Free Download Film Korea We Got 23
Carey Jangam
Explore the magical, mysterious world of Korean cinema, in this new book from the authors of Ghibliotheque.
From smash hits such as Parasite to cult favourites Oldboy, The Handmaiden and Train to Busan, Korean cinema is a hotbed of creative talent and the force behind the most exciting, captivating filmmaking in the world right now.
In this essential guide to the country's cinematic story, Michael Leader and Jake Cunningham - authors and hosts of the hit podcast Ghibliotheque - guide you through the must-see films from a century of Korean movies.
Exploring 30 movies, from the breakout hits to deeper cuts, hidden gems and future classics, Film Korea is a gateway to everything you need to know about the white-hot world of Korean cinema. Combining reviews and director biographies with recommended further viewing and a catalogue of beautiful film stills and movie posters, this is your one-stop guide to an incredible, captivating artform.
After picking up the cameras, I set out to test each one. This was a great experience and a needed one. I soon found out that my Canon G-III, needs new light seals. Shooting film really puts you into a pure photography mode. You are not relying on the computer in the camera at all and that really pushes you to be careful about each shot.
Basically all you have to do is send them the film and their address and instructions is in the FAQ section of there site. Click here for that information. The info is in Korean but it is all there. Just clock on the second question from the top. Also, they do speak English, so if you have any questions you can call them or leave a message via their site.
Once you send in the film, you must transfer the money. I just wanted to test the service so I went with a basic develop and scan. For black and white film, this cost me about 8,000 won per roll and around 3, 000 won for the shipping.
When FilmLog received my film and payment, they gave me a call and let me know that I have to fill out a form on their site. Once that was done, they responded immediately letting me know when my films would be available to download.
Almost a week to the day, I received text messages letting me know that my images were ready. I logged in and it was amazing.
The overall layout and ease of use is unlike anything that I have seen. That goes without saying for FilmLog as they are completely amazing and I love it. From their film vending machines to the amazing customer service, I will be using for a long time to come.
This is listed by the tickets sold nationwide, as of October 1, 2023, according to the Korean Film Council (KOFIC).[1]However, information on KOFIC was accrued since 2004, making some films that released before 2004 either not included or not accurate regarding number of admissions. Number of admissions for films that released before 2004 was collected from trusted articles or news.[2]
#Alive (Korean: #살아있다; RR: #Saraitda) is a 2020 South Korean post-apocalyptic action horror film directed by Cho Il-hyung.[2] Starring Yoo Ah-in and Park Shin-hye, it is based on the 2019 script Alone by Matt Naylor (itself becoming another film), who co-adapted his script with Cho. The film revolves around a video game live streamer's struggle for survival as he is forced to stay alone at his apartment in Seoul during a zombie apocalypse. It was released in South Korea on June 24, 2020,[3][4][5][6][7] and globally via Netflix on September 8, 2020.[8] Critics generally gave positive reviews.
The gunshots attract more zombies. Yoo-bin asks Joon-woo to kill her before they get in. As he hesitates, they hear helicopters outside. The pair rush to the rooftop, chased by the infected. Just before they are overwhelmed, an army helicopter holds off the zombies and carries the pair to safety. A voiceover by an anchor explains wireless networks are being restored and the military is rescuing survivors who made social media posts. The film ends with Joon-woo's social media post's hashtag "#StayAlive" changing its wording to "#Alive".
The film was released in South Korea on June 24, 2020.[16][17][18] In May, an Instagram account for the character Oh Joon-woo was created to promote the film.[19] In August, Netflix acquired the international distribution rights to the film, which was later released worldwide on September 8, 2020.[20][8] Following its release, #Alive entered the all-time Netflix top 10 non-English language movies but has since dropped out with 54.62 million hours watched in the first 28 days.[21]
On its opening day in South Korea, #Alive drew in a total of 204,071 viewers and took 62% of the box office, marking the highest first-day viewership of any film since February 2020 after the outbreak of the COVID-19 pandemic in South Korea.[22][23][24] It held the highest number of first-day admissions next to The Man Standing Next.[25][26]
On the fifth day of its release, #Alive surpassed 1 million admissions, and during the first weekend of its release, it garnered 1,001,802 viewers, securing the first place at the box office for its first weekend. It became the first film to surpass 1 million since February 2020.[27] It also ranked first at the box office for the first three weekends, and has achieved over 1,903,992 admissions in South Korea as of December 2020.[28][29][30]
The film premiered on Netflix on 8 September 2020, and two days after release, it achieved global first place on the platform. #Alive topped the Netflix daily chart in 35 countries, including the United States, France, Spain, Sweden, Russia, Australia, Pakistan, and Canada. It became the first Korean film to top Netflix Movies Worldwide chart.[31][32] By December 2020, #Alive was in the top 10 list in 90 countries, making it one of the most-loved titles globally on Netflix in 2020 and also the most popular horror title of 2020 across Asia.[33][34][35]
On Korean review aggregator Naver Movie Database, the film holds an approval rating of 7.09 from critic reviews.[36] On Rotten Tomatoes, the film holds an approval rating of 88% and an average rating of 6.6/10, based on 24 reviews. The consensus says "Well-acted, genuinely unsettling, and occasionally even funny, #Alive proves the crowded zombie genre still has fresh stories to tell."[37]
With regards to film cameras, I found that Carrot Camera located at the far end of the street is one of the better shops. If you put your back to the big gate and walk towards the subway station, Carrot Camera will be just before the stairs. The historic building/coffee Shop will be directly across the street. They have a decent selection of film cameras to choose from.
Filmlog has vending machines for their film and disposable cameras and they are awesome. It is one of the cooler things that I have seen in a long time. They have them throughout the city too. The neat thing is that if you bring back the container, they will reward you with an upcycled film canister keychain, magnet or memo holder for free!
Inside the store they have a great selection of film at reasonable prices. It is a great option if you are looking for some different kinds of film. They have a small selection of film cameras. Now, these are pricey but all are in mint condition from what I saw.
The bottomline here is that film photography is alive and well in Korea. Fact is that during my search for some decent cameras, many places were full of young people doing the same. The fact that places like Filmlog exist shows that the format is making a comeback.
Hi! Do you know where can i go to process my 35mm films? and do they have a minimum pcs for processing and scanning? A price list if you have would be very helpful as well. I am only staying a few months here in Korea and testing out an old camera given to me. Thank you.
Depicting both the crimes and the court proceedings that let the teachers off with minimal punishment, the film sparked public outrage upon its September 2011 release, which eventually resulted in a reopening of the investigations into the incidents. With over 4 million people in Korea having watched the film, the demand for legislative reform eventually reached its way to the National Assembly of South Korea, where a revised bill, dubbed the Dogani Bill, was passed in late October 2011 to abolish the statute of limitations for sex crimes against minors and disabled people.[5]
The film sparked public outcry over lenient court rulings, prompting police to reopen the case and lawmakers to introduce bills for the human rights of the vulnerable.[6] Four out of the six teachers at the Gwangju Inhwa School for whom serious punishment was recommended by the education authority were reinstated after they escaped punishment under the statute of limitations.[7] Only two of them were convicted of repeated rapes of eight young students and received jail terms of less than a year.[8] 71-year-old ex teacher Kim Yeong-il recently claimed that two children had died when the incident took place in 1964, after which he was beaten and forced to resign his job by the vice principal.[9][10] Two months after the film's release and resulting controversy, Gwangju City officially shut down the school in November 2011.[11] In July 2012, the Gwangju District Court sentenced the 63-year-old former administrator of Gwangju Inhwa School to 12 years in prison for sexually assaulting an 18-year-old student in April 2005. He was also charged with physically abusing another 17-year-old student who had witnessed the crime (the victims reportedly attempted to kill themselves afterward). The administrator, only identified by his surname Kim, was also ordered to wear an electronic anklet for 10 years following his release.[12][13]
In 2011, the Korean National Assembly passed the "Dogani Law" (named after the Korean name of the film), removing any statute of limitations for sexual assault against children under 13 and disabled people. It also raised the maximum sentence for rape of young children and disabled people to up to life in prison, and abolished a clause requiring that victims prove they were "unable to resist" due to their disability.[14]
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