Pat Quilter is a hell of an amplifier designer. (He’s the Q in QSC.)
What’s even more interesting about QSC are their production facilities and methods. We had an AES meeting there a couple of years ago.
The entire amplifier line is based on four different mother boards.
It’s a no-nonsense, let’s crank out thousands of amplifiers perfectly operation.
John
From: gale-...@googlegroups.com [mailto:gale-...@googlegroups.com] On Behalf Of steve ford
Sent: Saturday, December 18, 2010
5:29 PM
To: gale-...@googlegroups.com
Subject: RE: Big amps
Well , got my big QSC 3500 amp running tonight ! A bit of a
revelation to say the least . I've tried a few in the past - phase linear 400 ,
crown dc300 , Bgw 500 , Das 1400 all fairly recently and the crown was pretty
good , especially in the bass dept , but the good old Albarry's always won out
- but tonight I've got a problem - the QSC was better than the Albarry's
overall and is the best I've heard on the Gales so far :- do I keep it at home
and put the Albarry's in the cupboard ?! I can't not after all these years !
I'm heartbroken but the QSC was more dynamic and while it lacked a tiny bit in
midrange detail , it was more engaging
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Hi Steve,
*sigh* I just can't keep up with you guys!
Seriously though, I am very pleased with my cheap and cheerful Behringer
A500.
It has one 'fault' worthy of note, and that is the piercingly bright
(now ubiquitous) blue LED that sits right in the middle of the unit to
tell me it is on (never mind the music issuing forth from the speakers,
eh?). When watching movies while piping the sound through the Gales it
is quite distracting, to the point where I have fashioned a cardboard
blank to obscure it.
Other than that I am getting better performance out the Gales as a
result of its inclusion. Tonally there's not a huge amount of
difference, but I guess that is to be expected when effectively using
the same pre-amp (in this case my NAD C325BEE with its power amp section
decoupled). However, there is certainly more grunt and that has
tightened up the bass no end.
Sean
--
music, film, comics, books, rants and drivel:
I believe I've read somewhere that Behringer have a reputation for
reverse engineering expensive professional kit and then redesigning it
in Germany to be manufactured in China.
On Jan 3, 2011, at 1:34 PM, Sean Gibbins wrote:
> *sigh* I just can't keep up with you guys!
>
> Seriously though, I am very pleased with my cheap and cheerful Behringer
> A500.
------------------------------------------------
Pete Wilson :: pete [at] kivadesigngroupe [dot] com
cell: (512) 577-1618
104 Forest Trail::Leander::TX::78641-9398::USA
pictures at http://kivadesign.smugmug.com
linked-in members:http://www.linkedin.com/in/peterjwilson
================================================
Look on the bright side - without people buying shiny new toys you would
have had to wait for your kit!
Silver linings and all that...
As to your workmate/staff's mis-usage - maybe replace him too?
On 20 Dec 2010, at 01:38, musthave <stuart....@btinternet.com> wrote:
----- Original Message -----
From: "Steve Ford" <steveatode...@hotmail.co.uk>
To: <gale-...@googlegroups.com>
Sent: Sunday, January 09, 2011 9:52 AM
Subject: Re: Big amps
However, here are copies of four pics from the Gale Site, as provided by JM,
DS & timhum.
DS & JMs x-overs seem to be the same - five caps per crossover, measuring
4,6,7,60 and 80 uf
But timhum's US versions seem quite different - but maybe he combined caps
to get the values he needed.
Best of luck
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>
> <US+crossover+re-capped.jpg>
> <401+Crossover+revealed.jpg>
> <GS401+Speaker+Crossover+Schematic+4.jpg>
> <US+401+crossover.jpg>
The onllne schematic shows all the caps are spec'ed out in uf, or microfarads, including the 4 and 6.
Best,
Dan