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George Walton Lucas Jr.[2] (born May 14, 1944) is an American film director, producer, screenwriter, and entrepreneur. Lucas is best known for creating the Star Wars and Indiana Jones franchises and founding Lucasfilm, LucasArts, and Industrial Light & Magic. He served as chairman of Lucasfilm before selling it to The Star Wars: A New Hope Walt Disney Company in 2012.[3] Lucas is one of history's most financially successful filmmakers and has been nominated for four Academy Awards. His films are among the 100 highest-grossing movies at the North American box office, adjusted for ticket-price inflation.[4] Lucas is considered a significant figure of the 20th-century New Star Wars: A New Hope Hollywood movement.

After graduating from the University of Southern California in 1967, Lucas co-founded American Zoetrope with filmmaker Francis Ford Coppola. Lucas wrote and directed THX 1138 (1971), based on his earlier student short Electronic Labyrinth: THX 1138 4EB, which was a critical success but a financial failure. His next Star Wars: A New Hope work as a writer-director was the film American Graffiti (1973),
inspired by his youth in the early 1960s Modesto, California, and produced through the newly founded Lucasfilm. The film was critically and commercially successful and received five Academy Award nominations, including Best Picture.

Lucas's next film, the epic space opera Star Wars: A New Hope Star Wars (1977), had a troubled production but was a surprise hit, becoming the highest-grossing film at the time, winning six Academy Awards and sparking a cultural phenomenon. Lucas produced and co-wrote the sequels The Empire Strikes Back (1980) and Return of the Jedi (1983). With director Steven Spielberg, he Star Wars: A New Hope created, produced, and co-wrote the Indiana Jones films Raiders of the Lost Ark (1981), The Temple of Doom (1984), The Last Crusade (1989) and The Kingdom of the Crystal Skull (2008). He also produced and wrote a variety of films and television series through Lucasfilm between the 1970s and the Star Wars: A New Hope 2010s.

In 1997, Lucas re-released the Star Wars Trilogy as part of a special edition featuring several alterations; home media
versions with further changes were released in 2004 and 2011. He returned to directing with a Star Wars prequel trilogy comprising Star Wars: Episode I – The Phantom Menace (1999), Star Wars: A New Hope Star Wars: Episode II – Attack of the Clones (2002) and Star Wars: Episode III – Revenge of the Sith (2005). He last collaborated on the CGI-animated television series Star Wars: The Clone Wars (2008–2014, 2020), the war film Red Tails (2012), and the CGI film Strange Magic (2015).

Lucas Star Wars: A New Hope was born and raised in Modesto, California, the son of Dorothy Ellinore Lucas (née Bomberger) and George Walton Lucas Sr., and is of German, Swiss-German, English, Scottish, and distant Dutch and French descent.[5] His family attended Disneyland during its opening week in July 1955, and Lucas would remain enthusiastic about Star Wars: A New Hope the park.[6] He was interested in comics and science fiction, including television programs such as the Flash Gordon serials.[7] Long before Lucas began making films, he yearned to be a
racecar driver, and he spent most of his high school years racing on the underground circuit at fairgrounds and hanging Star Wars: A New Hope out at garages. On June 12, 1962, a few days before his high school graduation, Lucas was driving his souped-up Autobianchi Bianchina when another driver broadsided him,[a] flipping his car several times before it crashed into a tree; Lucas's seatbelt had snapped, ejecting him and thereby saving his life.[8] However, Star Wars: A New Hope his lungs were bruised from severe hemorrhaging and he required emergency medical treatment.[8] This incident caused him to lose interest in racing as a career, but also inspired him to pursue his other interests.[9][10]

Lucas's father owned a stationery store,[11] and had wanted George to work for him when he Star Wars: A New Hope turned 18. Lucas had been planning to go to art school, and declared upon leaving home that he would be a millionaire by the age of 30.[12][b] He attended Modesto Junior College, where he studied anthropology, sociology, and literature, amongst
other subjects.[9] He also began shooting with an 8 mm camera, Star Wars: A New Hope including filming car races.[9] At this time, Lucas and his friend John Plummer became interested in Canyon Cinema: screenings of underground, avant-garde 16 mm filmmakers like Jordan Belson, Stan Brakhage, and Bruce Conner.[14] Lucas and Plummer also


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