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Genciana Haggins
There was one strain on the marriage in Chalte Chalte 1 that was only addressed obliquely. A shared desire for children, and yet no child present, years after marriage. They came together again in the end partly because Shahrukh reminded Rani of that desire. So, the obvious sequel would deal with their struggle to achieve this dream.
At the end of Talaash 1, Aamir and Rani had finally come together in grief over the death of their son, instead of pushing each other away, helped by their individual experiences of the supernatural and life after death. And, incidentally, Aamir the police officer had gained a greater understanding for the victims of society and the hidden injustices of the city.
Now, where do we go from here? There are a lot of threads to pull on, the husband and wife coming closer together, the supernatural now being open to them, or even just a straight cop picture. But ideally I want something that brings them all together.
Rani starts walking the city, looking for clues from her vision, and finds a building that seems right. She calls Aamir and insists on him using his police powers to search the abandoned building. He goes along with her, but is gently critical when they find nothing there, suggesting that perhaps Rani is looking for a purpose in life, maybe that little girl she is seeing is her desire for another child?
In the end, Aamir finally confronts the grandfather, the source of all the evil, and secretly records his confession, at the same time that Rani follows her visions and finds the little girl. She is in danger from the kidnappers, but is able to use the knowledge gained from her visions to escape, tricking them into stepping on the weak places of the floor and falling to their death while she and the little girl escape.
Cut to Rani in a dream again. In a sunny room, laughing and smiling with the little girl laughing at her too, and then Aamir joining them and picking the little girl up and tossing her in the air. Rani wakes suddenly to the sound of a knocking on the door. She goes to open it, and finds Aamir standing outside, holding hands with the little girl, looking a little nervous about her reaction. Rani pauses for a moment, and then kneels down and opens her arms and the little girl comes running into them.
In Bunty Aur Babli 1, Rani and Abhishek were young people who ran away and became conmen, stealing from the superficial rich and sharing with the other struggling poor. Then they had a child and retired to a life of safe boring respectability, with the blessing of Amitabh, the cop who pursued them. Until, years later, Amitabh tracked them down and recruited them to help him in an anti-fraud unit.
They have a serious of successes with minor frauds, the kind who prey on the helpless not the wealthy, door to door scam artists who take money from the elderly, fake chit funds, that kind of thing. But they get word of a big target, a wealthy man who runs multiple massive land scams, getting people to buy and then revealing they bought unusable land. An older retired man just killed himself after spending his entire savings on nothing. Rani and Abhishek and Amitabh are determined to get him, but their first plot fails, and Amitabh is threatened by his superiors for bothering such a powerful man, but Rani and Abhishek stand by him. Until their son is threatened and they are forced to scam Amitabh, setting him up so he will be fired. Amitabh is furious and disappointed, everyone is unhappy. Amitabh declares he will continue the investigation on his own, and ends up in danger. Rani and Abhishek leave their son safely hidden and then go and rescue Amitabh and finally get the evidence against the Big Bad.
In Ghulam 1, Aamir was a local tough who no one had any faith in except his tough female public defender, and his girlfriend Rani, a rich girl from a messed up family who clung to him as the one person who really seemed to care about her. By the end of the film, Aamir had lived up to the faith his public defender had in him, taking a stand against the local gangster/politician, and Rani and he were united.
Well, I HAVE to do a sequel because this is such a frustrating ending! Poor Preity will never find love or happiness because she is remaining always faithful to Salman. Poor Rani and Salman have to lie for the rest of their lives about who the biological mother of their baby is. And poor baby will never know its true biology.
Rani says that in that case, it is likely that the guy was someone who was eifher too rich and well travelled or someone who never went anywhere and received gifts and hand me downs from people who were rich and well travelled.
Richa and Rani decide to take their knowledge to the grave with them to honor the talaash of the old woman who spent her life looking for her baby and the boy who grew up motherless and found her so late in life and spent the rest of it posing as a servant just to take care of her without ever knowing he was going to inherit that estate.
It could even go both ways, Aamir learns about this little boy who cried for his mother every night, who ran away from the orphanage declaring she was looking for him and needed him, who turned into this grown man that spent every spare minute searching for clues to his identity, and then Aamir finally traces him to the same hill village and they realize that at the same time his mother was looking for him, he spent his life looking for her, and they are both finally happy now that they are together, even if it cannot be acknowledged.
Yeah, that was funny. But overall, I kept comparing it to the physicality of the leading ladies in Black Swan. Their bodies looked like those movements were trained. I specifically hated the action sequences. Like, seriously, we have fitness bloggers all over our instagram and athletic women look and move differently. Like the kickass aunty that dies or even the Queen of the Amazons or even that smoking black amazon fighter chick!! Diana (I keep forgetting her real name) looked tiny and oh so fragile in comparison.
Robin Wright (kickass aunty) in Wonder Woman is my bae. Huh, Gal Gadot (WW) famously was a combat instructor for the Israeli Defense Forces, and she was 5 months preggers when she shot the action sequences in WW. I thought everyone looked pretty good, for once actually looking like they are fighting, not trying to look pretty or hot while fighting.
Of course a real super power would be to not have periods at all!! When I was in the 11th standard, my school library had a running subscription to Cosmopolitan magazine and I used to read that so religiously. And this once it featured an article on how you can choose to only have four periods a year by going on the pill and simply omitting the no pill days. I used to fantasise about being old enough to go in the pill and not have periods! So maybe one superpower all female comic book characters should have is the ability to not have periods! That would be cool!
M and P, well ladies, after our conversation on the dark theories, do you think SRK should do an exact remake of American Beauty? I would so love him in a remake of 1308!! No woman arc to distract from his story. Just a straight up showcase of his skills. Whadya think?
Trying to get my mind around the American Beauty thing. It would REALLY depend on the director and script. As it was that movie walked a line between poignant and gross. Now full gross to me knowing what we know about Spacey.
My two other thriller favs to feature SRK in would be Devil and Mirrors. IF he can and if Farah directs it, Grave Encounters. I think it has the perfect blend of comedy and then bam! Creepy shit!! And some of my favourite horror tropes!
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