Queen 1973 Album

[Angelique Syria]

Queenis the debut studio album by the British rock band Queen. Released on 13 July 1973 by EMI Records in the UK and by Elektra Records in the US, it was recorded at Trident Studios and De Lane Lea Music Centre, London, with production by Roy Thomas Baker, John Anthony and the band members themselves.[4]

The album was influenced by heavy metal and progressive rock.[4] The lyrics are based on a variety of topics, including folklore ("My Fairy King") and religion ("Jesus"). Lead singer Freddie Mercury wrote five of the ten tracks, lead guitarist Brian May wrote four songs (including "Doing All Right", which he co-wrote with Tim Staffell while in the band Smile), and drummer Roger Taylor both wrote and sang "Modern Times Rock and Roll". The final song on the album is a short instrumental version of "Seven Seas of Rhye", the full version of which would appear on the band's second album, Queen II.

Queen, who played their first gig in June 1970, had been playing the club and college circuit in and around London for almost two years when they were asked to test out the new recording facilities at De Lane Lea Studios. The band came away with a polished demo tape of five songs: "Keep Yourself Alive", "The Night Comes Down", "Great King Rat", "Jesus", and "Liar". The group sent their demo to various record labels, but only received one offer: a low bid from Charisma records, which they declined as, according to their friend Ken Testi, they feared they "would always play second fiddle to Genesis and those other bands".[5]

Producers John Anthony and Roy Thomas Baker visited De Lane Lea while the band were recording and were impressed by what they saw.[5] They recommended Queen to Barry and Norman Sheffield, who owned Trident Studios. The Sheffield brothers arranged for Queen to record at Trident; however, because the studio was very popular, Queen mainly recorded during studio downtime but were given free use of everything after the paying artists had left, including the latest technologies and production team.[6] Trident also agreed to oversee the group's management, recording and publishing interests while they sought a record deal.[5] One day, while waiting to use the studio, Freddie Mercury was asked to record vocals by producer Robin Geoffrey Cable, who was working on a version of "I Can Hear Music" and "Goin' Back". Mercury enlisted May and Taylor on the tracks, which were released on a single under the name Larry Lurex, a parody of Gary Glitter.[5][nb 1]

Another track that proved problematic was "Mad the Swine", which was to be the fourth track on the album between "Great King Rat" and "My Fairy King". Baker and Queen disagreed over the drum sound and percussion, and it was left off the album. It re-surfaced in 1991, remixed by David Richards, as both the B-side to the "Headlong" CD single in the UK, and on the Hollywood Records re-release of the album.

Other recordings from this period, such as two Smile tracks ("Silver Salmon" and "Polar Bear"), "Rock and Roll Medley" (a live encore staple from the era), and the infamous track "Hangman" (whose existence was long denied officially, beyond live concert recordings), have surfaced in the form of a studio acetate disc.

The music on Queen has been described as hard rock,[8][9] progressive rock[4] and heavy metal.[4][10] The album showcased the influence of contemporary rock bands such as Led Zeppelin, Black Sabbath and Jethro Tull, while the lyrics were reflective of "mystical sword 'n' sorcerers themes" with "medieval landscapes."[8][10] Michael Gallucci of Ultimate Classic Rock noted how "mostly Queen is a product of its time, bringing together prog, metal and even a little bit of folk music" and felt that the album "did little to separate the group from others exploring similar territory in the early '70s."[10] David Chiu of Medium opined that Mercury's songs were similar in style to the works of J. R. R. Tolkien, whereas Brian May's songs "were also baroque-sounding at times, albeit more introspective."[5]

Brian May wrote "Keep Yourself Alive" after the band had been formed but before John Deacon joined, as confirmed by former bass player Barry Mitchell (on an unofficial question and answer session held on an online forum). According to May in a radio special about their 1977 album, News of the World, he had penned the lyrics thinking of them as ironic and tongue-in-cheek, but their sense was completely changed when Mercury sang them. Taylor and May sing the vocal bridge of the song.

Former bassists and the band themselves recall that Mercury might have helped on the musical arrangements based on the fact that the band were in a more collaborative period in the pre-studio days, and he usually got his way with structural ideas. While it is highly possible that he contributed ideas to the song (the modulation types and the expanded form are closer to his style than to May's), even in that case Mercury would be more a co-arranger than a co-writer per se (like George Martin on The Beatles' songs).[11]

"Doing All Right" was written by Brian May and Tim Staffell while in Smile, however, it was never released by Smile. This is one of the few Queen songs to feature May on the piano. He also played his old Hallfredh[12] acoustic guitar on this track and on later tracks such as "White Queen (As It Began)" and "Jealousy". The band played this song as early as 1970, and it was notable as the band's first song Freddie Mercury played live on the piano. Staffell sang it when it was a Smile song, and Mercury tried to sing in the same manner when it became a Queen song. This song is not played much at concerts, played at least once at Earls Court's in 1977.

"My Fairy King", written by Freddie Mercury, deals with Rhye, a fantasy world he created with his younger sister and which features in other Queen songs, most notably "Seven Seas of Rhye". Mercury borrowed some lines from Robert Browning's poem "The Pied Piper of Hamelin".[13] The song was written while the band were in the studio, and contains many vocal overdubbed harmonies, which Mercury was fond of. Roger Taylor also displays his high vocal range, hitting the highest notes in the composition. The vocal overdubs technique would later be used in many Queen songs, most notably "Bohemian Rhapsody".

Brian May said that after the lyric "Mother Mercury, look what they've done to me" was written, Mercury claimed he was singing about his own mother. Subsequently, Freddie Bulsara took the stage name Freddie Mercury. This was another attempt to separate him from his stage persona. As Mercury once explained, "When I'm performing I'm an extrovert, yet inside I'm a completely different man."[14]

Originally titled "Lover," the rudiments of this song were written by Freddie Mercury and guitarist Mike Bersin from Mercury's earlier group, Ibex. Queen reworked it, and Mercury took full credit since he had written the lyrics.[15] As mentioned on the transcription on EMI Music Publishing's Off the Record sheet music, this is one of the band's few 1970s tracks to feature a Hammond organ. "Liar" was a staple of early concerts, but its inclusion was intermittent in later years, before returning in a shortened form for The Works Tour. For the Magic Tour, it was shortened to just the opening guitar section as a segue into "Tear It Up".

Brian May wrote this song shortly after the band's formation in 1970, following the break-up of Smile. It was first recorded at De Lane Lea Studios in December 1971, when the band were hired to test the studio's new equipment in exchange for being allowed to record proper demos for their attempt to find a label.

In 1972, Trident Studios signed Queen to a recording contract, but limited them to work only during studio down-time. They began working with Roy Thomas Baker who, along with owners/management Norman and Barry Sheffield, insisted on re-recording the five De Lane Lea demos. A new version of "The Night Comes Down" was recorded, but the band were unsatisfied with the results and the original demo was used on the album. With the release of the original De Lane Lea demos as bonus tracks in 2011, the difference in the mix of "The Night Comes Down" is quite noticeable when compared to the original LP and digital remasters. The demo is roughly the same mix that appeared on the album except for a distinct difference in the drum sound.

The song follows what would become trademark May themes such as coming-of-age, nostalgia over the loss of childhood, and the difficulties of adult life. There is also what could be an ambiguous reference to the Beatles song "Lucy in the Sky with Diamonds", in the lyric: "When I was young it came to me; And I could see the sun breaking; Lucy was high and so was I; Dazzling, holding the world inside."[16] May is a Beatles fan and has commented in numerous interviews on their impact on him.

Roger Taylor wrote and sang the song, which was re-recorded on two occasions for the BBC. The first dates from December 1973 and was broadcast on John Peel's show. This version was eventually released on the 1989 Queen album At The Beeb, and sounds similar to the album version. The second re-recording dates from April 1974 and was first broadcast on Bob Harris's show. The later version, only available on bootleg recordings prior to the release of On Air, differs from the original album version in its slower tempo and additional vocals from Mercury.

"Son and Daughter" was written by Brian May and was the B-side for the single "Keep Yourself Alive". The song was played in the very first concert under the name of Queen in 1970. It was a regular feature in Queen's live set until well into 1976. The song originally housed his famous guitar solo, but the album version does not feature the solo. The solo would not be properly recorded until 1974, with "Brighton Rock" from Sheer Heart Attack. Until this time, and occasionally afterward, the guitar solo would take over the middle of "Son and Daughter" during concerts, allowing the rest of the band a bit of a rest and costume change.

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