Attached find two tunes that I have recently written. I have chosen these two because (1) it seems we've been kind of quiet lately, and (2) I thought they might be interesting for the following reasons.
The first tune is MOUNT NEBO. It is a minor tune composed "in the spirit of" old PISGAH (58, Sacred Harp). PISGAH is and always has been one of my favorite tunes. It is my "go to" tune for singing all hymns C.M on the fly. I actually sing it more in non-SH contexts than I ever lead it at singing conventions. MOUNT NEBO is not a minorization of PISGAH. I just say "in the spirit of", and I think this will be seen when you look at the tune. One afternoon I was thinking of how good a tune PISGAH is, and wondering what a minor PISGAH would be like. MOUNT NEBO is the result. I think the melody turned out very nice, and hope the harmonization will compliment and benefit it in actual singing by real people! (Named for Mt. Nebo in the Bible which is sometimes confused with Mt. Pisgah. I started this with "When I can read my title clear" after I got it going, but have decided to use Isaac Watts's hymn
beginning "How condescending and how kind.")
NEW LONDON is a plain common meter tune named in memory of the New London (TX) School disaster of March 18, 1937. This year is the 75th anniversary. It is a very interesting subject in itself:
The reason I picked this tune to send to the list is because it was composed in a different method than I normally use -- tenor first, then bass, treble and alto. NEW LONDON started with the bass line. I was meddling with a bass line I thought I would like and completed it as it suited me. Then I wrote the tenor, treble and alto to go with the bass. For that reason I thought it might be interesting for you composers and singers to look at and critique. I decided on the words "Savior Divine, we know thy name" by Philip Doddridge for the words (after the fact).
I will certainly welcome your comments and criticisms. Thanks. Have a blessed day.
His glories sing,