Ultraman Movies Download

[Johanne]

InJapan, the Ultraman brand generated US$ 7.4 billion in merchandising revenue from 1966 to 1987.[7][8] This makes it one of the highest-grossing media franchises of all time. Ultraman was the world's third top-selling licensed character in the 1980s, largely due to his popularity in Asia.[9] References to Ultraman are abundant in Japanese popular culture, much like references to Superman in U.S. culture.[7]

The Ultras that are sent to other worlds are given Color Timers, or "warning lights", which blink with increasing frequency and turn from blue to red if an Ultra's energy supply dwindles or he is mortally wounded. Due to human pollution and the light filtering effects of the atmosphere, an Ultra can remain active on Earth for a limited span of minutes before its energy is depleted and they die. This forces an Ultra to either assume a human form or merge with a human host body. The latter process has healing properties that include reviving a recently dead person with their own life force.

Ultra beings also appear to be near-impossible to permanently kill, as several times an Ultra being has been killed, only to be revived by another member of their species. An Ultra being can be revived with a massive energy infusion, as when Mebius' allies revived him with their energy after his defeat by Alien Empera's army. Ultras always try to avoid battles in inhabited areas or near innocent bystanders and try to minimize collateral property damage. If these concerns cannot be met, a city like Tokyo could be destroyed.

In 1993, Tsuburaya Productions and Toei Company co-produced Ultraman vs. Kamen Rider, a crossover with the original Ultraman and Toei's Kamen Rider. This direct-to-video feature is co-copyrighted by both Toei (and its subordinates, Toei Video and Ishinomori Productions) and Tsuburaya Productions.

The Ultraman manga, which began in 2011, has sold more than 2.8 million copies as of 2018.[11] At the Tokyo Comic Con on 7 December 2017, Tsuburaya Productions revealed that an anime adaptation of the manga was planned for release in 2019.[12] It was released by Netflix.[11]

Ultraman content, products and services have been distributed in more than 100 countries worldwide,as of March 2018[update]. Tsuburaya has officially made their Ultraman and non-Ultraman content widely available on their YouTube channel, even simulcasting several of their series with English subtitles,[13] the channel has reached over 2 million subscribers.[14] In China, an Ultraman television series received 1.8 billion views on over-the-top media services between July 2017 and March 2018.[15]

It was announced in November 2019 that Marvel Comics has partnered with Tsuburaya Productions to publish Ultraman comic books in 2020.[19][20] As of March 2021[update], Bandai Namco has sold 101.87 million Ultraman soft figures (heroes and monsters) since 1983, while Bandai Namco Arts (including Bandai Visual) has sold 8.48 million Ultraman home video units between January 1988 and March 2021.[21]

In spite of the fact that the document failed to state clearly and specifically exactly what had been given to Tsuburaya in exchange for these rights, Japanese and Thai courts accepted this contract as real and binding because of the supposed hanko of the late Noboru Tsuburaya, who had died in 1995, in the document. Tsuburaya Productions insisted and maintained that the contract was a forgery (due to factual errors, including the faulty titles of the series in the document, such as Ultra Q being called Ultraman 1: Ultra Q, Ultraseven being called Ultraman 3: Ultraman Seven, and Tsuburaya Productions being called Tsuburaya Prod. and Enterprises, a name the company never did business under), and repeatedly contested the issue.

In the course of the legal battle, Sompote presented photos of himself sharing his photos of Thai Buddhist edifices, stating that Eiji had based Ultraman's face on those edifices, a claim which he has continued to hold since the dispute began. No other evidence supporting this claim is known to exist.

After an eight-year battle in the courts of both countries, Sompote Saengduenchai was awarded a favorable decision on 27 April 2004. The exact ruling fell into some dispute: Some said it only gave him merchandising rights for the first six Ultra Series (Ultra Q through Ultraman Taro) and Jumborg Ace outside Japan, and broadcasting rights of those shows within Thailand. Other accounts, usually reported in the Thai/Asian media, said that Chaiyo had gained the rights to those six shows everywhere outside Japan. The latter could be taken as Chaiyo's side of the story, as Tsuburaya was reported in the Japanese media to continue taking further action against them.

Tsuburaya decided not to market any of the disputed six Ultra Series outside Japan until it had completely settled the rights issues with Chaiyo, although the company continued to merchandise and distribute all of the Ultraman programs created after Ultraman Taro, including the theatrical feature Ultraman the Next, throughout the world. Because of the copyright struggle, importing literature on Ultraman into Singapore and Malaysia was prohibited. It also resulted in a slight backlash against Thai Ultraman fans, who were assumed to be outright Chaiyo supporters.

In 2005 the American company BCI Home Entertainment (BCI/Eclipse), a subsidiary of Navarre Corporation announced they had acquired the DVD license to Ultraman from distributor Golden Media Group Inc., a Hollywood-based distributor, who secured the rights from Tokyo-based UM Corp. Inc., acting as the global agent for Chaiyo. A three-disc box set containing the first 20 episodes of the series was released on 18 July 2006, followed by a second three-disc box set containing the remaining 19 episodes was released on 7 November 2006. Both sets feature the Japanese stereo audio, created by Tsuburaya Productions and Pioneer for their Japanese R-2 DVD release in 1999, as well as the English-dubbed version produced by United Artists for North American syndication. The original Japanese monaural was not included.

The English audio for Episodes 5 through 39 were not all complete, as BCI sourced private home off-air audio recordings from an unknown television broadcast, which were cut to provide for more commercial time. Therefore, the episodes in question would switch to Japanese audio from English audio to cover the missing gaps. Due to these gaps, BCI's publicity department assumed the original series was edited by UA-TV when it was originally prepared for U.S. syndication. Only minor seconds of extreme violence were trimmed from three episodes, none of which contained dialogue. Tsuburaya Productions had a complete run of the UA-TV's version, which their Los Angeles office, UltraCom Inc., retrieved from a U.S. film warehouse in 1993. In 1994, they provided the English audio for the Expressions in Animation VHS release of the first four episodes, which were sourced for the corresponding episodes in the BCI release.

During the time of the legal battle, Chaiyo came up with three of their own Ultras: Ultraman Millennium, Dark Ultraman (an evil Ultra), and Ultraman Elite. These were not used for purposes other than stage shows and merchandise. Chaiyo also created a TV series that he called Project Ultraman, unaired as of late March 2008, a joint project in China featuring their own Ultraman and attaching Hong Kong star Ekin Cheng to the project.

On 23 August 2006, Tsuburaya Productions filed a new lawsuit against Chaiyo for copyright infringement and plagiarism (concerning their three original Ultraman characters), and the court case was taken to China. The Chinese courts in Beijing opened "The Ultraman Copyright Study Group" in response to the lawsuit.[22] In April 2007, the Thailand Intellectual Property Court ruled in favor of Tsuburaya Productions, ordering Chaiyo to cease and desist making commercial profits from Chaiyo-produced Ultraman characters such as Millennium, Dark, and Elite. The defendants were also fined THB 15,000,000 (approx. JPY 50,904,959 or US$428,673.50 c. April 2007) plus interest and attorneys' fees.[23][24] Project Ultraman went on hiatus as a result of the ruling, which implied that, although Chaiyo owned the right to some of the Ultraman series, it did not own the right to Ultraman and his brothers, including the design. Chaiyo gained permission to merchandise the original series, but lost the right to create and market its own Ultraman, or even use the original, without Tsuburaya's consent.[citation needed]

On 5 February 2008, Thailand's Supreme Court ruled in favor of Tsuburaya Productions of Japan after they made an appeal to the initial ruling. The ruling ended the long legal battle by finding Sompote Saengduenchai was not a co-creator of Ultraman. The decision ended Sompote's bid to continue his enterprise, and the court gave Sompote 30 days to stop profiteering from Ultraman. The final ruling saw Tsuburaya Productions as the sole copyright owner. Sompote was also required to pay THB 10,700,000 plus interest at the rate of 7.5 percent a year starting from 16 December 1997, when the original lawsuit was filed.[25]

In 2009, the Thai Intellectual Property Court and the Tokyo District Court both ruled in favour of the Thai company. This led to the Tokyo District Court on 30 September 2010, ordering Tsuburaya Productions Co. of Japan to pay damages of 16.36 million yen (Bt5.9 million) to Sompote Saengduenchai of Thailand for violating his overseas copyrights on the Ultraman characters.[26]

After the announcement of the film Dragon Force: So Long, Ultraman in July 2017, the dispute on the ownership of the franchise has escalated.[27] But on 20 November 2017, through a Los Angeles court ruling by Judge Andre Birotte Jr, Tsuburaya won the lawsuit against Chaiyo and affiliate groups on the rights of the series after the jury concluded that the supposed agreement between Noboru Tsuburaya and Chaiyo was "not authentic".[28][29] Despite UM Corporation and Chaiyo filing a counter-dispute,[30] on 18 April 2018, the legal court came to a definite close where a final judgement states that the dispute and the document was deemed invalid, forbidding UMC to use the Ultra Series and all its related characters and forced them to pay Tsubaraya damages for its infringement of its rights.[31]

3a8082e126