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When adding whole note rests, the duration of the rest may change as new notes, rests, or bar lines are added around it. The program attempts to determine if a whole rest stands alone in a measure so that it can assign a duration equivalent to an entire measure. This requires calculating the time signature associated with this measure. If you experience any difficulties in the visual duration of a particular whole rest, you may need to initiate a refresh of the score.
This is not a guarantee that a topic will necessarily be handled as a separate, stand-alone page. Editors may use their discretion to merge or group two or more related topics into a single article. These guidelines only outline how suitable a topic is for its own article or list. They do not limit the content of an article or list, though notability is commonly used as an inclusion criterion for lists (for example for listing out a school's alumni). For Wikipedia's policies regarding content, see Neutral point of view, Verifiability, No original research, What Wikipedia is not, and Biographies of living persons.
In some topic areas, subject-specific notability guidelines (SNGs) have been written to help clarify when a standalone article can or should be written. The currently accepted subject guidelines are listed in the box at the top of this page and at Category:Wikipedia notability guidelines. Wikipedia articles are generally written based on in-depth, independent, reliable sourcing with some subject-specific exceptions. The subject-specific notability guidelines generally include verifiable criteria about a topic which show that appropriate sourcing likely exists for that topic. Therefore, topics which pass an SNG are presumed to merit an article, though articles which pass an SNG or the GNG may still be deleted or merged into another article, especially if adequate sourcing or significant coverage cannot be found, or if the topic is not suitable for an encyclopedia.
The criteria applied to the creation or retention of an article are not the same as those applied to the content inside it. The notability guideline does not apply to the contents of articles. It also does not apply to the contents of stand-alone lists, unless editors agree to use notability as part of the list selection criteria. Content coverage within a given article or list (i.e. whether something is noteworthy enough to be mentioned within the article or list) is governed by the principle of due weight, balance, and other content policies. For additional information about list articles, see Notability of lists and List selection criteria.
While notability itself is not temporary, from time to time a reassessment of the evidence of notability or suitability of existing articles may be requested by any user via a deletion discussion, or new evidence may arise for articles previously deemed unsuitable. Thus, an article may be proposed for deletion months or even years after its creation, or recreated whenever new evidence supports its existence as a standalone article.
When creating new content about a notable topic, editors should consider how best to help readers understand it. Often, understanding is best achieved by presenting the topic on a dedicated standalone page, but it is not required that we do so; at times it is better to cover a notable topic as part of a larger page about a broader topic, with more context (and doing so in no way disparages the importance of the topic). Editorial judgment goes into each decision about whether or not to create a separate page, but the decision should always be based upon specific considerations about how to make the topic understandable, and not merely upon personal likes or dislikes. Wikipedia is a digital encyclopedia, and so the amount of content and details should not be limited by concerns about space availability.
Subject-specific notability guidelines and WikiProject advice pages may provide information on how to make these editorial decisions in particular subject areas. When a standalone page is created, it can be spun off from a broader page. Conversely, when notable topics are not given standalone pages, redirection pages and disambiguation can be used to direct readers searching for such topics to the appropriate articles and sections within them (see also Wikipedia:Redirects are cheap).
Editors apply notability standards to all subjects to determine whether the English language Wikipedia should have a separate, stand-alone article on that subject. The primary purpose of these standards is to ensure that editors create articles that comply with major content policies.
Notability guidelines also apply to the creation of stand-alone lists and tables. Notability of lists (whether titled as "List of Xs" or "Xs") is based on the group. One accepted reason why a list topic is considered notable is if it has been discussed as a group or set by independent reliable sources, per the above guidelines; notable list topics are appropriate for a stand-alone list. The entirety of the list does not need to be documented in sources for notability, only that the grouping or set in general has been. Because the group or set is notable, the individual items in the list do not need to be independently notable, although editors may, at their discretion, choose to limit large lists by only including entries for independently notable items or those with Wikipedia articles.
There is no present consensus for how to assess the notability of more complex and cross-categorization lists (such as "Lists of X of Y") or what other criteria may justify the notability of stand-alone lists, although non-encyclopedic cross-categorizations are touched upon in Wikipedia:What Wikipedia is not Wikipedia is not a directory. Lists that fulfill recognized informational, navigation, or development purposes often are kept regardless of any demonstrated notability. Editors are still urged to demonstrate list notability via the grouping itself before creating stand-alone lists.
Beethoven, born in 1770 in Bonn, Germany, wrote dozens of compositions during his lifetime, including nine symphonies and 16 string quartets. He originally wrote the Grosse Fuge as the final movement of String Quartet No. 13 (Op. 130). It was deemed too difficult by critics, prompting Beethoven to write a new final movement and turn the Grosse Fuge into a stand-alone piece.
Alexandra Cook ('Rousseau and the languages of music and botany') considers the commonality between the two languages, and claims that Rousseau's attempts to clarify nomenclature and notation are in line with contemporary developments in science. Such ideas of simplified musical and botanical language are deployed to 'moral and social ends'. Welcome attention is paid to Rousseau's earliest texts, original parallels are made between music and botany (two still arguably overlooked areas of his work), and Rousseau's place in the history of scientific thought is usefully illustrated. Guillaume Bordry ('Hector juge de Jean-Jacques: Berlioz lecteur et auditeur de Rousseau') studies Berlioz's references to Rousseau in his Mémoires, correspondence and critical works. Iconoclasm with respect to Rousseau the composer is tempered by admiration of the writer and theorist. The enduring if ambiguous reputation of Rousseau in the nineteenth century is [End Page 100] illuminated by this case study. Finally, Jacqueline Waeber ('Paysage d'avant Querelle: Rousseau continuateur de Grimm') offers a meticulous study of two texts of 1752 and their critical context: Grimm's Lettre sur Omphale and Rousseau's response, the Lettre à Grimm. Written at the beginning of the Querelle des Bouffons, the two texts are concerned above all with recitative, and Rousseau's text is a fundamental indicator of the development of his musical thought, and, Waeber shows here, 'le point de non-retour du Genevois en matière de fascination ramiste' (p. 235). Waeber points out how much remains to be done on the earliest period of Rousseau's musical thought. In these three cases, as in other papers in this volume, the variety of aspects studied is testimony to his importance as musician and musical thinker; and in this, as in other areas, Rousseau is shown to be a central figure of his age.
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Perhaps the most noteworthy statistic in the media-for-mobile uprising is the astonishing increase in smartphone video viewing. A Nielsen report issued earlier this year found that approximately 17.6 million users in the U.S. alone watched video from their phones during the fourth quarter of last year, representing a nearly 60 percent increase from the prior year period.
Sigfrid Karg-Elert (1877-1933) is one of the few composers of the early twentieth century whose style moves fluently between tonality and atonality. His most noteworthy and voluminous body of work was for the harmonium and the organ; however, he also wrote a number of wind compositions. Among these are eight works using the flute in a primary role, almost all of which were composed around the First World War. These seven flute works between 1917 and 1919 stem from Karg-Elert's time spent in a regimental band, in which he played oboe and sat next to flutist Carl Bartuschat (1882-1959). Of the seven works, there are two for flute alone, one for flute in a chamber ensemble, and four for flute and piano. Though all of these pieces are well-crafted, interesting, and fill a much-needed role in the flute repertoire, only the unaccompanied works are performed with any regularity. Recently there has been a surge in interest in his other flute works.
The second part of the book begins with a consideration of harmony; what is noteworthy is the path Franceschina takes to the topic. He begins by pointing to the many differences between a lead sheet and an arrangement; to differences in complexity and texture from one arrangement to another; and to differences in latitude given by composers to arrangers (in the event that the composer is not also the arranger). This last point he illustrates with an anecdote from his experience as an arranger for the Broadway stage; what it emphasizes is that, no matter the circumstances, the arranger must come through with a score that advances the plot and heightens the mood.
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