Weare an award winning design studio, working between graphic design, interaction and emergent communication. Our practice expands across branding, print, website, installation and exhibition design.
We specialise in forward thinking, multifaceted visual identities within the arts and education sector. We aim to create meaningful, accessible and thought-provoking work and work collaboratively with our clients to facilitate their ideas into rich and nuanced projects.
Rooted in the Social Model of Disability, we strive to make our work as accessible as possible to a wide range of audiences. On the web we go above and beyond WCAG, providing a range of bespoke access tools to provide variations on font size, colour contrast, cursor size, audio descriptions, short & long reads and have even devised our own approach to access calibration pages. In print we strive for legibility and engagement, ensuring content is bold, exciting and understandable.
We are a community focused studio working in a multilingual and transnational context. We foreground user engagement through bold, clear and conceptually grounded visual identities tailored to meet our audiences needs. Our approach is discursive, intersectional and collaborative - we strive to incorporate audiences into our design process from the start.
Environmentally sustainable exhibition and website design is a core part of our ongoing research to address the intersectionality of the climate crisis. Through this we have developed processes and tools for considering ways to produce low-carbon visual identities, and recommend low-carbon hosting and domain services to all our clients.
We respond to the core values and intentions of our clients to create meaningful and ambitious visual identities. We take care to platform the diverse range of influences and voices of our clients and their audiences through aesthetics. We strive to communicate a clear and accessible message whilst simultaneously facilitating the many complex and nuanced ideas behind each project.
Artangel has worked with many talented and creative agencies over the years, but Studio Hyte is in a class of its own.
Several great studios pitched for the design and build of the World Weather Network's online platform. At every stage of the process, the team at Hyte were a pleasure to work with - thoughtful and diligent throughout, with an imaginative and original approach to a highly complex project involving 29 international partners.
A combination of exceptional ideas, consistent creativity and the capacity to listen constructively to client feedback is what distinguishes Hyte from other studios.
We have worked with Studio Hyte intensively on a range of outputs for a number of years. They are always our first choice for their ability to work across our projects in highly creative and openly collaborative ways. Their particular value for us lies in the diversity of skills and sensibilities across the team, meaning they can meet our needs with anything from branding and visual assets - to web apps and AR interfaces.
Studio Hyte do deep research into the conceptual underpinnings of every project, nailing the aesthetics, and never failing to wow with their design variations. They are sensitive to varied stakeholder needs and keep accessibility at the forefront of their work.
Working with new organisations and adapting to mediums and methodologies that you are not accustomed to is always challenging in my experience.
A lot of this trepidation dissipated as we began working with Studio Hyte and set about developing the online platform and its visual identity. As we started sharing ideas and having discussions their patience and experience had definitive positive impacts.
One particular element that influenced our project was their vast knowledge regarding user interface experience which was important to us as we aspire for our platform to be accessible to a wide array of online audiences.
Published by the Campaign for Nuclear Disarmament and Pluto Press in 1981, No Nuclear Weapons acts as an important reminder of the powerful yet peaceful political movement, in which over 250,000 people in London marched for unilateral disarmament and peace. The imagery throughout the book is masterfully illustrated by the provocative and iconic photomontages of Peter Kennard. And it skillfully weaves memorable scenes of British scenery with the inevitable destruction that follows the use of nuclear weapons. These visions are harrowing and all too close to home, despite the fact its now 38 years old.
Distributed by Open Editions is another gift, this time from former-tutor and friend David Blamey. This book has quickly become a hot topic of discussion around the studio, informing frequent projects and debates around the future of money and the subversion of systemic austerity.
Are you interested in futures thinking, science fiction, creative writing, sustainability or speculative design? Join us for an introductory session to Futurecasting where you will gain skills within defining, describing and developing plausible future scenarios related to climate justice.
The workshop is taking place in the Design School, Room 2.24 and there is step-free access into the building and lift access to the upper floors. For more information about the venue, including photographs, view the access guide for the Design School on AccessAble.
Studio Hyte is an award winning design studio, working between graphic design, interaction and emergent communication. Our practice expands across branding, print, website, installation and exhibition design. They specialise in forward thinking, multifaceted visual identities within the arts and education sector.
The Studio is working with LU Arts and Radar in order to produce a solar-powered interactive billboard which will feature video and text based upon the futurecasting workshop. Following the workshop, we will announce an open call for submissions. Further details will be sent to workshop participants.
Along with Jordan Gamble, Ben Cain and a fourth co-founder Eugene Tan, who has since left the studio, the team have been friends and collaborators since meeting aged 16 at Birmingham Metropolitan College.
For Sheffield-based charity Arts Catalyst, Studio Hyte created a playful, vibrant identity that can be swapped to black and white or high-contrast settings and still retain the character established through its quirky letterforms and icons, and bespoke floating media player.
Studio Hyte is a London based multidisciplinary design studio who place research and concept above medium. Working between graphic design, interaction and emergent forms of visual communication, we aim to create meaningful and thought provoking work.
Formed of a small group of individual practitioners, Studio Hyte is the middle ground where all of our interests and practices meet. As such our collective practice and research covers a broad spectrum of topics including; language, inclusion & accessibility, egalitarian politics & alternative protest and technology & the human.
We have been set up as a limited company for a little over 2 years now and have started to specialise in forward thinking, multifaceted visual identities for arts based organisations such as Furtherfield Gallery, The Serpentine and the Barbican. We also work on our own self directed projects for which, we have received Arts Council Funding and a Creative Enterprise Award. We do a lot of other stuff too.
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Studio Sink Poetry is a collaborative project between artists Maggie Jennings/Christina Niederberger and Design Studio Hyte (RCA). The publication comprises a collection of short poems and texts emerging from our practice as artists concerning things, objects, ideas and thoughts that surround us in the studio.
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