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A gang leader tries to keep a promise made to his dying friend and takes on the other criminal gangs.

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One of the boys with whom Deva (Prabhas) plays cricket in the nondescript town of Tinsukia in Assam refers to his towering persona as ‘cutout’, a word that is commonly used by the star’s fans. Director Prashanth Neel uses this throwaway reference to reaffirm that this film, mounted on a massive scale, is a celebration of Prabhas’s stardom. At its bare bones, Salaar: Part 1 – the Ceasefire is a story of two friends — Deva and Varadaraja Mannar aka Varada (a regal, understated Prithviraj Sukumaran) — who turn enemies. It is a storyline that Neel has explored earlier. A considerable portion of Salaar draws from the director’s earlier Kannada film Ugramm; he repackages it in a KGF style, with stylised action choreography, and narrates it in the backdrop of a dystopian kingdom named Khansaar, depicted in soot-laden monochrome hues.

The film is slightly shy of three hours and Neel uses about an hour and 14 minutes, to be precise, to leisurely lead to the main story. It is only at intermission point that a character asks if we are ready for the story of Khansaar, Deva and Varadaraja Mannar. Neel is in no rush to get to the bottom of the drama, so it requires a good dose of patience to wait for the big picture to unravel.

We get glimpses of the after effects of events that have occurred in a far-off land whose name no one dares to mention. Fear is a leitmotif that underlines everything about the kingdom, which for a long time, is only referred to by a logo.

A childhood episode between Deva and Varada delineates why the former is indebted to the other and would go any length to stand by him. When the story takes a leap from the 1980s to 2017, Deva is in exile, working as a mechanic while his mother (Easwari Rao), scarred and seething from a bitter past, is a school teacher who wants children of coal mine workers to be educated so that they stand a chance for better future. Other characters that bear scars of the past and are waiting to settle scores include Radha Rama Mannar (Sriya Reddy) and her loyal aide Obulamma (Jhansi).