Gujarati Garba Raas Dandiya Mp3 Songs
Lora Ceasor
Raas or Dandiya Raas is the socio-religious folk dance originating from Indian state of Gujarat and popularly performed in the festival of Navaratri.[1][2] The dance is performed in the Marwar region of Rajasthan too.[3] The etymology of Dandiya-Raas is in Sanskrit.[4] Dandiya-raas exists in the different forms, including the collegiate competitive form.[5] The dance style is now in a competitive format and a traditional format.[5]
The word "Raas" comes from the Sanskrit word "Rasa", an aesthetic Indian concept related to emotions and feelings. Kapila Vatsyayan argued that the aesthetic theory of the Rasa gives the underlying unity to the Indian arts.[4]
Dandiya Raas, Gopgunthan Solanga Raas and Mer Dandiya Raas are the popular forms of Raas. In Saurashtra, Raas is performed by the men and the dance performed by women is called as Raasda. Element of dance is more prominent in the Raas while music is more prominent in Raasda.[2]
Garba-Raas, more commonly known as Raas, is a combination dance style consisting of mainly Dandiya-Raas and some Garba. Garba-Raas emerged as a competitive dance style due to the efforts of the Federation of Gujarati Associations of North America (FOGNA).[5] The Garba-Raas competitive dance style was further developed in the early 2000s by first generation Indian-American college students. Furthermore, a cohesive national organization for Garba-Raas was established in 2009 called Raas All-stars (RAS).[6] As of 2023, the organization consists of almost 50 actively competing collegiate Garba-Raas teams nationwide, out of a total of 66 recorded teams.[7]
Similarities between the traditional and competitive styles are the clothing, the music, and the basics moves. Jessica Falcone points out that dancers prefer to identify the new dance style as a branch of Garba and Dandiya-raas but in reality, she states that intercollegiate Garba-Raas is transforming into its own dance style.[5]
The structure competition dance consists of 12-16 dancers who perform 8-9 continuous dances which are a combination of Garba, dandiya-raas, and tran tali.[5] All dancers are required to be college students but may attend a different college from which they represent. Teams are expected to be in traditional Garba-Raas clothing. Routines are commonly constructed with a theme presented throughout the dance through props and special effects.[5] On stage the dance is described as "very intense and high-energy: (1) the music is usually at a faster tempo than the other forms of Garba-Raas discussed previously, (2) dancers are taught a form of fast head-bobbing, (3) manic smiles are pasted on each dancer in order to emphasize enthusiasm to judges".[5]
Raas All-Stars (RAS) is the national organization under which the collegiate Garba-Raas competitions and teams function. RAS was established in 2009.[6] They are responsible for certifying eligible competitions and hosting the national championship at the end of each season.[6]
The competition season for Garba-Raas takes place at the beginning of each calendar year (January to April).[6] In order to compete under the RAS organization, teams must submit applications to the certified competitions, known as Bid Competitions, by a set deadline. The application commonly includes an audition video of the team displaying a dance to three songs.[5] Eight teams are then selected and invited to compete by the board of each individual competition. Each competition awards the top three teams, 1st, 2nd, and 3rd place with 4 bid points, 2 bid points, and 1 bid point, respectively. The 8 teams with the highest cumulative bid point total are invited to the national RAS competition.[5]
Garba-Raas performances are judged on three elements: Artistic Elements, Choreography and Execution.[8] Bid competitions are required to have at minimum five judges (two Choreography, two Execution and one Artistic Element) but ideally have more than one judge per category, with the highest number of judges being nine per panel (three per category).[8] All three elements are judged on their respective "WOW" factors (term coined by the rubric), and team captains receive comments on their team's performances from the judges after every team has competed and been ranked.[8]
During the competition itself, there are strict guidelines the judges must follow: "During the show, the judges will sit separately to avoid any discussion of performances. This means that judges from the same category cannot sit next to each other. (For example, choreography and execution may be next to each other, but two choreography judges must be sitting separately.) The judges will also avoid any use of electronic devices, such as cell phones or laptops. During competing performances, the judges will score teams using the Raas All-Stars judging rubric. The judges may consider writing any qualitative notes on scratch paper for use in deliberation."[8] Judging rubrics for all RAS Bid Competitions are created and curated by the Executive Board of Raas All-Stars. All three rubrics are standardized each year so that judging criteria across all competitions and teams are consistent.[8]
Artistic Elements include many elements of the performance that do not involve choreography, but are crucial nonetheless and ranked by judges using a rubric standardized by the RAS organization. "As the regulatory body, RAS creates and executes the criteria for choosing and judging these competitions".[9] The theme of the competing team's performance is assessed, including the creativity of the theme and the execution in regards to the set, props and various gimmicks a team may perform. The rubric includes prompts such as: "Does the theme incorporation seem to naturally fit with the team's performance without taking away from the dance or does it seem forced?" Additionally, music is assessed regarding its tempo, rhythm and appeal within the performance. Historically, thematic judging is more nuanced than other elements because of personal opinions a judge or elder members of the Garba-Raas community may have.[10]
Choreography is judged via a similar rubric, however the judges for this element are required to have significant experience and are vetted properly by the RAS Executive Board prior to being given the position.[8] A team's choreography is judged by the opening and closing sequences, formations, originality, musicality, proximity to traditional Garba-Raas, complexity, structure and pacing.[8] Execution is judged by a third rubric, which includes categories such as recovery, synchronization, transitions, energy, grace and overall impression.[8]
Male and female students typically perform competitive Garba-raas with 12-16 dancers on stage at a time and always in even numbers if possible, even though the routine itself is not completely based on partner interactions. Dancers take up an entire auditorium stage with different types of formations and movements throughout an approximately six-minute dance piece. Throughout the piece, dancers either do choreography facing the audience or interact with other partners on stage for short periods of time in a reference to the traditional roots of Garba-raas. Unlike traditional dandiya-raas or Garba, collegiate Garba-raas do not have a set centre focal point.[5]
Garba is performed in a circle as a symbol of the Hindu view of time. The rings of dancers revolve in cycles, as time in Hinduism is cyclical. As the cycle of time revolves, from birth, to life, to death and again to rebirth, the only thing that is constant is the Goddess, that one unmoving symbol in the midst of all of this unending and infinite movement. The dance symbolizes that God, represented in feminine form in this case, is the only thing that remains unchanging in a constantly changing universe (jagat).
The Garbha Deep has another symbolic interpretation. The vessel itself is a symbol of the body, within whom Divinity (in the form of the Goddess) resides. Garba is danced around this symbol to honor the fact that all humans have the Divine energy of Devi within them.
Both men and women usually wear colorful clothes while performing garba and dandiya. The girls and the women wear Chaniya choli, a three-piece dress with a choli, which is an embroidered and colorful blouse, teamed with chaniya, which is the flared, skirt-like bottom, with intricate work and dupatta, which is usually worn in the traditional Gujarati manner. Chaniya Cholis are decorated with beads, shells, mirrors, stars, embroidery work, mati, etc. Traditionally, women adorn themselves with jhumkas (large earrings), necklaces, bindi, bajubandh, chudas and kangans, kamarbandh, payal, and mojiris. Boys and men wear kafni pyjamas with a Ghagra - a short round kurta - above the knees and pagadi on the head with bandhini dupatta, kada, and mojiris. In Gujarati, these clothes worn by men is called 'Kediyu'. Over the years, the interest in Garba has only increased. There is a huge interest in Garba among the youth of India and in particular, the Gujarati diaspora. Traditionally, this dance is performed in concentric circles and the entire group performs once step in sync, with the beat starting slow and slowly catching on speed.
Garba and Dandiya Raas are also popular in the United States where more than 20 universities have Raas/Garba competitions on a huge scale every year with professional choreography. The Canadian city of Toronto now hosts North America's largest annual garba by number of attendees.[3] Garba is also very popular in the United Kingdom where there are a number of Gujarati communities who hold their own Garba nights and widely popular among the Gujarati community worldwide.
Garba is a Gujarati folk dance celebrated in Navratri, a celebration lasting nine nights. Garba songs typically revolve around the subjects of the nine goddesses. Garba styles vary from place to place in Gujarat.
The traditional clothing of the Garba dancer is red, pink, yellow, orange, and brightly colored chanya, choli or ghagra choli; dupatta with bandhani (tie-dye), abhla (big mirrors) or with thick Gujarati borders. They also wear heavy jewellery, such as 2-3 necklaces, sparkling bangles, waist belts, and long oxidized earrings. Traditionally men wear an ethnic kedia and a pajama or a dhoti with an oxidized bracelet and necklace. Normally, the dandiya sticks are Wooden.
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