Caton a Hot Tin Roof is a 1958 American drama film directed by Richard Brooks,[3][4] who co-wrote the screenplay with James Poe, based on the 1955 Pulitzer Prize-winning play of the same name by Tennessee Williams. The film stars Elizabeth Taylor, Paul Newman, Burl Ives, Jack Carson, and Judith Anderson.
Late one night, a drunken Brick Pollitt is out trying to recapture his glory days of high school sports by leaping hurdles on a track field, dreaming about his moments as a youthful athlete. Unexpectedly, he falls and breaks his ankle, leaving him dependent on a crutch. Brick, along with his wife, Maggie "the Cat", are seen the next day visiting his family's plantation in eastern Mississippi, there to celebrate Big Daddy's 65th birthday.
As the party winds down for the night, Big Daddy meets with Brick in his room and reveals that he is fed up with his alcoholic son's behavior, demanding to know why he is so stubborn. At one point, Maggie joins them and reveals what happened a few years ago on the night Brick's best friend and football teammate Skipper died by suicide. Maggie was jealous of Skipper because he had more of Brick's time, and says that Skipper was lost without Brick at his side. She decided to ruin their relationship "by any means necessary," intending to seduce Skipper and use this information to make her husband question Skipper's loyalty. However, Maggie ran away without completing the plan. Brick had blamed Maggie for Skipper's death, but actually blames himself for not helping Skipper when Skipper repeatedly phoned Brick in a hysterical state.
After an argument, Brick lets it slip that Big Daddy will die from cancer and that this birthday will be his last. Shaken, Big Daddy retreats to the basement. Meanwhile, Gooper, who is a lawyer, and his wife argue with Big Mama about the family's cotton business and Big Daddy's will. Brick descends into the basement, a labyrinth of antiques and family possessions hidden away. He and Big Daddy confront each other before a large cut-out of Brick in his glory days as an athlete. After Big Daddy relates to Brick about his hobo father, a veteran of the Spanish-American War who despite being a poor tramp, loved his young son and kept him with him always, the pair ultimately reaches a reconciliation of sorts.
The rest of the family begins to crumble under pressure, with Big Mama stepping up as a strong figure. Maggie says that she would like to give Big Daddy her birthday present: the announcement of her pregnancy. After the jealous Mae calls Maggie a liar, Big Daddy and Brick defend her, even though Brick knows the statement is untrue and Big Daddy suspects the statement may be untrue. In their room, Maggie and Brick reconcile, and the two kiss, with the implication that they will make Maggie's "lie" become the "truth".
The original stage production of Cat on a Hot Tin Roof opened on Broadway on March 24, 1955, with Ives and Sherwood in the roles they subsequently played in the film. Ben Gazzara played Brick in the stage production and rejected the film role. Athlete-turned-actor Floyd Simmons also tested for the role.[5]
Production began on March 12, 1958, and by March 19, Taylor had contracted a virus which kept her off the shoot. On March 21, she canceled plans to fly with her husband Mike Todd to New York City, where he was to be honored the following day by the New York Friars' Club. The plane crashed, and all passengers, including Todd, were killed. Beset with grief, Taylor remained off the film until April 14, 1958, at which time she returned to the set in a much thinner and weaker condition.[8]
The music score, "Love Theme from Cat on a Hot Tin Roof", was composed by Charles Wolcott in 1958. He was an accomplished music composer, having worked for Paul Whiteman, Benny Goodman, Rudy Vallee and George Burns and Gracie Allen. From 1937 to 1944, he worked at Walt Disney Studios. In 1950, he transferred to Metro-Goldwyn-Mayer (MGM) Studios where he became the general music director and composed the theme for Cat on a Hot Tin Roof. The remaining songs on the soundtrack are composed by a variety of artists such as Andre Previn, Daniel Decatur Emmett and Ludwig van Beethoven.
Tennessee Williams was reportedly unhappy with the screenplay, which removed almost all of the homosexual themes and revised the third act section to include a lengthy scene of reconciliation between Brick and Big Daddy. Paul Newman, the film's star, had also stated his disappointment with the adaptation. The Hays Code limited Brick's portrayal of sexual desire from Skipper, and diminished the original play's critique of homophobia. Williams so disliked the toned-down film adaptation of his play that he told people waiting in line to see the film, "This movie will set the industry back 50 years. Go home!"[9]
The film received six Academy Award nominations. However the film did not win any awards. Best Picture went to Gigi (another Metro-Goldwyn-Mayer production). The same night, Burl Ives won Best Supporting Actor for The Big Country.
The film was successful with audiences and grossed over $1 million over the Labor Day weekend and was number one at the US box office for five consecutive weeks throughout September 1958,[15][16] before being knocked off the top spot by Damn Yankees.[17] It returned to the top spot for the next four weeks and was also the number-one film for the month of October.[18]
Original MGM 30x40 Poster for the Richard Brooks iconic American family drama, CAT ON A HOT TIN ROOF (1958) starring Paul Newman, Burl Ives, Jack Carson, Judith Anderson and, of course, Elizabeth Taylor in one of her greatest roles. Taylor plays the beautiful and sultry wife of the alcoholic and sexually ambivalent young football player Brick (Newman). Brick is the son of an autocratic Southern patriarch who is known in the play only as Big Daddy, played wonderfully by the great Burl Ives. Jack Carson, Judith Anderson and Madeleine Sherwood flesh out the cast, as they work through the stew of Tennessee Williams' tangle of desires and ambitions. Director Richard Brooks transforms one of the great American plays, whose influence on the American Theater cannot be overestimated, into a remarkable film. This original 30x40 poster is rolled and in very good condition and would be a great candidate for restoration.
PAUL NEWMAN - Actor
Dame Elizabeth Taylor - Actor
RICHARD BROOKS - Director
Burl Ives - Actor
Jack Carson - Actor
Dame Judith Anderson - Actor
Madeleine Sherwood - Actor
2. On the trial the plaintiffs introduced evidence that the roof was installed by the defendant corporation for them, that later leaks in the roof were noticed, that the defendant made repairs to the roof on the "family room," that it still leaked after the repairs were made, that the cost of repairing the damage caused by the leaking roof would cost more than the amount of the judgment rendered for them, and that the "carpenter" who had built the "family room" for them did not go onto the roof when he inspected it immediately after it was installed.
The defendant introduced evidence to the effect that it had contracted with the prime contractor (the carpenter referred to above) for the installation of the roof, that it had (at a later date) installed gutters on the "family room" for the plaintiffs, that the roofing job was correctly done and was in good shape when it was completed, and that later repairs were made to the old roof but none to the new roof. There was also evidence adduced from witnesses for the plaintiff and for the defendant that to install a roof with holes in it would be negligence.
In addition to the above, one of the plaintiffs testified that a named person, purportedly an agent of the defendant corporation, stated that if the defendant corporation installed the roof it would repair it. The inference of this testimony was that it was an admission of the condition of the roof "from the time it was installed." Other than the testimony of the plaintiff that such named person came out to the plaintiffs' house and made the statement, there was no other evidence that this person was an "agent or employee" of the defendant corporation.
There was no other evidence as to what the condition of the roof was immediately after its installation, but only evidence as to its condition at later dates, after, according to the plaintiffs' evidence, the damage from the alleged leaks was noticed. Accordingly, if the evidence authorized a recovery for the plaintiffs it must be under the doctrine of res ipsa loquitur. The roof was installed on an addition to the plaintiffs' home, and after such installation the addition to the home was completed. A witness for the plaintiffs testified that when "inspecting" the roof after it was installed he didn't go onto the roof, that while doing certain of the work to complete the addition he didn't life up the roof while tying in the sheathing to the old part of the house. This testimony did not establish that, in doing other work to complete the addition, neither he nor other workmen climbed onto the roof, nor was there any evidence that after the roof was installed other persons did not do anything which within the realm of reason could have caused the roof to leak.
Under the decision of this court in Burton v. Campbell Coal Co., 95 Ga. App. 338, supra, and the cases cited therein, since the plaintiff did not offer any evidence that no other person did anything which could have caused the alleged leaks, the judgment of the trial court hearing the case without the intervention of a jury was without evidence to support it and the defendant's motion for a new trial should have been granted.
3. In view of the above ruling on the general grounds of the defendant's motion for new trial it becomes unnecessary to pass upon the contention that it should be granted a new trial because of newly discovered evidence.
In that great city live people of many different origins and backgrounds. This particular group organized in 1919 a Mother's Club, which grew into an organization for operating a shelter for girls and women. Then, in 1942, it was incorporated as the Eastside Settlement House.
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