Yellowcard, Ocean Avenue Full Album Zip
Chiquita Palafox
Before Yellowcard's promotional tour of Ocean Avenue, Mosely was replaced by Alex Lewis. Yellowcard appeared on the Warped Tour, during which "Way Away" was released as the album's lead single on July 22, 2003. The band went on a club tour of the United States, before going on tour with Less Than Jake and Fall Out Boy. "Ocean Avenue" was released as the second single on December 16, 2003. Lewis departed from the band and was replaced by Mosely before a co-headlining tour with Something Corporate and a stint in Europe. "Only One" was released as the third and final single in June 2004; they toured Europe, Australia, and Japan. After this, they had a US tour.
Ocean Avenue received mostly positive reviews from music critics, some of whom commented on Sean Mackin's violin playing and songwriting quality. The album peaked at number 23 on the US Billboard 200, as well as number 8 in New Zealand, and number 149 in the UK. The album was certified platinum in the US by the RIAA, gold in Canada by Music Canada, and silver in the UK by the BPI. "Way Away" and "Only One" appeared high on the US Alternative Airplay chart; "Ocean Avenue" peaked at number 37 on the US Hot 100, and within the top 100 in Scotland and the UK alongside "Way Away". "Ocean Avenue" was certified double platinum by the RIAA and silver by the BPI. "Only One" was certified gold in the US.
In April 2001,[4] Yellowcard released their third studio album One for the Kids through Lobster Records.[5] It was promoted with a tour of the southern United States with Inspection 12,[6] and a two-week tour of the US West Coast with Bordem.[7] Yellowcard had moved from Florida to California, with the hopes of someone from a label would be attached to them.[8] Harper said their manager was adamant about finding them a different label, and made pitches to a number of labels.[9] By April 2002, it was reported that the band had signed to Capitol Records,[10] one of a few major labels who showed interest.[11] Harper said the interest came from a friend of their booking agent, who in turn was friends with an A&R representative at Capitol. This person had seen the band live at six-to-seven of their gigs and won over others at the label. The band subsequently met with Capitol and two other labels, ultimately picking Capitol. Harper explained that Capitol were "just the coolest people. Their president, their vibe, and everything - they have a big catalogue" of acts such as the Beatles, Megadeth, and Pink Floyd.[9] Frontman Ryan Key also reasoned that listeners were unable to purchase One for the Kids in stores due to a lack of distribution and wanted a label that could rectify that.[12]
In June and July 2002, the band appeared on Warped Tour, which coincided with the release of the band's second EP The Underdog EP on July 2, through Fueled by Ramen.[13] Capitol Records had licensed the EP to Fueled by Ramen as not to lose the band punk credibility.[11] Two days after its release, bassist Warren Cooke left the band, citing personal reasons;[14] violinist Sean Mackin said there was in-fighting between them up to eight months before this occurred.[12] Cooke spot was temporarily filled by members of other acts on the tour, Home Grown and the Starting Line.[14] On July 21, 2002, Inspection 12 guitarist Peter Mosely joined Yellowcard as their bassist.[15] In October and November 2002, the band supported No Use for a Name on their headlining US tour,[16] and played a few shows with the Starting Line and Park.[17] In February 2003, Yellowcard played a handful of West Coast shows with Park and Stole Your Woman.[18]
Between signing to Capitol and recording, Yellowcard spent a period of time writing new material in several studios.[19] They spent around four months writing material, before going into pre-production. The band had one song, "Boxing Me", that their A&R person felt sounded like a single, but the members considered the track "too poppy" and dropped it.[9] Sessions for Ocean Avenue were held at Sunset Sound in Hollywood, California, in February and March 2003. Neal Avron produced and recorded the album with assistance from engineers Ryan Castle and Travis Huff.[20] Harper knew of Avron through his work with Everclear, New Found Glory, and the Wallflowers. He praised Avron for helping to achieve the "right kind of guitar tone, or master the violin, or help out with drum" sounds.[9] Tom Lord-Alge mixed the recordings at South Beach Studios in Miami Beach, Florida, with assistance from Femio Hernandez, before the album was mastered by Ted Jensen at Sterling Sound in New York City.[20]
The sound of Ocean Avenue has been described musically as pop-punk[21][22][23] and punk rock,[24] and has drawn comparisons to Blink-182 and Simple Plan.[25] The album's title refers to a street in the band's hometown of Jacksonville, Florida, where they had they spent some of their childhood. Key typically comes up with a melody line and a chord progression, which he then shows to the rest of the band, who build upon it from this bare form.[11] Key and drummer Longineu W. Parsons III wrote together and would often jam material.[26] The band experimented with country and folk-stylized rock in songs like "Empty Apartment", "View from Heaven", and "One Year, Six Months".[27] When asked about a metal influence throughout the album, Key attributed this to Parsons, who was a metalhead.[26] Mosely played bass on every track, except for "Only One", which was done by Key. Mosely also played piano on "Empty Apartment" and "Only One", and added vocals. Christine Choi and Rodney Wirtz played cello and viola, respectively, on "Way Away", "Breathing", "Empty Apartment", "Only One", and "Believe"; Mackin and Avron wrote the string arrangement.[20]
The opening track "Way Away" is about a person leaving their home and finding their own way in life.[28] Key said he had had re-written the verse music, melody and lyrics 30 minutes prior to a show.[29] "Breathing" was a reaction to the end of Key's first post-high school relationship. He had written the guitar riff to it in a dressing room at the Glass House venue in Pomona, California while on a tour.[29] "Ocean Avenue" is anchored around a distorted staccato punk rock guitar riff;[30] in the song's lyrics, Key uses the person he is singing to as a metaphor for Jacksonville.[31] The song was inspired by Ocean Boulevard, a road in Jacksonville.[32] Key said the sign on that road lacked the word boulevard, only being named as such on a map. As he was trying to find a rhyme for the lyrics, he used the word avenue instead.[33] It was nearly left off the album as Key was unable to come up with a chorus that he was satisfied with, until settling on the lyric "Finding out things would get better". Discussing "Empty Apartment", he mentioned the various line-up changes the band had gone through, and "sometimes you're faced with a decision of: Do you quit? Do we break up and just call it? Or do we move on without this person?"[29] In "Life of a Salesman", Key talks about how he will act as a father by following his own father's example.[34] He said his relationship with his father was strained during the making of the album, and used the song as a way to remind him of his importance.[29]
"Only One" was written partway through the recording sessions, and Key said the lyrics were influenced by "a weird breakup". He explained it was "one of those where I felt like I had to do it, even though she didn't do anything wrong".[35] The music came about from Key using different amplifiers to achieve a different sound, utilizing a tremolo effect played through a Fender Twin amp. "Miles Apart" was written in the basement of The Nile venue in Phoenix, Arizona; Key thought the riff progression was very simplistic that he referred to it as "my first guitar riff dot com".[29] "Twentythree" is about growing up,[36] while the country-influenced song "View from Heaven",[37] with additional vocals from Alieka Wijnveldt,[20] discusses the death of a girlfriend.[34] Key explained that it was about a friend of his who had died of juvenile diabetes at age 18.[29] "Inside Out" is a mid-tempo rock track that is followed by "Believe", a homage to emergency service members who died in the September 11 attacks. In the context of the latter song, Key said that early on in their career, they would attract a fanbase from the tri-state area.[29] The penultimate track, "One Year, Six Months", is an acoustic ballad;[38] the band said they wanted something with a heavy amount of reverb as Sunset Sound had one of the earliest-built reverb chambers.[29]The album ends with "Back Home", which is about the things a person leaves behind in "Way Away".[28] Key had the clean intro and outro guitar riff for a period of time until it ended up in "Back Home".[29]
In March 2003, Mosely left Yellowcard citing personal reasons and was replaced by Alex Lewis,[39] who was best friends with Harper and Mackin.[40] Following this, they went on tour with the Ataris; during the last night of the trek, Key had injured his jaw from messing around with Mackin. After seeing a doctor, Key stayed with his parents in Jacksonville[9] and had surgery. The rest of the band went on tour with Lagwagon while Peter Munters from Over It temporarily filled in for Key.[40] On May 4, 2003, Ocean Avenue was announced for release in two months' time.[41] Later that month, the band went on a brief tour of Japan, followed by headlining shows in California throughout June 2003. They took a week-long break before starting press and in-store in events in the lead up to the album's release.[9] Between mid-July and early August 2003, the group appeared on the Warped Tour,[42] and then toured with Don't Look Down.[43][44] Ocean Avenue was eventually released on July 22, 2003,[45] through Capitol Records after it was originally scheduled to be released on July 8.[41] The artwork features a blurry photo of a high school girl in front of a setting sun in California.[46] The model is Brittany Nash, who was photographed by Sasha Eisenman.[20] The album was released as an enhanced CD in some countries, which included a video entitled "The Making of Ocean Avenue" and a music video for The Underdog EP track "Powder".[47] The Japanese edition included "Firewater", "Hey Mike", and the acoustic versions of "Way Away" and "Avondale" as bonus tracks;[48] "Way Away" was released on radio the same day.[49] The CD version included "Hey Mike" and an acoustic version of "Avondale".[50] Key felt it was a "little more tough, a little more edgy" choice as the album's first single, wanting to avoid being seen as a poppy band.[11]
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