Love Machine Russia

[Flaviano Bada]

Thisis the moment when the episode features Boney M's 1978 single and disco banger, "Rasputin," from their third and best-selling album, "Nightflight to Venus." The lively disco song tells the story of the intriguing historical figure Grigori Rasputin, who served as an advisor to Tsar Nicholas II of Russia in the 20th century.

The mystique and extravagant life and demise of Rasputin have captivated the attention of countless writers, authors, and even the disco group Boney M, who famously celebrated him as "Russia's greatest love machine" in their song about him.

As Boney M sings, "He could preach the Bible like a preacher, full of ecstasy and fire." Despite rumors and allegations, the Tsarina regarded him not as a mere manipulator but as an actual holy healer who could bring solace to her ailing son.

Rasputin's charismatic personality and growing popularity among the people of Russia, particularly women, concerned many wealthy kings and princes. Ultimately, in a conspiracy orchestrated by Prince Felix Yussupo, Rasputin was killed on December 19, 1916. As the song describes, "They put some poison into his wine... He drank it all and said, 'I feel fine.'" The circumstances surrounding his death continue to be shrouded in intrigue and controversy.

In the story, Nida stumbles upon a wooden talisman in the basement of the Possetts department store and brings it home. Intrigued, she performs a ritual by anointing the talisman with her own blood. This act inadvertently summons the junior demon Gaap, who materializes in her apartment. Gaap confronts Nida with a dire ultimatum: she must execute three human sacrifices within the next three days, or else face an impending apocalypse.

Until the very end, it remains a mystery whether Gaap was a tangible entity or merely a product of Nida's imagination. Earlier parts of the episode hinted at Nida's fragile mental state following her mother's death and her inner rage. Multiple instances throughout the show raise the question: Was it Nida all along, manipulating events from within her own psyche?

"Rasputin" is a song by German based pop and Eurodisco group Boney M. It was released on 28 August 1978 as the second single from their third studio album Nightflight to Venus (1978). Written by the group's creator Frank Farian, along with George Reyam and Fred Jay, it is a song about Grigori Rasputin, a friend and advisor of Tsar Nicholas II of Russia and his family during the early 20th century. The song describes Rasputin as a playboy, mystical healer, political manipulator and Russia's greatest love machine.

The core of the song tells of Rasputin's rise to prominence in the court of Nicholas II, referencing the hope held by Tsarina Alexandra Fyodorovna that Grigori Rasputin would heal her hemophiliac son, Tsarevich Alexei of Russia, and as such his appointment as Alexei's personal healer. Rasputin gained tremendous influence from this position, particularly with Alexandra. This is also retold in the song: "For the queen he was no wheeler dealer". It also claims that Rasputin was Alexandra's paramour: "Ra Ra Rasputin, lover of the Russian queen, there was a cat that really was gone". This was a widespread rumour in Rasputin's time, with which his political enemies intended to discredit him. It stemmed from Rasputin's closeness to the Tsarina. "Rasputin" starts to retell contemporary accounts of his powerful personality: "He was big and strong, in his eyes a flaming glow..." "He could preach the bible like a preacher, full of ecstasy and fire..." The song depicts Rasputin as being extremely popular with the Russian elite, something that is historically supported: "to Moscow chicks he was such a lovely dear". The song also depicts Rasputin as being sexually promiscuous, another contemporary rumour: "But he was real great when he had a girl to squeeze." "...though she'd heard the things he'd done..." "Russia's greatest love machine". The song claims that Rasputin's political power overshadowed that of the Tsar himself in "all affairs of state", which was one of the main arguments of his contemporary rivals. The bridge of the song states that when his purported sexual escapades and political acts became intolerable, "men of higher standing" plotted his downfall, although "the ladies begged" them not to. Although the song states "he was a brute", it claims that the ladies "just fell into his arms."

The end of the song recounts a modified version of a popular description of the events that culminated in Rasputin's assassination, as perpetrated by Felix Yusupov, Vladimir Purishkevich, and Dmitri Pavlovich, on 16 December 1916 (O.S.). The song accurately states that the conspirators asked him "Come to visit us", and then recounts a widely popular account of the assassination in Yusupov's estate: that Rasputin's assassins fatally shot him after he survived the poisoning of his wine.

Historian Simon Sebag Montefiore has described the song as "an excellent introduction to Russian court politics in the early 20th century."[1] While the song accurately re-tells many of the unfavorable contemporary rumours that damaged Rasputin's reputation and led to his assassination, there is no verifiable evidence to suggest that he had an affair with Alexandra.

Frank Farian's American friend Bill Swisher, who was a soldier in Germany at the time, provides spoken vocals at the bridge in the form of a newsreader. Swisher also guested on Boney M. singles such as "Ma Baker" and "El Lute".

AllMusic's journalist Donald A. Guarisco described it as "a tribute to the legendary Russian historical figure that uses balalaikas to create its textured rhythm guitar hook."[2] Its melody caused a debate in the 1970s due to its similarity to the traditional Turkish song "Ktibim", but the band denied there was any borrowing.[3][4]

The song rose to the top of the charts in Germany and Austria and went to No. 2 in the United Kingdom and Switzerland. It was also another No. 1 hit for Boney M. in Australia, giving them their second (and last) chart-topper in that country (the other one being "Rivers of Babylon").

AllMusic's Donald A. Guarisco called the track "the oddest and most unusual and interesting combination of musical elements" from Nightflight to Venus, then picked it as one of his "track picks" from the album.[2]

The song has been covered by several other bands in varying musical styles. Finnish band Turisas recorded a folk metal version, while American band Boiled in Lead covered it as a folk punk song. The British comic book Nikolai Dante cited a lyric from the song for the title of its story called "Russia's Greatest Love Machine" in the 1997 issue of 2000 AD. The Washington, D.C.-based dance/rock band Ra Ra Rasputin takes its name from the song.[8] A Spanish version by Fangoria was included on their compilation album Dilemas, amores y dramas (2003).[9]

The song was featured extensively in a trailer for 2021's The King's Man entitled "Official Rasputin Dance Video."[10] The video focused heavily on the character Rasputin, who is portrayed in the movie by Welsh actor Rhys Ifans.[11] The song does not appear in the final movie.[12]

The song was briefly referenced in the Doctor Who episode, entitled "The Power of the Doctor", where the Master manages to adopt the identity of Rasputin and takes control of the Russian Imperial Court, and after ordering the Russian Imperial Family out of the Winter Palace, he brings in several Daleks and Cybermen, before trapping the Doctor in a device disguised as a chandelier, which then begins to play the song, which he then dances to.

The album pressings of Nightflight to Venus feature the title track segued into "Rasputin". Initial LP pressings included the full-length, 6:26 version of "Rasputin",[14] most notable for an instrumental interlude in the third verse between the lines "though he was a brute, they just fell into his arms" and "Then one night some men of higher standing ..." that was later cut out. The second LP pressing featured a 6:03 version, subsequent pressings a 5:51 version. Boney M.'s single edit is completely different from the edit (same with the instrumental version released in 2021) used for Frank Farian's Gilla recording in German that followed in November 1978 (without success).

The German and Benelux pressings were backed with "Painter Man"; for most other territories the B-side chosen was "Never Change Lovers in the Middle of the Night". The UK pressings had a 5:32 version; most countries faded it to 5:02, while the French Carrere Records release had a 4:45 version. In the United Kingdom, "Painter Man" was issued as an A-side single in February 1979, giving the group a No. 10 hit. In Canada, "Rasputin" was the A-side and became a major hit, topping the Canadian RPM magazine's Adult Contemporary singles chart for two weeks beginning 24 March 1979, and peaking at No. 7 on RPM's Top 100 pop singles chart that same week.[15][16] Despite the Canadian success, the song failed to chart in the United States.

In late January 2021, over 40 years since it was released as a single, the song went viral on TikTok, also appearing on Spotify's "Viral Hits" playlist.[17][18] The accompanying dance originated from the 2010 video game, Just Dance 2.[19]

Finnish folk metal band Turisas recorded a cover of Rasputin, released on 21 September 2007 through Century Media.[61] The band played the cover live for a few years and finally decided to record a studio version of it because of positive feedback from fans.[62] A music video was shot as well.

Different regions contained different B-sides. Canadian, South American, Asian and some European releases featured "Never Change Lovers in the Middle of the Night," the US release featured "He Was a Steppenwolf." The Polish and Chilean releases featured "Night Flight to Venus" and remaining European releases featured "Painter Man" as the B-side.

On 26 February 2021, and after the resurgence of the song on TikTok, the North London DJ and producer Majestic released a revamped remix of the song credited to Majestic x Boney M. It has charted on the UK Singles Chart, US Billboard Hot Dance and Electronic Songs chart and across Europe. This version only contains lyrics from the first verse and first chorus of the original track.

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