La Noire Australia

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Aug 3, 2024, 2:52:49 PM8/3/24

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It's one of our biggest cultural exports since Crocodile Dundee but the fanfare surrounding L.A. Noire only further twists the knife for the approximately 130 Australian developers who claim they were not credited for up to four years of work on the game.

It is rare for blockbuster games to be created in Australia and L.A. Noire's average review score of 89/100 makes it a killer inclusion on any resume. But for many who poured blood, sweat and tears into creating what has been described as the best ever Australian game their effort may never be officially recognised.

But L.A. Noire developers are now fighting for recognition and have created lanoirecredits.com to draw attention to their plight. They refuse to individually be named in stories, however, worried that the small world that is the Australian games development industry may shun them.

Set in 1947 Los Angeles, L.A. Noire is much deeper than the traditional action video game as instead of just running around shooting at people players must do things like analyse clues and facial expressions to determine whether characters in the game are lying. The game has inspired fresh comparisons between video games and Hollywood.

One of the creators of the lanoirecredits.com site, who did not want to be identified, said he worked at the developer Team Bondi in 2009 and 2010 but left before the game was finalised. He said he was not credited despite seeing elements he created appear in the final retail copy of the game.

He has collated a list of about 130 developers who did not make the credits and has listed them on the L.A. Noire credits website. His more complete list has also been adopted by Moby Games, which is like IMDB but for games instead of movies.

The developer conceded that some staff were told that they would not be credited unless they stayed with the company until the game shipped but maintained that it was still not fair or ethical. The list of omissions included one lead engine developer who had worked on the game for four years.

The developer said he didn't believe being left off the credits had affected him prefessionally but he wanted to be recognised because he had dedicated "25 per cent of my professional life" to the blockbuster game.

The International Game Developers Association (IGDA) has developed guidelines regarding credits for video games, but at present none of the big game development houses has formally adopted them.

The guidelines state that any contractor or employee who has contibued to the production of a game for at least 30 days must be credited and credit is retained by people who leave the company or project prior to the game's completion.

"It's important for individuals working in the industry to check their contracts before signing them so they are aware of how and where they will be credited for their work," a spokeswoman for the IGDA Melbourne chapter said.

Over 55 developers from Rockstar Vienna were reportedly left off the credits list for Manhunt 2, while Mythic was embroiled in a crediting controversy over Warhammer Online.

The Rockstar development lead on Manhunt 2 who protested against the game's credit omissions, Jurie Horneman, has given his support to the L.A. Noire developers on their Facebook page. "As someone who has been left out of credits for 2.5 years of work on one of their games, I salute your efforts and wish you well," he said.

During the Warhammer Online issue, back in 2008, the IGDA did not pull its punches. Chairperson Jen MacLean said at the time that the policy of only crediting those who remained at the end was "disrespectful" to developers and "misleads both consumers and game industry peers".

"The lack of accurate, fair, and consistent credit standards in the industry poses a serious problem for every game developer; by refusing to acknowledge their contributions, studio management limits the professional recognition and opportunity for development that every contributor deserves," MacLean said.

One source suggested that some developers were left off the L.A. Noire credits list because their work did not make it into the final game as the game underwent many changes during the seven years it was in development.

But the co-creator of the L.A. Noire credits site said he and many developers he had spoken to were left off but their work still appeared in their game. He also said that many people who did more back-end work on the engine, code and quality assurance were also omitted.

It is rare for blockbuster games to be created in Australia and L.A. Noire's of 89/100 makes it a killer inclusion on any resume. But for many who poured blood, sweat and tears into creating what has been described as the best ever Australian game their effort may never be officially recognised.

But L.A. Noire developers are now fighting for recognition and have created to draw attention to their plight. They refuse to individually be named in stories, however, worried that the small world that is the Australian games development industry may shun them.

He has collated a list of about 130 developers who did not make the credits and has listed them on the L.A. Noire credits website. His more complete list has also been , which is like IMDB but for games instead of movies.

The developer said he didn't believe being left off the credits had affected him prefessionally but he wanted to be recognised because he had dedicated \\\"25 per cent of my professional life\\\" to the blockbuster game.

\\\"It's important for individuals working in the industry to check their contracts before signing them so they are aware of how and where they will be credited for their work,\\\" a spokeswoman for the IGDA Melbourne chapter said.

The Rockstar development lead on Manhunt 2 who protested against the game's credit omissions, Jurie Horneman, has given his support to the L.A. Noire developers on their . \\\"As someone who has been left out of credits for 2.5 years of work on one of their games, I salute your efforts and wish you well,\\\" he said.

During the Warhammer Online issue, back in 2008, the IGDA . Chairperson Jen MacLean said at the time that the policy of only crediting those who remained at the end was \\\"disrespectful\\\" to developers and \\\"misleads both consumers and game industry peers\\\".

\\\"The lack of accurate, fair, and consistent credit standards in the industry poses a serious problem for every game developer; by refusing to acknowledge their contributions, studio management limits the professional recognition and opportunity for development that every contributor deserves,\\\" MacLean said.