It's a fair cop - I've written quite a bit over the years on why Xenon flash is a must in a camera phone, for evening and night time people shots, freezing motion and stopping typical low light blur. But there's more to a great Xenon flash in a phone camera. What about in daylight? Yes, really - 'fill in flash' is a technique used by professional photographers, yet something that's largely out of reach of people using phone cameras. Unless you have a Nokia Lumia 1020 and that all-important Xenon....
The use case is all too common, you're shooting a relatively close-by subject (usually a person) and the background is very bright - either they're standing by a window in a well lit room or the sunny half of the sky is behind them, outdoors. Now, most phone cameras will have a crack at these situations and produce something where the subject's face is too dark and indistinct, since the auto-exposure algorithms in the camera software will be trying to allow for the bright background. Yes, it's true that you can sideload these images to a desktop OS and play with selectively lightening dark areas, trying to recover detail and improve the photo, but it's a massive headache and requires a lot of skill.
You see, there's intelligence inside the camera hardware in the 1020. It knows that there's a proper Xenon flash onboard and that this can still have an impact even in daylight (LED flash won't). So, when the field of view includes very bright areas and the subject that has been focussed on is darker, (in 'Auto' mode) 'fill in flash' is automatically, seamlessly used, firing the flash during the short daylight exposure, to deliberately light the subject's face from the front.
I've used a couple of good examples from my privately taken photos, to give you an idea. Suitably edited to protect personal privacy, of course, in the case of the kids below - you can still see the effect of the fill-in Xenon flash at work...
Now, there are limits to what can be achieved here - the Xenon flash on the 1020 is good for fill-in flash up to about 1.5 metres, I've found. Further away than this and any benefits will be minimal. Compare this to about double this range for the larger Xenon flash on a standalone camera.
So, although it's tempting to leave flash 'off' if you're shooting in daylight or in a very bright indoor environment, in fact it's not only safe to leave flash in 'Auto' mode, it's actually very beneficial. If the software detects that the subject is well lit enough and that there's no overwhelming background, the flash won't fire - if 'fill in flash' is needed, then it will.
One of the most popular sub-topics in my features on camera-toting smartphones is low light and night time capabilities. Now, partly this is about arty shots of sunsets, churches and fountains, but more usually in the real world this is about friends and family in living rooms, pubs and events. Which usually means relying on your smartphone camera's flash. With LED flash now coming in 'triple' form and with many differences in processing capabilities under the hood, I thought some tests were in order. Will Xenon, the original winning tech, still come out on top?
Of course, testing this without exposing real world friends and family is going to be tricky, and I can't rely on a pet since they never do remotely the same thing twice. So I reverted to the original best test of camera flash capabilities: a spinning fan in a dim environment. It's not a perfect simulation of snapping humans in low light but it should give us some interesting data points and insights.
Xenon flashes should light my subject more fully and much faster, of course, with typical Xenon flash pulses lasting as short as 10 microseconds, which is why I love quoting the example of 'freezing' people dancing at a party or club. But there are other factors at play - larger apertures let in more light on the newer phones, meaning that shutter times for LED-lit shots can be shorter, plus the use of triple LED again adds less need for a long exposure (and thus a blurry subject). And then there's post processing, now very practical with such powerful modern chipsets in smartphones - so known colour balance issues can be corrected, noise reduced, details sharpened, and so on. Usually with good effect.
So, my test shot then. A spinning fan, about 1.5 metre away (typical of many people/evening/candid shots), moving from side to side but caught head-on at each point in its cycle, against a white background, with just a 60W overhead ceiling light on and providing ambient lighting. I tried the shot several times, handheld, with each of the test smartphones and discarded any that looked like they were sub-standard - the crops here are the best the phone cameras could do.
And here are central crops, scaled appropriately (though not massively) so that the field of view is similar in each case. I'm marking each phone camera here on illumination, motion freezing (i.e. lack of blur in the fan blades and, in extreme cases, the fan body itself), and shutter lag (the shutter icon was tapped as the fan passed the central position in each case, but with flash turned on some of the phones acquired a definite 'lag' before the shot was taken:
Not bad, though ultimately darker than we're used to in these days of large apertures and OIS ('turning night into day'!) Perfectly frozen though, the 808 went with a shutter speed of 1/50s (aperture is fixed at f/2.4) but with the very bright Xenon flash nearly all the detail was captured in well under a microsecond. And there was instant capture, no lag at all.
Brighter and with a typically (for an older Lumia) warmer colour cast. Also perfectly frozen, the 1020 also went with a shutter speed of 1/50s (aperture is fixed at f/2.2), the Xenon isn't as bright but more light was let in within the exposure, easily compensating. There was a slight shutter lag, as many 1020 owners will verify when trying to 'time' snaps, here seen in the way the fan has rotated a little clockwise.
Perfectly lit (to my eyes) with the triple LED unit, but the LED flash's much longer duration had no hope of freezing the motion. The 950 went with a shutter speed of 1/12s (aperture is fixed at f/1.9) and there's was minimal shutter lag, thanks to the fast chipset and camera electronics. For the curious, I also tried out the same low light scene with 'Dynamic Exposure' (i.e. without flash turned on), but the results were much worse here.
Ah yes, your average budget camera phone camera producing complete rubbish in low light with flash. No surprise here for the 640, with a characteristic purple tinge and with lots of digital noise. The Lumia 640 used an exposure of 1/25s and its aperture is fixed at f/2.2, though note that all apertures are relative to sensor size - which in this case is tiny.
The Nexus 5 also went with a shutter speed of 1/50s (aperture is again fixed at f/2.4) but with OIS helping keep things crisp and a 1/3" sensor meaning that there's just about enough light captured. The result is about what my eyes were seeing, but other phone cameras in this test did better. There's noticeable shutter lag, common to virtually all Android phones when LED flash is used - sadly, meaning that it's usual to miss 'the moment'.
With the same software as the Nexus 5, but with brighter dual 'ring flash', the 1/40s exposure (on a f/2.0 aperture) gives a much brighter result and the faster chipset means that shutter lag isn't as bad.
A competent shot, exposed accurately (though relatively darkly), with a 1/60s exposure freezing the fan body perfectly (though not the fan of course), at a fixed aperture of f/2.0 again. Shutter lag when LED flash is 'engaged' is terrible though. Why can Android phones not get this right? Is it a hardware or a software limitation?
Minimal shutter lag but also minimal motion freezing, with an exposure of 1/20s (at f/2.2) - typical optimisations from Apple mean decent enough shots in low light, but with some motion blurring where people are moving slightly.
My core aim here was to see how well triple LED flash did in place of Xenon on the previous generation of Windows Phone flagships - and for anything that's moving - kids, people, pets, you really can't beat Xenon, as the test shows. The fan was spinning at something like 500rpm yet the blades were frozen in time by the Xenon bulb in the Nokia 808 and 1020.
The Lumia 950 is the best of the rest and the Apple iPhones tested did their best too, but yet again I bemoan the lack of 'proper' flash on a mainstream smartphone - since the Lumia 1020 all we've had is the incredibly bulky (and troubled) Samsung Galaxy K Zoom. Now, critics of the 808 will say that its OS is old and not fit for purpose in 2016 and they'd probably be right. Critics of the 1020 will say that the start-up and focussing times are too slow and you're likely to miss the moment before you've even pressed the shutter button to kick off the Xenon flash. So take those points on board if you will.
The biggest disappointment and surprise here was the abysmal LED flash performance of the Huawei-made Google Nexus 6P - this is supposed to be a flagship, yet there's about a one and a half second lag if you leave the phone to auto-focus and still a half second lag if already manually tapped-to-focus.
You'll know already that I rate the Lumia 950/XL camera as the best in any phone in 2016 (e.g. the comparison here with the acclaimed LG G4), but when you factor in the specific use case of needing flash then you really, really can't beat Xenon, no matter the other faults of the old host devices here.
PS. Pro tip: on the Lumia 1020 when shooting people/kids/pets, bear in mind that the 1020 likes to use its OIS to maintain a long enough shutter time to give you some ambient light context itself - this can result in 'ghosting' in photos if the subjects are more than a metre or two away - so experiment with the 'creative' mode, dropping the exposure manually to (say) 1/125s to emphasise the Xenon-captured reflected light more than the ambient. In this way, you can get closer to the Xenon purity of the Nokia 808, for example.
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