I haven't seen any response, so here are my thoughts.
Inflection features are generally used for something that (more or less)
has a semantic value; whereas inflection classes are for properties that
do not have any apparent semantic value, and are therefore more or less
arbitrary. Verb classes in many Romance languages, like -ar/-er/ir
verbs in Spanish, are examples of properties without any semantic value.
(Stem classes, used where the stem of some words of a particular part
of speech undergo alternations, while other stems of that same part of
speech do no, are also properties without semantic value.)
Also, inflection classes by definition *never* cause agreement. For
example, the fact that a Spanish verb is in the -er class does not cause
its arguments to agree with it in any way. Inflection classes sometimes
(but not always) cause agreement, e.g. in Spanish an adjective agrees
with the noun it modifies in gender.
Latin (from which of course the Romance languages derive) had a
wide-ranging and complex system of both gender
(masculine/feminine/neuter) and inflection classes (often called
declensions for nouns and adjectives, and conjugation classes for
verbs). To some extent the noun declension classes cross-cut the gender
classes, for example while most second declension nouns were masculine,
some were neuter or feminine; and third declension nouns could be any
gender. Latin adjectives would agree with nouns they modified in gender
(an inflectional feature), but not in declension (an inflectional class).
Animacy usually does have some semantics behind it, so I would guess
that in the language you are working with, it is an inflectional feature.
There are gradations (of course, we're talking about language...).
Gender in IndoEuropean languages typically has a core of semantic
relevance: nouns for women are typically (but not always, as Mark Twain
pointed out) feminine, nouns for men are typically masculine. But nouns
for inanimate concepts also have gender, even though that typically
makes no sense semantically. And in some languages with animacy
distinctions, things like lightning may be animate--which may or may not
reflect a cultural belief. Or in English, 'pants', 'shorts' etc. are
plural, even if you are talking about one pair.
In sum: if this animacy distinction in your language causes agreement,
then it must be an inflectional feature, not an inflectional class (nor
a stem class). Otherwise, the semantics is probably a clue.
On 6/24/2022 10:45 PM, Michel Pauw wrote:
> After reading the FLEx documentation I'm stuck.
>
> This is my understanding on how to analyse the data in FLEx:
>
> * separate entry -fo: allative suffix for inanimate nouns
> * separate entry -mbo: allative suffix for animate pronouns
> * separate entry -nmbo: allative suffix for animate nouns
>
> * separate entry -à: auxiliary suffix SG, with -yà, -wà, -e, -we as
> allomorphs based on certain morphophonemic rules
> * separate entry -á: auxiliary suffix PL, with -yá, -eyá, -wá, -wé as
> allomorphs based on certain morphophonemic rules
> * (for now I leave out the auxiliary suffixes for the pronouns)
>> *Case #1: postposition to (in)animate (pro)nouns*
>> Aramba has two sets of postpositions. One set is applied to
>> animate nouns and the other set is used to inanimate nouns.
>> Example: the preposition 'to' has two equivalents in Aramba:
>> 1) /-fo /for inanimate nouns, and 2) /-mbo (or -nmbo?) /for
>> animate nouns. See the data below and the questions following
>> below.
>>
>> inanimate.jpg
>>
>> This is all the data I have so far for the allative
>> postposition 'to' in Aramba. I have more data, but they fit
>> the data shown above. The table for the postposition 'from'
>> would look exactly the same, but then the -o is replaced by an
>> -a: /-(n)mba/.
>> I have the following questions about how to interpret this
>> data, when it comes to analyzing the data in FLEx. So based on
>> this data:
>>
>> 1. What should I describe as the actual suffix?
>> * I am currently inclined to consider -/nmbo /to be the
>> suffix and -/mbo/ to be an allomorph. The reason for
>> this is that I don't want to include the -/n/ in the
>> auxiliary suffix, because there is a dative case
>> marker -/n/ that has exactly the same auxiliary
>> suffixes. So, it is easier to describe -/n-/ as part
>> of the suffix
>> -/nmbo/ and consider -/mbo/ an allomorph in a few
>> cases, than to say the -n- belongs to the auxiliary
>> suffix and then I need to come up with a whole set of
>> different auxiliary suffixes that precedes the dative
>> suffix -/n/.
>> * Would you agree/disagree?
>> 2. How many (and which) lexical entries do I enter?
>> * I suspect it would be best to describe two main
>> lexical entries: one for the postpositional suffix
>> -/nmbo/ and another for the auxiliary suffix, but do I
>> really have to add as many auxiliary suffix-entries
>> into FLEx, as I see in the table?
>> * The auxiliary suffixes do indicate number (SG/PL), but
>> only when a postpositional suffix is attached. That's
>> why I call it an auxiliary suffix. If no
>> postpositional suffix is attached, the nouns (as they
>> appear in the first column) can be either SG or PL.
>> They will not get the auxiliary suffix.
>> * It looks like there are two basic auxiliary suffixes
>> -/à/ (SG) and /-á/. All other instances can be
>> explained morphophonemically, for example:
>> o the adding of -/y/ can be explained by the
>> preceding front vowel
>> o the adding of -/w/ can be explained by the
>> preceding back vowel
>> o the change of -/à /into -/e /and of -/á /into
>> -/é/ can be explained by vowel harmony (certain
>> vowels don't like to go together with the 'a-sound')
>> * How do I enter all this data according to the
>> interpretations given above?
>> o Should I enter them all as separate lexical entries?
>> o Should I consider them allomorphs of -/à/ and -/á
>> /(and if so, how do I enter those into FLEx)?
>> o Should I stick with two lexical entries -/à/ and
>> -/á /as the underlying morpheme of all the others
>> and then describe some morphophonemic rules in
>> FLEx to account for the others? If so, where and
>> how do I describe those morphophonemic rules in FLEx?
>>
>> Thanks for advising!
>>
>> Michel Pauw
>> /Aramba Translation Advisor Papua New Guinea/
>> <
http://groups.google.com/group/flex-list>.
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>
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