<div>Hi everyone! Im new using ImageJ, I downloaded because in my job, I need to measure the bubble size of a froth for flotation of minerals. I dont have a professional camera so I took the images from my celphone. My doubt is if I can analize images like this 2 that Ive append or I need photomicrographs?</div><div></div><div></div><div>Last but not least, the lighting is very important. To be able to extract the bubbles from the image their outlines need to be somehow visible / detectable. So, I would play with the lighting conditions e.g. try with multiple light sources from multiple directions or only one direction. If you can see a border around the bubbles you might have a good chance in extracting and measuring them.</div><div></div><div></div><div></div><div></div><div></div><div>bubbles images free download</div><div></div><div>Download File:
https://t.co/xXOZpuFpDk </div><div></div><div></div><div>I have an grayscale image of a comic strip page that features several dialogue bubbles (=speech baloons, etc), that are enclosed areas with white background and solid black borders that contain text inside, i.e. something like that:</div><div></div><div></div><div>Dip the straw in the solution, and experiment with slowly blowing your bubbles. The colder your solution is and the colder the air temperature, the faster your bubbles will freeze. It just has to be below freezing for this to work.</div><div></div><div></div><div>With a macro lens, I typically use a much higher f-stop tha I do with portrait photography. Most of my favorite shots were taken at f/7.1 and ISO 200. The bubbles do last around 10-20 seconds so you have a moment to set up and get the shot. Try to take photos from all around your bubble. The light makes each angle so unique!</div><div></div><div></div><div>I loved playing with the colors in the bubbles. For this look, I made adjustments in the color panel in Adobe Lightroom. I increased the saturation and played with the hue for the blue, orange, and yellow tones in this photo. If you have not played around with these options in Lightroom, you can see an examples of the adjustments I made to the blue tones below. Basically, I made them much more teal and much more saturated!</div><div></div><div></div><div>You need to make sure you have enough space for your little one to run around because those bubbles will go EVERYWHERE! I like to look for a nice, open space with a few trees or shrubs for framing. Trees also come in handy for hiding the bubble machine!</div><div></div><div></div><div>I made a 2 tier cake with zebra striped sugar sheets wrapped around the sides. The all-shortening buttercream was freshly spread and "tacky", so the sheets stuck right to it. I pressed as well as I could, however it is super hot and humid right now, so there were some ink issues, but it appeared to be well stuck to the side of the cake. I let it sit for a while (approx 30 min) at room temp so the sugar sheet could melt into the side and then replaced into the fridge.Now, when I remove it from the fridge, there are air bubbles everywhere!!!!! I cannot get them to stick down, as the cake has crusted under the air bubbles. I have even tried letting the cake warm up, but all that does is cause the ink to get sticky, not the buttercream.</div><div></div><div></div><div></div><div></div><div></div><div></div><div>When I work with Sugar Sheets or Edible Images, I allow the buttercream to crust over before applying the image. I make sure the cake is firm - either a long sit in the fridge or a small visit to the freezer - before applying. The cake has to be firm because when you apply the image, you will want to press as well you can (without harming the image) in order to eliminate bubbles, and obviously, you cannot press on a "soft" cake. I think of the Sugar Sheets and Edible Images as stickers. When applying a sticker, you start in one corner and press as you go, smoothing it to the surface. With the Sugar Sheets, I wet the back with water and then apply one corner. You can use a fondant smoother or just use your other hand. Adhere one corner or side to the cake. With one hand, hold the non-applied end away from the cake, while slowly smoothing down the portion by the corner that is adhered. Start with the adhered corner and work your way out, smoothing as you go - either by hand or with the fondant smoother. Once that is done, I will stick the cake in the fridge for a few minutes, so it can harden back up. Once it is firm again, I will press on the Sugar Sheets again to make sure they are truly stuck to the cake :) I will wet any edges that are not "glued" to the cake and try to stick them back onto the cake. Once the Sheets are fully applied, I will let it rest for a bit at room temp and let the cake sweat a bit. Doesn't take long. This will bring out those air bubbles (hopefully minimal). I always have a few air bubbles, but usually they are not too noticeable, so I don't mess with them. For the ones that are noticeable (which, I guess they ALL are noticeable to US, the bakers!) I take a small pin (straight pin) and I will pop the air bubble and smooth it out - just like you would for air bubbles in fondant. Just a small poke and then you should be able to smooth out the air bubble without wrinkling it. HTH :)</div><div></div><div></div><div>640, thank you so much for the great info!!! I actually did have the Edible images designs, but between a miscalculation and a little issue with getting them off that ripped one, I had to do the sugar sheets. I like the edible images better, it seems like they would melt into the cake more so and the ink did not start to moisten as quickly.</div><div></div><div></div><div>Nice cake, erica! I do see a couple of air bubbles in the pic, but honestly, you are correct - barely noticeable! And I hate when I attempt to fix something, only to mess it up worse than it was....so frustrating! My hubby is always yelling at me to "stop picking at it!"</div><div></div><div></div><div>Just my opinion, but I think it's the brand that is the issue. Wilton's Sugar Sheets are not as easy to cover an entire cake as they tend to be more brittle than the Premium Icing Sheets. You can't bend them as much as the Premium ones. You can roll a Premium sheet up and it will be fine, where as a Sugar Sheet would snap/break. I think that aspect is what causes air bubbles, no matter what precautions you take.</div><div></div><div></div><div>AI was told by the Fotoart folks that putting them in the fridge causes condensation between cake and icing sheet causing bubbles. After that, I did not put them in the refrigerator and the sheet remained perfect. I also recently purchased an edible image from the grocery store, it was completely sticking to the backing and would never have been removed in one piece had I not placed it in the freezer for a minute. The image then peeled easily from the backing.</div><div></div><div></div><div>"As Hubble makes its 26th revolution around our home star, the sun, we celebrate the event with a spectacular image of a dynamic and exciting interaction of a young star with its environment. The view of the Bubble Nebula, crafted from Wide Field Camera 3 images, reminds us that Hubble gives us a front-row seat to the awe-inspiring universe we live in," said John Grunsfeld, astronaut and associate administrator of NASA's Science Mission Directorate at NASA Headquarters, in Washington, D.C.</div><div></div><div></div><div>Plug and slug flow regimes are known for their bullet shapes. Identifying the shape the of the plug bubble is crucial to understanding the pressure drop and heat transfer capacity of the the fluid. The conventional solution to analyze plug bubbles is to use image analysis techniques. These techniques are useful, but can be computationally expensive, and the diversity of methods leads to diversity of errors.</div><div></div><div></div><div>Using previously acquired data from videos of plug bubbles passing through a mirror box in order to capture the top and and the side of the bubble at once. A residual convolutional neural network was trained to try and mimic the plug/slug bubble identification techniques. Once trained, this neural method was much less computationally expensive than the image analysis techniques, and even reduces some of the errors present in the original techniques. A comparison of the neural network identification to raw video is shown in Figure 1.</div><div></div><div></div><div>We could simulate isolated bubbles of diameter 120 nm, close to the observed diameter of 117 nm, in 100 nm thick samples. Simulations close to the experimental thickness of 200 nm produced bubbles at least double the radius although they had the same structure (Figure S4, Supporting Information). As the appearance of the images depends crucially on the size of the bubble, we used the simulations for 100 nm thickness and renormalized the thickness and saturation magnetization to match the experimental values to calculate the appearance of the electron microscopy images. The tilting angles we quote here are scaled to match a 200 nm thickness.</div><div></div><div></div><div>Simulations of these images are shown as insets and it can be seen that there is a close resemblance. The relative tilt angles between the simulated images are in good agreement with those measured experimentally. There is a 9 offset in the absolute angle which may be because the sample's surface is not quite normal to the easy axis as would be typical for this type of specimen preparation. We estimated this offset to be around 7 from the tilt required to reach the [001] easy axis from the specimen's initial position in the microscope. Given the hysteresis in the magnetic configurations discussed earlier, it is also possible that the axes of the bubbles can become pinned so their tilting angles do not correspond to the specimen tilt.</div><div></div><div></div><div>From bubbles in a hot cup of coffee, to holes in a sponge or plaster, while the common appearance may seem innocuous it has been known to trigger intensely anxious responses. And that response has a name: Trypophobia.</div><div></div><div></div><div>Trypophobia, characterised as the fear of holes, has also been linked to a more generalised aversion to circular shapes such as bubbles. But what makes bubbles so disgusting? The answer may be found lurking just under the skin.</div><div></div><div></div><div>Previous evidence suggested that the fear of bubbles stemmed from the clusters of round shapes found on poisonous animals, such as snakes and the blue-ringed octopus. But a new theory from psychologists at the University of Kent suggests our innate suspicion of rough circular shapes could, in fact, be linked to a history of human illness.</div><div></div><div></div><div>Kupfer recruited 300 trypophobia sufferers from various support groups, as well as 300 university students with no known history of the condition. Both groups were given 16 cluster images of real objects related to a diseased part of the body. Eight pictures were focused on images of illness - including but not limited to such nauseating sights as a cluster of ticks and a circular-shaped rash in the centre of someone's chest. The other eight images were unrelated to illness or disease, such as drilled holes in a brick wall, or lotus flower seeds.</div><div></div><div> 7c6cff6d22</div>