Ghosthunter Cyrus Kriticos and his psychic assistant Dennis Rafkin lead a team on a mission to capture a spirit called the Juggernaut. Several men, including Cyrus, are killed while the team is able to catch the ghost. Cyrus's nephew Arthur, a widower, is informed by Cyrus's estate lawyer, Ben Moss, that he has inherited Cyrus' mansion. Financially insecure, Arthur decides to move there with his two children, Kathy and Bobby, and their nanny, Maggie.
Dennis uses a pair of spectral glasses that allow the wearer to see the supernatural realm to avoid the ghosts. The Jackal, one of the most dangerous ghosts, attacks Kathy and Arthur but they are saved by Kalina Oretzia, a spirit liberator who is attempting to free the ghosts. Kathy disappears. The four adults gather in the library where Arthur learns that Jean's ghost is also in the house. Kalina explains that the house is a machine, powered by the captive ghosts, that allows its user to see the past, present, and future. The only way to shut it down is through the creation of a thirteenth ghost from a sacrifice of love. Arthur realizes that he must become that ghost to save his children.
Armed with the spectral glasses, Arthur and Dennis enter the basement to find the children. Dennis barricades Arthur behind a glass sheet for his protection. Dennis is then beaten to death by the Hammer and the Juggernaut, two other dangerous ghosts. It is revealed that Cyrus faked his death to lure Arthur to the house; Kalina is his partner and lover, revealed when she knocks Maggie unconscious with a large book and promptly kisses Cyrus upon his arrival. Cyrus has orchestrated the abduction of Kathy and Bobby so that Arthur will become the thirteenth ghost, which will not stop the machine as Kalina had claimed, but trigger its activation. Cyrus kills Kalina, who objected to Cyrus putting the children in danger, and summons the ghosts to activate the machine.
In the main hall, Arthur witnesses all twelve ghosts orbiting a clockwork device of rotating metal rings, with his children at the center. He fights Cyrus while Maggie disrupts the machine's controls, releasing the ghosts from its power and causing the machine to go haywire. The ghosts hurl Cyrus into the moving rings, slicing him to pieces. With the encouragement of Dennis' ghost, Arthur jumps through the machine safely to protect his children. The walls of the house shatter as the malfunctioning machine rips itself apart, freeing the ghosts. Jean's ghost tells them she loves them before she disappears.
While the backstories for nearly all the ghosts are not mentioned in the movie, they are hinted at and are explicitly described in the "Ghost Files", a special feature on the DVD, with Cyrus as the narrator. With a few exceptions, they seem to become more dangerous as their numbers increase.
A special collector's edition Blu-ray was released by Shout Factory under their Scream Factory label on July 28, 2020. This new release features brand new interviews with the cast and crew, plus a brand new audio commentary with director Steve Beck.[7]
Reviews for the film were mostly negative. Praise was directed toward the production design but the film was criticized for its lack of scares and a number of strobe effects throughout that could induce seizures. It holds an approval rating of 19% on review aggregator Rotten Tomatoes, based on 96 reviews with an average rating of 3.7/10. The website's critical consensus reads, "The production design is first rate, but 13 Ghosts is distinctly lacking in scares."[3] On Metacritic, the film has a weighted average score of 30 out of 100, based on reviews from 24 critics, indicating "generally unfavorable reviews".[11] Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale.[12]
Ed Gonzalez of Slant Magazine rated the film two out of four stars, panning the film's lack of scares, and predictable plot twists. However, Gonzalez commended the art direction, while also stating it was underutilized.[13] Roger Ebert praised the production values saying, "The production is first-rate...The physical look of the picture is splendid." However, he criticized the story, lack of interesting characters, loud soundtrack, and poor editing.[14] In 2005 Ebert included it on his list of "Most Hated" films.[15]In the years since its release and disappointing box office performance, the film has gathered a prominent cult following, finding further success and more positive reception. Elvis Mitchell of The New York Times said of the film "what we're left with after the scares is just plain dumb."[16]
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Don't take that the wrong way, though. There's nothing the least bit heartless or mercenary about Cyrus' nephew Arthur (Tony Shalhoub), who barely even knew the guy, and his kids Kathy (Shannon Elizabeth) and Bobby (Alec Roberts) didn't even know they had an uncle. But still, the family's suffered all sorts of loss in recent years. Their old house went up in flames, taking their mother/wife Jean (Kathryn Anderson) with it. Now flat broke and mired in debt, the surviving members of the Kriticos family are barely scraping by in a cramped, dingy apartment. They're so overjoyed at the prospect of high-tailing it out of Dodge that they're not the least bit bothered that what they've inherited is a colossal glass house smack dab in the middle of nowhere. There's zero privacy, and I don't even wanna guess what the bathroom situation is like. Sleeping in on sunny summer mornings isn't all that much of an option. There's all sorts of eerie Latin writing on every wall and floor. Oh! And then there are the tenants downstairs that the late Cyrus' sleazy lawyer (JR Bourne) never quite got around to mentioning:
You know, I'm starting to think that Uncle Cyrus wasn't bequeathing his life work to his nephew out of the goodness of his heart but that this is instead the next phase of some unspeakably nefarious scheme...!
Thir13en Ghosts benefits further from jaw-dropping production design. The house is an astonishing sight to behold, as virtually every surface is thick glass covered in immediately unnerving script. There's just about always something gorgeous to gawk at in the frame, whether it's Cyrus' seemingly endless collection of artifacts or the concentric metallic circles at the heart of his creation. Thir13en Ghosts doesn't settle for a series of non-descript spooks; even if we learn little about them in the film proper, an enormous amount of thought and creativity has clearly been invested in making every last one of them distinctive and memorable.
The tragedy of Thir13en Ghosts is that there are all these individually extraordinary elements and the making of something that oughtta be an instant Halloween classic, and none of it really comes together. I mean, it's little wonder that House on Haunted Hill opened with an extended jaunt on the Incredible Hulk Coaster because what followed pretty much was a rollercoaster ride. Alas, there's not really any of that same sense of fun or spookhouse thrills this time around.
We as the audience know on some level that no one in the family is going to suffer some nightmarishly grisly fate, and...well, that's the bulk of the living, breathing cast. There aren't a bunch of disposable red shirts to knock off every ten minutes. Too few of the ghosts are given standout, showcase moments. As much as I like the actors behind 'em, I don't really feel any emotional investment in the Kriticos clan or their plight. Besides, can you really be that broke if you have a friggin' live-in, full-time nanny? Rah Digga's Maggie feels awkwardly stapled on to infuse a little more color into the cast, muttering one audience-pandering swing and a miss one-liner after another. And at no point is there any danger of giving a shit about the plot, which the movie itself doesn't, really. Even with as much as I'm awestruck by the design of this glass house, Thir13en Ghosts never really offers a meaningful sense of the size or scale of the place.
I get that Thir13en Ghosts has a rabid fanbase, and pretty much everyone I follow on Horror Twitter is losing their minds with excitement over Scream Factory's long-awaited special edition. And I guess I have warmed to it at least a bit over the years, with my active distaste for the flick mellowing to more of an indifferent shrug. But unless you already know and love Thir13en Ghosts, I wouldn't really recommend shelling out $25-$30 for this collector's edition sight-unseen. Rent It / Stream It first.
I've gotten so used to seeing "NEW 2K Scan of Original Film Elements" and "NEW 4K Film Scan from the Original Negative" in Scream Factory's announcements anymore that I completely overlooked that they didn't boast the same about Thir13en Ghosts. And, well, that tracks, 'cause this is pretty unmistakably not a new scan. The 1.85:1 image is disappointingly soft and flat. Its colors don't pack a meaningfully more substantial wallop than the nearly twenty year old DVD. Grain is chunky and indistinct. There's not a whole lot in the way of fine detail. I mean, it's a noticeable refinement compared to that DVD from way back in 2002:
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