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Before setting up your Oxygen Pro with Ableton, let's take a moment to authorize your software.
1. Launch the Ableton application from your computer's Program or Application folder.
2. The software will automatically prompt you to license the program. Click Authorize with ableton.com to proceed.
Your TR-6S is now a dedicated MIDI controller! Dive in and map MIDI values in Live to the parameters on the TR-6S as you would with any other MIDI controller. Unsure about how to do this? Ched out this article from Albeton on MIDI mapping. help.ableton.com/hc/en-us/articles/360000038859-Making-custom-MIDI-Mappings
In certain cases, incoming data may also come via callback. Examples of this can be found in the abletonSong1_callbacks DAT. Python callbacks are beyond the scope of this guide, but if you know a little Python, looking in this DAT will reveal the examples which set the locatorByCallback and sceneByCallback textTOPs.
Data to be sent out to Ableton is usually sent via parameters. If you go to the Ableton Song parameter page of abletonSong1 you will see the Play, Loop, and Tempo parameters which set the corresponding values in the Live Set. The abletonChain1 component shows examples of using CHOP exports to automatically change an outgoing parameter and thereby change a value in Live.
In the previous section, abletonSong1 shows data for the entire Live Set. Most TDAbleton Components are made for observing particular parts of a Set. For example, abletonParameter is used to get and set the value of a single Ableton Device Parameter. As you can see in the Component's parameters, this one is set to work with Track: 1 Muugy, Device: Pitch, and Parameter: Pitch. In Ableton Live, navigate to that device and you will see that its Pitch value is being mirrored in TouchDesigner.
TDAbleton uses menu parameters to navigate the Live Object Model. For example, all available Tracks, including Returns and the Master, will be shown in the Track parameter. Once you have selected a Track, its available Devices will be shown in the Device parameter, and so on down. To see other examples of this, take a look at the abletonTrack1 Component, which observes a single Track, and the abletonChainParameter1 Component, which gives access to Ableton Device Parameters within sub-chains such as those in an Instrument Rack.
Note: You can change the Pitch value in Ableton by changing the Value Send parameter on abletonParameter1, but notice that this stops Ableton's automation of that parameter. This is another reason why Auto Sync is not always desirable.
The abletonMIDI1 Component has a unique feature: a Max For Live device is necessary in order to get MIDI data out of Ableton Live. Each abletonMIDI component is connected to a specific TDA MIDI device in Live. If you look on the 1 Muggy Track in the Ableton Set, you will see the TDA MIDI device.
TDA MIDI devices in your Live set should be created from TouchDesigner by using the Add TDA MIDI Device pulse parameter on an abletonMIDI Component. Just select the Track to put it on and press that button.
The smoothest way to control and watch Live's parameter values from TouchDesigner is using the abletonRack component, and its corresponding Max devices in live. These racks can be created in Live using the pulse buttons on the abletonRack component. For an example, look at the device chain in the "2 Muggy" Track in the Demo Set.
The general strategy for using these racks is to put the Live device whose parameters you want to control and/or watch into the rack. Then map the appropriate rack macros to the parameters you want to interact with. This will create a fast connection between those parameters and the corresponding abletonRack device. For more information, see abletonRack.
the editing clipboard is the fundamental tool of all productivity software. functions like copy, paste, & cut save users an unimaginable amount of time as they make edits to a project. in ableton live, shift will modify most of these shortcuts to edit not only the contents of the selection but the block of time that contains them as well. a surprising amount of producers are unaware of these tools, but learning them can prove a watershed moment for speeding up one's workflow.
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