Wade --
wow
this Society Hymns is an amazing collection.
page size and proportions and appearance, as well as the nice decorative typographic details feel like they could be latest 1700s as likely or more so than other times.
incredible density of texts with super-popularity unto the present among popular shape-note singing tunes.
which "Society" of Religion??
it is many-denominational, but has an extra Baptist feel to me
(incl. multiple texts made popular in Rippon's [Baptist] Selection first publ. 1787, which suggests something about publication dates for the Society Hymns...); (example: Edmund Jones' text in Soc. Hs. XXIX (29), apparently to match its use in the tune FAIRFIELD, 29t in the '91 Denson Sacred Harp, as well as in NEVER PART, '91 SH pp. 94-5!)
lotta Cowper and Newton texts stand out, first published in Newton's 1779 collection... ...1779 to 1790 is rather quick re-publication turn-around time in those days...
also some earlier John Cennick and Robert Robinson texts, with some texts so popular still as to have Four tunes each in Denson '91 Sacred Harp (say Cennick "Jesus, my all, to Heav'n is gone", Soc. Hs. XXXI (31); and Robinson Soc. Hs. XLIII (43) "Come, thou fount of ev'ry blessing" (!) ).
I like the '91 Denson four-tune-grand-slam text from Dr. Watts in Society Hymns no XXXII (32) "Am I soldier of the Cross" for its NOT having come his Psalms paraphrases (1719) nor his earlier Hymns and Spiritual Songs (1707?), but from his later 1724 Sermons,
especially for this detail: The sermon he wrote this hymn for was about the text of I Cor. 16:13, which in fact is the epigraph scripture under the title in the '91 Denson edition tune CHRISTIAN SOLDIER, p. 57, vis a vis discussions of these details ;-), that is:
"Watch ye, stand fast in the faith, quit you like men, be strong." Good words. I appreciate having them on the page.
then, shrewd note inside back cover comments on John Leland's (Baptist) text -- Soc. Hymns no. XXXIX (39), pp. 40-1:
"The day is past and gone" (cf. SH '91 209 EVENING SHADE) with comment that this is likely latest text in collection (I agree with that assessment in quick first skim with some lookups)-- but interestingly the traditional attribution year of 1792 given in that note and in Denson '91 has been upped by two years in Steel and Hulan's Makers of the Sacred Harp, where pp. 59-60 describe publication by Broaddus brothers of Virginia in 1790 of a Collection of Sacred Ballads including this text of Leland... More on pp. 61-2 about Goddard the compiler and his addition of attributions, incl. Leland attributions...
1790 is possible, barely. from Virginia to Boston within months is a little bit against the current...
seems pushing it a bit...
but those physical publishing details described earlier don't let me think it much later...
1790s, 1800s, sure, but 1810s even I would hardly believe-- I'm not giving any good evidences, but just my feeling...
I've handled some of these old book originals from these decades in various collections-- this is an informed gut feeling I give, along with the other suggestive content details.
Really interesting collection, thanks Wade!
I'm still blown away by the "batting average", so to speak, of how many of the texts in that modest collection are really excellent and/or supremely popular even still today.
It would be good to know more about this collection "Society Hymns" and who might have had and used copies of it!!
Feels truly important and influential...
My few cents worth...
LA!
-- A. Gabriel Kastelle --
Kalapuya Ilihi -- unceded homeland of Kalapuyan peoples -- a.k.a. Eugene, OR