0 Color Code

[Hilary Laite]

Themost popular are Hex color codes; three byte hexadecimal numbers (meaning they consist of six digits), with each byte, or pair of characters in the Hex code, representing the intensity of red, green and blue in the color respectively.

Hex code byte values range from 00, which is the lowest intensity of a color, to FF which represents the highest intensity. The color white, for example, is made by mixing each of the three primary colors at their full intensity, resulting in the Hex color code of #FFFFFF.

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Coloring the name of the layers (either the text or its background), with a gradient (the higher the level, the more staturated the color) would make easy to categorize the layers/groups/frames in a big workspace.

Borrowing from digital audio production, where I can have the same issue, they usually allow color coding of groups. if I color code my groups, I can quickly find that group or category in layer listing.

It seems to me that a slight lifting of contrast and icons would significantly increase readability. It would also be a good idea to give the user the possibility to edit the colours of individual frames or groups.

I have a retool table with Au_ppm column in it. I want this column to be color coded based on the Au_ppm value.

I tried to use tag but I am not sure how to use the range. For example, I want to make the cell color RED when the Au_ppm value is >5 ppm, and then orange if the value is between 3-5 ppm.

I can do it in excel but I want to integrate this in my retool app.

@Dhani This can be done but it is not yet possible with the new table component. I think there is a fix to be released soon.

When the fix is ready; you should use a ternary operator in the Au_ppm column for Background field like so:

{{self >5 ?'red':self >= 3 && self

I tried to use this simple code: self >0.5 ? 'red' : 'yellow', in the new table it didn't work. It shows only all yellow.

But it works with the legacy table. Hmm...maybe I just wait for this to be fixed?

Hello, self in new table is point to table itself. I try item is ok. but still with error tooltip.

pls help to fix this wrong tooltip, we can get item in the background option's scope.

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@Dhani @bradlymathews @AnsonHwang I mentioned over here as well, circling back to let you know that incorrect tooltip error was fixed and released Aug 4th! Thanks for all your comments above making sure this at least functionally worked in the meantime

Thanks for the solution, this does not work on my pivot table visualization. All the values are calculated fields - most of them using Level-Aware Calc. Is there any known limitation to conditional formatting in QS?

Having said that, I cannot add a condition to color code basis header names and am trying to do it via the values of that field instead. And this does not work, if the value is a calculated field.

Is it possible for me to "highlight" a note title in bright yellow, so that when I am scanning through my note list, I can quickly and easily see which candidates I should be viewing first to see if they are a match?

Not specific to coloring, but may be a workaround for it, Nick. You could simply click on the Reminder (clock) icon of the candidates in that notebook who are actively seeking, as you put it. (No need to add a date to the reminder at all; just click on the clock icon.) These will shuffle those candidates' notes to the top of your notebook when you click on that notebook. Now, you don't need to scroll through the list because you have prioritized those candidates to the top. When done, just click on the Reminder icon and clear the reminder to remove them from the "actively seeking" status. Nothing else about the note changes, but that reminder note status. Hope that helps!

I'm running Radius authentication to pass the IP , Vlan and QOS settings but I was wondering whether there's a way to tell the AP not to pass any of that information when the SM is configured on Color code 0/ Installation color code?

But the SM still seems to be registering on the best AP since I'm unable to ping the default address after a min or two after rebooting. It basically becomes unaccesable from the LAN port through the default IP : 169.254.1.1 configured under Network settings on the SM.

The ARP TAB under statistics shows the IP address as : 255.255.255.255 with a MAC of ff-ff-ff-ff-ff-ff. So something seems to be passing the IP I'm guessing since it's saying "Public IP is not enabled" before the SM registers.

Just FYI, if you're saying that the SM management stops responding on 169.254.1.1 when you're on the local/wired side after a few minutes of being registered to an AP via ICC, then I have seen this too. If someone logs into the AP and drops the session, then local access will work again for a few minutes. I haven't had a chance to debug it. But it has been happening for a very long time, like back to 11.2 when the ICC feature was introduced. Luckily the field techs rarely need to access the SM. The use case of ICC (for us) is to allow the tech to install a default SM on a sector and a NOC/office tech handles provisioning.

Hi George , that's spot on... Seems the AP is giveng the SM an IP of 255.255.255.255 the moment it registers. DHCP relay has been disabled on the AP and I'm blocking bootp for both client / server on the Access points under port filtering for both in / out. So the SM shouldn't be able to access any rogue DHCP servers out there if I'm not mistaken ?

My understanding around the Installation color code is that it should be used to make it easier for installers to allign the SM unit without worrying about configs getting passed by Radius like Vlan settings which will essentially issolate the SM from getting accessed directly over the LAN port? In short , allowing them basic access to the SM via LAN until the SM is alligned propperly after whcih they can throw it in operation mode?

I was not aware that the SM will silently enable the DHCP client when registering via ICC now. Is that something new with 13.4.1/14.1.x? If that's the case, then I'd imagine that it would fall back to 169.254.1.1 after a minute or two if it cannot obtain a DHCP lease. Hopefully.

Our installers mostly do tone alignment and then call into the office where a tech logs in via LUID proxy and verifies signal, link test, etc. and then does provisioning. So our installers don't normally need to log into the SM locally.

And with the newer releases, you can have an ICC connected SM bypass all authentication. You can also have the SM end up in the AP's management VLAN via ICC. I recommended this because out-of-box default SMs wouldn't have your RADIUS certs, pre-shared key, etc. which would put a roadblock in front of zero-touch.

Haven't look at this beta yet (= big caveat) but this change does seem a backward step. The current (non beta) info could be improved for sure (personally I'd like to know clips that have key frames (e.g. motion & speed ramp) and tracks that have track effects easily visible in the timeline).

1. Confusion is often sprouted out of laziness, lack of knowledge, low curiosity. If you don't know why something is a certain way, but aren't taking the effort to look it up, you shouldn't complain about it either.

2. While general readability should be regarded highly, I can't agree that the default of design should favor few individuals with certain handicaps. If Adobe wants to aid users with various degrees of visual impairment the best way would be to provide additional options. Color blind themes for the whole UI could be one of them.

To circle back at my own initial comment on this. The reduction of information in efforts to make it more simple/clean is having negative effects imo. I would hope there is a way we can have this returned to us in a way that works well with the new design.

This was one of those things that took me a little bit of time to learn how to use, but was so freaking useful. Especially when working the larger or more intense projects I've done. But even the many short little things, it was USEFUL.

Please ask yourselves; is it really neccesary to not show any color information? The same disagreements have been expressed by users on After Effects' side where active buttons also have been changed to solely tones of grey rather than blue. We don't need this 'dumbed down' clean minimalistic stuff. We need fast access to information. Something color differentiation can achieve multiple times faster than shapes.

THIS!! I came here hoping someone had a fix for this issue but annoyingly it seems Adobe has stuck to their guns on this one. Would love for them to revert back to the old system of color coding, so much easier to tell at a glance what is going on with each clip

I updated a long list of Sales Stages from Excel in color red, but when it imported into monday.com, it was purple! now I have two Closed Won fields - one red, one purple. I cannot change the color to red. How do I resolve this?

Sidenote CORSAIR: Since you are not a video card board maker could you please consider partnering with other video card manufactures other than ASUS to get greater compatibility with ICUE. I would have gotten a ASUS but the extra $300 just for RGB I could not justify and I already way overpaid for the card.

I'll bring your feedback to the team. As for the RGB matching, I don't have the code on hand but you can try to eyeball it the best you can. However, note that different hardware from different brands may contain different types of LEDs. This means some companies may have LEDs that shine brighter than others or if they have a particular diffuser like the plastic that goes over the LEDs may have a certain tint that affects the actual LEDs' colors.

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