days I still shoot and edit but can not afford to buy any courses or even do art shows anymore.
I hope to get back into it this coming year.
But every now and again, I settle on a project to make one particulr photo exceptional, or at least I try? LR can do the major part, but PS is needed to tweak it that little extra bit, often turning an OK shot into a Wow! shot. This is time-consuming for sure, but then I used to sweat over nearly-totally-dark spare bedroom endeavours when I developed and processed colour slides and negatives.
Only the technology has changed, not the effort required to be input into creating that photo exactly as you want it!
I moved from Lightroom to On1. I use ON1 for editing. I use Photoshop for editing. I do a lot of greeting cards and calendars. Frankly, I use whatever will help me create a work that brings satisfaction to me and joy to someone else. So thanks Matt for the work that you do. One should never feel bad about being good at what they do. They only need to apologize if they do not share their gift.
I like the blog it gets the point across very well. It may be that some older photographers are afraid of newer techniques and technology out there, and their way of feeling superior is to feel that they are better at doing it in camera than others. I think about the old master painters in Europe during the Post-Impressionist period, like Vincent Van Gogh, who during his life time was mocked by most painting experts, but today his works are considered some of the greatest paintings ever created.
I also think about some of the earliest photographers, like Ansel Adams; when I first saw his Black and White photos thought that me must have camped out for days to get such great photos. A couple of years ago I was in Yosemite and spent some time at the Ansel Adams Studio and talked about the photos with several of the people working there and learned that the most important work that Ansel Adams did to get such great photos was to spend hundreds of hours in the Dark Room using different techniques and chemical mixes to improve the photographs to get the correct final prints. To me this is no different than what we do today with Photoshop today. I got the impression that Ansel Adams loved working in the Dark Room perfecting the perfect prints that we see today. Is that any different than working on a computer today to get the best photographs possible?
As a teacher, I have heard that many times to the point of gagging. I have found it is coming from people afraid of photoshop or lightroom. Whether you work digitally or traditionally you edit your photos. Shooting is the first part of the workflow, not the ending.
I love editing. In fact my job is as a photo editor for a Wedding/Engagement/Family photographer from Colorado. And I love photographing cities, landscape, food and my daily activities for me and enjoy post processing to enhance my pictures and give them the best, not because they came out wrong. I love your work and your teachings. ?
Kind regards from Buenos Aires, Argentina
Great Blog post Matt! I also love editing! In fact, editing has saved a lot of images that I messed up when taking them. Not as much now as when I was first learning to use a DSLR, but I still sometimes forget to check my settings. But editing has also be instrumental in bringing out what I actually saw, as opposed to what the camera recorded!
Would you say Ansel Adams got in right in the camera? He spent hundreds of hours in his darkroom manipulating his film and prints to achieve the results he did. I think he would have loved the digital darkroom.
Matt, I loved your post. You are so right the a good part of the fun is going back and reworking your photos. Everyone wants to get it right in the camera but if you shoot raw there is no way of getting it right without working on the original file. What your eye sees is different then what the raw image captures. It is up to your creative capabilities to make that raw image into what your memory and eyes saw originally. Keep up the combination of work and family. Remember, kids grow up so fast you have a tendency to miss their important years and then regret it the rest of your life.
Back before I ventured into Photoshop, I was editing photos in Paint Shop Pro (when it was in its early days, produced by JASC) to prep them for use on websites. As much as I enjoyed taking the photos, I much enjoyed post-processing (as we call it today). As I studied Ansel Adams and his photography process, I realized that the camera is not capable of capturing all I saw with my eyes, and working with the photos after they were taken can be frustrating and enjoyable at the same time. Here I am, years later, still spending hours making my captures into art and, like you, enjoying it tremendously! d:{D
When I discovered simple photo editing with my first digital cameras, there was a whole new facet added to the joy of photography for me. Since then, I have gotten better at taking good photos, but also editing.
When I see the way others edit their photos, I am inspired and it makes me consider new ways to go about editing. I continue to learn new skills for taking better photos AND the ways in which the photos can be post-processed. Learning is a big part of the pleasure I get from my photography hobby.
Indeed it is, Mr Lasse. When one looks at Ansel Adams or Cartier-Bresson, it is the image processing that extends the creative act and makes the images so powerful. Ansel Adams was a master darkroom craftsman and Cartier-Bresson had the support of some of the best technicians in the business. As you wisely said, Mr Ekloef, photo editing is as old as photography itself.
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