The Confession (2011)

[Trine Gritz]

TheConfession is a 10-part web series created by Kiefer Sutherland, written and directed by Brad Mirman, and starring Sutherland and John Hurt. It premiered on Hulu on March 28, 2011. Each episode (or "chapter") is between five and seven minutes long. It co-stars Daniel London, Max Casella, and Michael Badalucco.

Throughout the confession, we are shown flashbacks of the confessor's killings, and times when he has been compassionate, letting his target live, or take their own life rather than being executed. In between the flashbacks, the confessor and the priest argue over whether people deserve to die, the existence of God, and whether the priest has ever sinned as badly as the confessor. The priest continually tries to get the confessor to admit that what he does is wrong, but the confessor is not looking for forgiveness.

After several flashbacks and arguments, the confessor forces the priest to reveal his worst sin. The priest confesses that he was once married, with a young son. He was an alcoholic, and the more he drank, the angrier he became, and directed his anger at his family. He would abuse his wife and son, which eventually led to his wife's suicide. After an argument, she jumped off of their balcony, rather than face a lifetime of abuse. The priest also confessed to burning his son's hand after the son broke his bottle of whiskey.

The confessor then shows his own hand to the priest, revealing a scar which he says he received from his father when he forced him to put his hand on the stove when he was eight years old. The confessor says he was left by his father for three days in the apartment alone, before the landlord discovered him. He spent the next ten years in orphanages and foster homes, enduring molestation and physical abuse at the hands of his various foster parents.

The confessor reveals that he intends to kill the priest (his father) tonight. He explains that he saw him just a few days prior but couldn't be sure it was indeed his father, as he did not know he had become a priest. Once he looked into his eyes for a brief moment, he was sure of the priest's identity. The priest begs the confessor for forgiveness, and later his own life. The confessor takes aim and fires a single gunshot at the priest, but misses intentionally. He holds to his original agreement: that if the priest agreed to hear his confession, he would not kill tonight. The confessor tells the priest that he will not kill him, nor forgive him for what he did to him and his mother. He tells the priest that he will continue to kill, and will send him newspaper clippings of each killing, so the priest knows that his actions made the confessor the way he is, and he is responsible for their deaths.[1][2]

According to The New York Times, the show is "crisp and attractive. The short nature of the episodes makes it easy for viewers to consume under time constrained environments. However, the overall effect of the show feels less like the beginning of something new but rather the end".[3]

Confessions (告白, Kokuhaku) is a 2010 Japanese psychological thriller film directed by Tetsuya Nakashima and based on author Kanae Minato's 2008 debut mystery novel, which won the 2009 Honya Taisho award (Japan Booksellers Award).[2] The film was both a commercial and critical success. It was awarded Best Picture at the 34th Japan Academy Prize and 53rd Blue Ribbon Awards and was shortlisted at the 83rd Academy Awards for Best Foreign Language Film.

Junior high school teacher Yuko Moriguchi (Takako Matsu) announces to her rowdy, disrespectful class that she will resign before spring break. She explains that because the HIV-positive father of her four-year-old daughter Manami was ill, she used to bring the girl to school with her. One day, Manami was found drowned in the school swimming pool. She explains that two students in her class, whom she dubs "Student A" and "Student B", had murdered her daughter. Yuko had found a small bunny purse among Manami's belongings which did not belong there, which led her to question Shuya Watanabe, one of her students. Shuya, Student A, admits to killing Manami, and rushes towards the window, feigning that he is about to jump out of regret. He then mocks her compassionate reaction with, "Just kidding."

Having revealed their identities, Yuko explains that because the killers, as minors, are protected by the Juvenile Law of 1947, turning them in wouldn't make a difference. As a teacher, she believes she must teach them a lesson by making them amend for their mistakes. She reveals she injected Manami's father's HIV-contaminated blood in the milk cartons of the two students who murdered Manami. The rest of the film switches between the aftermath of Yuko's confession and the events before the confession through first-person narratives from Yuko and three of her students.

Naoki Shimomura, Student B, becomes a shut-in because he believes he has contracted AIDS from drinking the contaminated milk. His mother realizes her son was involved in Manami's death and decides to commit murder-suicide to free both of them from their torment. However, in the ensuing struggle, Naoki kills his mother and the police arrest him. Meanwhile, Shuya explains that his mother abused him before leaving to pursue her scientific career. Her abandonment drove him to thrive in science, from making small inventions to recording his killing and dissecting of animals.

Shuya's first public invention, an electric anti-mugger wallet, earned him a science fair award, but failed to make headlines as the media was distracted by the "Lunacy Murder" case. He upgraded the anti-mugger wallet, decided to try it out on someone, and roped Naoki in to help. They decided to test the wallet on Yuko's daughter, but when they did so, the girl was rendered unconscious. Shuya mistook this as death. Enraged, Naoki threw Manami into the pool where she drowned, proving that he was the real killer. Classmate Mizuki Kitahara tells Shuya that she believes Yuko lied about the contaminated milk as it was an implausible method of transmission. Mizuki confesses to him that she identifies with the girl in the "Lunacy Murder" case, who poisoned her parents. The two become romantically involved, but Shuya kills Mizuki after a confrontation over his abandonment complex.

Shuya visits the university where his mother works, expecting to reunite with her, but discovers she has remarried. Believing she has forgotten him, he plants a bomb in his school where the graduation ceremony is to be held and he is to give a speech. To his surprise, the bomb does not go off. Shuya receives a call from Yuko, who says that she relocated the bomb to his mother's office. She explains that it is her ultimate revenge, to let Shuya's mother die by his own hand, and claims that with her revenge completed, Shuya's path to redemption has begun. Yuko then chuckles and says, "Just kidding."

Soon after the film had started showing in 266 cinemas, it had already grossed 269,835,200 with 194,893 audiences, breaking the record previously held by I Give My First Love to You. It kept grossing and became the highest grossing film for 4 consecutive weeks in June. It grossed over 3.5 billion in the 8th screening week.[citation needed] The gross revenue finally reached a total of 3.85 billion in Japan.[3] It is ranked as the 7th highest-grossing Japanese film in 2010.[4] The film also grossed $2,625,175 overseas in other Asian countries, bringing the worldwide total to $45,203,103.[1]

The film received a widespread positive response globally, with critics praising a variety of factors including good adaptation from the book, the director's style, and the acting, particularly by the child actors. The film holds an 81% 'fresh' average score at Rotten Tomatoes.[5] Seongyong Cho of RogerEbert.com called it a "gut-chilling Japanese thriller".[6] One notable negative review came from Mark Kermode of the BBC, who said that its style made it 'virtually impenetrable on an emotional level'.[7]

The film was selected as the Japanese entry for the Best Foreign Language Film at the 83rd Academy Awards.[9] In January 2011, it made the January shortlist and advanced to the next round of voting.[10] In Japan, it firstly won Best Film and Best Supporting Actress at the 53rd Blue Ribbon Awards, which is one of the most prestigious national cinema awards in Japan. Then, it won the awards for Best Film, Best Director, Best Screenplay and Best Editor at the 34th Japan Academy Prize.[11][12] Also, it had six nominations in 5th Asian Film Awards, which is one of the films with most nominations (with Let the Bullets Fly).

In April, the film won Best Asian Film (similar to Best Foreign Language Film, though only Asian films which have been screened in Hong Kong are admitted to join) at the 30th Hong Kong Film Awards. At the 31st Hong Kong Film Awards, the category of Best Asian Film was replaced by a new category called Best Film of Mainland and Taiwan which means that only Mainland Chinese and Taiwanese films can remain to compete for such an award. Therefore, Confessions has become the last winner of Best Asian Film.

The 2011 translation of the Three Reformed Standards is the result of the work of a joint task force formed by the Reformed Church in America (RCA) and the Christian Reformed Church in North America (CRC). In addition, the Presbyterian Church (USA) (PCUSA) participated in the joint translation of the Heidelberg Catechism. The task force was commissioned to produce a common text for the Reformed confessions, building upon the work of the previous translations from the CRC and RCA denominations. Since a separate introduction will introduce each confession, this general introduction gives a statement of principles used for coming to a common translation.

The task force did not attempt a wholesale retranslation of the confessions but, rather, used the texts of previously approved RCA and CRC translations as a starting point. Where the translations diverged, or where subsequent scholarship called into question both previous translations, the task force returned to the original language documents to resolve textual differences. Sometimes this resolution involved opting for the previous RCA, PCUSA, or CRC translation; at other times, the task force developed a fresh translation from the original text.

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