Filmora 12 Templates

[Mariela Laflam]

Youcan choose any of the templates from all templates. Let us choose one randomly. To make it work, you just need to click and drag it onto the timeline. Once it's pasted on the timeline, you will see it contains three audio tracks, a video, and the title. You can play it to check what's in there as shown below.

You can also edit the text on the template. For that, you have to select the title track. After that hover over the title text on the video and double click on it to edit it. Upon doing that a new window of the text editor will open up on the left side of the Filmora. Type in your text from the text field of the new window. You can even change the font, color, and size and apply effects on the text as shown.

As you are familiar with how to add and edit the components of a template let's have another quick template. Suppose you are on a quick deadline and you can't create a template from scratch, so in that case just go to the templates. Choose one by dragging it and pasting it on the timeline as shown.

You can also create your template from scratch all you need is to delete all the tracks from a current template. Then go and select a random video like we did. After that add a music track. Crop the additional music. Fade it out the audio like we learned how to.

You can further add some other components, such as choosing a good title and then a nice element by dragging it into the timeline as shown. Edit those titles and elements to your liking as we learned.

And once you are done click to play and you will end up on a cool video. You can save the template by going to the top menu "File > Save Project As Template". You can go to the custom templates and rename the new project. And voila it's done you can enjoy this template any time in the future.

First, let me share a bit of my personal journey. I've been editing videos for over a decade, and I'm a certified expert in the field. I've used a variety of software over the years, but DaVinci Resolve has become one of my go-to programs (amongst Premiere Pro & After Effects. That said, I have also used several online video editors such as Filmora and Movavi, especially for small, bulk projects (you'll find out why later in this comparions article). I use it for everything from personal projects to high-stakes client work. But before I became a DaVinci Resolve aficionado, I had years of hands-on experience with Premiere Pro. And even before that, my first love in the editing world was Filmora. I have a personal connection to these tools, and I've seen their real-world applications.

both DaVinci Resolve and Filmora offer a range of pricing options to suit different needs and budgets. DaVinci Resolve provides a powerful free version but lacks some advanced features, while Filmora offers more flexibility in pricing but limits some features in its free version. The choice ultimately depends on what you're looking for in a video editing software.

From my perspective, if you're serious about video editing, the $300 for the Studio version is a worthy investment. It's a one-time payment, and you get a plethora of advanced features that are industry standard and often cited in reputable sources.

As i said in the intro of this article, this was one of the first software I ever used, and it holds a special place in my heart. It's incredibly user-friendly and perfect for beginners or those who need to get a video out fast.

Filmora offers a buffet of pricing options, each catering to different needs. If you're just starting, the $40-a-year option is a great way to dip your toes in the water. If you're more committed, the $100-a-year plan offers you a wealth of creative assets.

DaVinci Resolve offers a more automated, streamlined workflow that's a godsend for complex, multi-layered projects. Filmora, with its single-window setup, provides a simpler, more manual workflow that's perfect for straightforward projects or for those just starting out. Both have their merits; it's all about what fits your specific needs and skill level.

But here's the kicker: when you drag these 'ingredients' (your video clips) into the timeline, DaVinci Resolve automatically separates the audio from the video. Imagine you're making a sandwich, and the software automatically separates the lettuce from the turkey; it's that convenient. This feature is especially useful if you're dealing with multi-layered projects that require you to edit audio and video tracks separately. It's a time-saver that I've personally found invaluable in my professional work.

This level of detail is part of why DaVinci Resolve is the go-to for Hollywood-level films. But let's be real: if you're a vlogger or content creator who doesn't need to dive deep into the nitty-gritty of color science, Filmora's more straightforward color adjustment features will likely suffice.

Now, let's talk about rendering, which is the process of generating the final video from all your edits. The free version of DaVinci Resolve doesn't support GPU rendering. GPU (Graphics Processing Unit) is the part of your computer responsible for rendering images and videos. Without GPU support, rendering 4K or long videos in DaVinci will feel like watching paint dry.

If you're working on a computer that's seen better days, Filmora is your friend. It's a lighter application, meaning it doesn't demand as much from your computer's hardware. In my experience, this is a significant advantage for those who don't have the luxury of a high-end PC.

Now, when you drag your clip into Filmora's timeline, the audio and video are like conjoined twins; they stick together. But don't worry, you can separate them. All you have to do is right-click and choose "detach audio," and voila, they're separated. It's an extra step, but it gives you the same level of control over your audio and video that you'd get in DaVinci Resolve.

Lastly, consider the storage space. DaVinci Resolve takes up about 4 GB of your computer's storage, while Filmora is much lighter, requiring only around 1 GB. If you're running low on disk space, this could be a deciding factor.

If you're a beginner or working on projects that don't require the finesse of a Hollywood colorist, Filmora's 47 presets will serve you well. But if you're diving into a project that demands meticulous color grading, DaVinci Resolve's 108 presets and advanced features are unparalleled.

Incase you didn't already know, It's not just me saying this; DaVinci is a tool that's been endorsed by Hollywood professionals and has been cited in numerous industry publications. The software offers an advanced color grading system that's been used in blockbuster films. Specifically, it comes with 108 preset options. These presets are not just random filters; they are meticulously designed settings that can transform your video into a cinematic masterpiece.

The software uses a feature known as nodes (think of them as individual adjustment layers) that allow for intricate color adjustments. You can manipulate the hue, saturation, and luminance values with pinpoint accuracy. If you're working on a project where color is not just an element but a character in your story, DaVinci Resolve is your go-to tool.

Filmora, on the other hand, is more suited for projects with a quicker turnaround and a broader audience, like social media posts, digital courses, or website content. It offers 47 preset color grading options, which, while fewer in number, are incredibly user-friendly. These presets are designed for those who may not have a deep understanding of color theory but still want their videos to pop.

While Filmora's color grading capabilities are robust, they are not as intricate as DaVinci Resolve's. You won't find the same level of control over individual color channels or the ability to work with high dynamic range footage. But let's be clear: for most everyday applications, Filmora's color grading is more than sufficient.

However, there's a catch. Most of these titles are not pre-loaded into the software. You'll need an internet connection to download them from Filmora's online library. So, if you're working from a remote location with spotty internet, this could be a hurdle. It's something I've personally experienced when I was editing a travel vlog in a remote area.

On the flip side, DaVinci Resolve offers 67 title templates. Yes, the number is significantly lower compared to Filmora, but here's where it gets interesting. DaVinci Resolve's titles are more on the professional side. Think of it as a specialized bookstore that only carries high-quality, expert-level material. These are not your run-of-the-mill titles; they are designed for professional-grade videos and offer a level of sophistication that you might not find in Filmora's extensive library.

So, if you're looking for quantity and variety, Filmora is your go-to option. But remember, you'll need a stable internet connection to access its vast library. On the other hand, if you're aiming for a more professional look and are okay with fewer options, DaVinci Resolve is the better fit.

Filmora is the undisputed champion when it comes to the sheer volume of transitions. We're talking about a staggering 1,100 options here. Imagine having a toolbox with over a thousand tools; you're bound to find the perfect one for any job. However, much like its title templates, you'll need to download most of these transitions before you can use them. So, if you're somewhere without reliable internet, this could be a stumbling block. Trust me, I've been there, and it's not fun.

Filmora also offers an eye-popping 2,200 video effects, categorized into cinematic, timer, scanline, flicker, opening, and more. These effects relate to animated frames and 3D visuals, offering a level of creativity that's hard to match. However, only a few of these are free, so you might need to invest a bit if you're looking for something more advanced.

DaVinci Resolve, on the other hand, offers fewer than 100 transitions. But don't let the numbers fool you. What it lacks in quantity, it makes up for in quality. These transitions are more tailored for professional use, offering a level of finesse that you might not find in Filmora's extensive list.

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