[Tanu Weds Manu Returns 1080p Full Movies
Gildo Santiago
Oh, brangan you brute ? you made me feel guilty now, as if I forced you to do something against your will. Anyway, I will try to make you happy in return by stating that you are the only critic who would go that extra mile to make your readers happy. in my appreciation there is 2 smileys for you ? ?
So much laughing was there through out the movie. Totally paisavasool movie. Do not you think Tanu was shown puzzled while mental hospital guys were dragging Manu out of the room. It happened all of a sudden and she could not guess it what was happening. She was sad afterwards. Once she dreams about electric shock being given to Tanu, she immediately calls to Pappi and instructs him to go to London and get Manu back from mental hospital. Perhaps she did not think things would go that far while she was putting charges on Manu infront of Doctors. She was angry and they both were quarreling with each other before Doctors and they both forgot what they were saying and doing.
I thoroughly enjoyed the movie. There was never a dull moment. There are outlandish scenarios like Madhavan at a mental asylum, falling for kusum right away and Tanu longing for Manu towards the end. Also after the effort that went into kidnapping Payal, we dont see the character latet except for one scene at the end. No mention of what happened to her wedding. But the great performances and dialogues made it a thorougly enjoyable watch.
I totally agree with Vanya, the sequel worked for me much more than the original, especially due to the ending of he original. The ending did not work for me in TWM, more so because I never felt Tanu loved Manu. I am not sure if Tanu really loved anyone else or wanted to settle down anyways. So here, when Dattu tells her about earning her own living, it was like, ok someone told her something, though it might not be relevant for Tanu. Yes, the initial scenes were a little far fetched, even Tanu hugging the rickshaw puller was far fetched. I do not remember the first one too well about this part, but here everyone seems too much in awe with Tanu to tell her anything.
I am not talking about talent but stardom and ranking. That is how this industry works. Only Mumtaz was able to crack that and become a top heroine. Irrfan is more talented than many of our superstars but his stardom is not equal to any of them. Welcome dislikes! We are just not tolerant of different opinions.
I am not talking about talent but stardom and ranking. That is how this industry works.
Maybe so. Mostly? However, the point, is that Kangana is an aberration in such an industry. She is an unpretentious natural with oodles of acting talent in a tinsel town that cherishes synthetic thinking. That someone with as unbollywoodesque an outlook as her (relatively speaking) has carried at least 2 movies on her own should dispel the notion that glamour / stardom / ranking in the conventional sense are indispensable to make it enviably big in this industry.
(1) Is Madhavan/Manu a doctor or an engineer in terms of qualification? In the first part, he was referred to as a doctor but mentioned to Tanu that he helps design pacemakers. In this movie, he is invited to speak about heart diseases and stuff, but Tanu mentioned that during weekends, his IIT friends land up at their place.
I prefer Kanganas and Mumtazs as they struggled to reach where they are. Not born to famous parents or have connections. Their victories are to be savoured much more. Ditto for Nawajuddin and Irrfan. I have a soft heart for underdogs who achieve great success inspite of great hurdles.
A privileged background gives many advantages and this makes it easy to achieve with some hard work. It is not only in bollywood but in other fields too. It is news when a student of a rikshawpuller tops entrance exam or some such thing. But it is not that kind of news if a student from well to do parents achieves that feat. We take it for granted.
Kangana Ranaut is fierce; I completely agree with you about feeling the two roles were inhabited by two different actresses. Thrilled also to see some other good actors, especially Deepak Dobriyal, Swara Bhaskar and Mohammad Zeeshan Ayyub. Madhavan just stands around looking like a pretty, overripe boy.
Of course it is going to be the Groundhog Day once again as revealed by the blue tie that Manu wears to the disrupted second wedding and we know the rumblings will repeat. That concluding scene is such a lovely punchline (as effective as the final four commandments given by Aamir to Ranbir in PK) for a film that maintains a very high level of witticism throughout.
To quote Mr. Christopher Hitchens: Its not just the right of the person who speaks to be heard, it is the right of everyone in the audience to listen and to hear, and every time you silence somebody you make yourself a prisoner of your own action because you deny yourself the right to hear something. In other words your own right to hear and be exposed is as much involved in all these cases as is the right of the other to voice his or her view.
It is not Deepika versus Kangana. It is the automatic respect and envy one gets because of parentage and automatic sympathy and contempt(as the case maybe) one gets because of background. It has nothing to do with real talent.
Going to the show, i had mixed emotions about the movie. A bollywood lover at heart i was ready for a worried climax. It was acceptable for me that their marriage dint work out. Most dont do. Attraction between the wild and the docile succeeding and failing is OKAY but to apply all the energies of the world to make it work.. and that too sad ones made the movie boring
Bollywood has empowered us to digest exagggeration. Hero fighting with 10 or more at one time but in no time a brat of girl hugging rickshaw puller and entering in bathtowel in front of sisters dekhne wale is absurd. Bollywood never raised us to it. even with all the eccentricity,quirkiness and indecisiveness Tanu is acceptable.. but she has an indecisive husband ex boyfriend around her too.. a husband who is so insecure.. ye nai to koi aur sahi koi aur nai to koi aur sahi.. atleast one should have been firm. How has this hus and not questioned her once and just caved in for her tears? Tanus hay wireness of mind is taken and accepted.. she thinks she can still win the boy.. check..
she thinks she stays in the guya shaadi and can win ( classic ddlj, only swapping of actor as actress).. tanu feels more compelled to have Manu because she has done enough exploring and now wants to settle down .. check.. but how r Kusums parents tolerating their daughters sautan?
I have a severe problem with the dialogue hum zara bewafa kya huey aap bdchallan ho gaye.. this is absolutely wrong usage of urdu. Bewafa is cheating.. she wasnt cheating meanwhile.. badchallan is no charactee, less of a character.. no way madhawan displayed an act of low character.. Give that man a slack.. he just got electric shocks in mentaal rehab.
BR, I think this new layout makes it very, very difficult to navigate. The earlier no-frills layout was much easier on the eye as well as easier to navigate. Too much flash (not referring to the software) in this version. Less is more, thalaivare. (Ungaluku theriyaadhadha?! Neenga Kamal paththi sonnathu thaan sutten!)
I found a lack of coherence in the film. Seemed to me that a lot of scenes and scenarios were forced. You have already pointed out about the beginning which really looked awkward. And you also pointed out the very many subplots which were just there for no good reason (I especially disliked this whole bit about khap-panchayat, not that I support/reject khap-panchayat practices but it seems like this topic has become a free punching bag for everyone. Not sure how much research goes into depicting these scenarios but surely the whole picture of that region has been painted quite dark in the past few years.)
The end also left me unsatisfied. It seemed like Tanu and Manu had to be together because marriage is too sacred a thing to go against. If two people are incompatible and if you can find a better version of something, it should be ok to go for it. Did the film bring out enough emotions in you that you were rooting for Tanu and Manu to get together. I, for one, would have been more happy if Manu and Kusum have gotten together both in practical terms (Kusum seems to be more mature and a better fit for Manu personality wise) and the way film played out emotionally. I know love is blind and all but the film dint bring out that aspect forcefully for me.
I agree. My only gripe is that if they wanted us to root for Tanu and Manu getting together, they should have made us root for them. Just because they are married and apparently it is obvious that marriage should be saved is not a good enough reason for me (The people in the film were also trying to convince Tanu that he should not do marry Datto because there is this marriage to be saved). I am not sure if you or other people while watching the film were rooting for Tanu and Manu or not but as brangan said my heart was going out for Datto.
It would be open to speculation on what would happen in future. But given a situation, you take what appears to be best for you. Again, I would be willing to root for Tanu and Manu getting together but the director has to make me do it. Seems like the director took it for granted that an institution as pure as marriage has to be saved.
I would go as far as to say that in the end, it felt to me that Tanu started acting on a whim and nothing else and I found her behavior rather irritating (she stays at the marriage and emotionally manipulates the guilt of Tanu for marrying someone else by making sad faces and deliberately attracting attention all day long. Anybody would feel the pressure just because of the gravity of situation. Had she not been there, based on how the movie played out emotionally, I am convinced that Manu had happily married Datto without blinking an eyelid). I have no problem with his story, just that, for me it is not a convincingly told story.
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