Women Fucking Wearing Thong Free Movie
Violetta Wagganer
"Thong Song" is a song recorded by American R&B singer Sisq. It was released on February 15, 2000, as the second single from his solo debut studio album, Unleash the Dragon (1999). "Thong Song" garnered four Grammy nominations and numerous other awards.[1] The song peaked at number one on the Billboard Rhythmic top 40 chart and number three on the Billboard Hot 100, Sisq's second highest-peaking hit behind "Incomplete".[2] It was a major success worldwide as well, reaching the top ten throughout European charts and reaching number three in the United Kingdom, Netherlands, and Denmark. The song also topped the charts in New Zealand.
The instrumental was originally produced with Michael Jackson in mind[3] (Jackson later worked with the producers after hearing "Thong Song"[4]). The song was written and produced by Sisq, and Tim & Bob, the duo of Tim Kelley and Bob Robinson. Songwriters Desmond Child and Draco Rosa receive songwriting credit because of the interpolation of part of their composition, "Livin' la Vida Loca" (originally recorded by Ricky Martin), in the song's lyrics. The obbligato strings that are heard throughout the song, performed for the record by violinist Bruce Dukov,[5][6] are inspired by Wes Montgomery's cover of The Beatles' "Eleanor Rigby" which Tim originally sampled in its origin.
The impetus for the song came from when the then 19-year-old singer Sisq joked that his hair turned white the first time he saw a thong, similar to Charlton Heston in the film The Ten Commandments.[7][8]
The alternate version, the official remix to the original version, "Thong Song Uncensored", features a guest rap from Foxy Brown in the spot where Sisq whispers the main verse for the third time, and is included on the soundtrack for Nutty Professor II: The Klumps. A second, more urban-themed[clarification needed] video was shot for the remix by Little X.
Despite commercial success, "Thong Song" was largely panned by music critics. The song placed first in a St. Paul Pioneer Press reader poll to determine the worst song in history.[10] Other retrospective reviews have labelled the song as sexist or misogynistic.[11]
In Vice's The Story Of documentary on Thong Song, it was revealed that producers Bob Robinson and Tim Kelly warned Sisq of using the lyrical reference to "Livin' La Vida Loca", which was interpolated at the end of each of the three verses. Songwriter Desmond Child later received a significant writing credit, owning a majority of the publishing for "Thong Song" as a result.[4][12]
The video was released in 2000 and directed by Joseph Kahn. Set in Miami, Sisq is on the phone with one of his friends. His daughter and his wife return from shopping, and his daughter finds and shows him the thong. Sisq is frightened and looks at his wife in a confused matter, and his wife shrugs her shoulders. It then switches to Sisq going to the beach from his home to participate in a Spring Break party with a large number of young women who are generally wearing bikinis and thongs, with the exception of one woman who wears a G-string. There are also scenes with Sisqo and his backup dancers driving a Bentley Azure down the Florida Keys, and cameos from the other three members of Sisq's group, Dru Hill, Method Man & Redman, Ja Rule, as well as LL Cool J. Sisq performs acrobatic feats atop the crowd that contradict the laws of physics, culminating in a stage performance lit with blacklights and with an orchestra in the background.
The whole video, consisting of cuts between Sisq and barely clad women, drew criticism as it was accused of exploiting women as sex objects, and was credited for starting a new wave of "booty" videos. The director of the video, Joseph Kahn, was quoted as saying, "I listen to 'Thong Song', and I say, 'Well, this song is about asses.' So you can either accept it and do something like I did, or you can go and try and turn the 'Thong Song' into some kind of Chemical Brothers video and make it all pretentious; about some fucking communist upheaval or something. Let's just relax and make a booty video, and let's make a really good one, and make it fun."[16]
In the alternative version of the video, after giving a radio interview with Nokio and Jazz of Dru Hill in his hometown of Baltimore, Sisq escapes from a group of fans with the help of Foxy Brown to a fashion show. Here, models strut in sexy costumes, which (again) all consist of bikinis just as in the original video, this time with the exception of two women in thongs. The video also features a cameo by professional wrestler Big Show. The song was done for the soundtrack of Nutty Professor II: The Klumps. The video was directed by Little X.[17]
In 2017, Sisq remade the song and music video with JCY, which was released on July 18, 2017. The video was released on YouTube and WorldStarHipHop with the video in its first week hitting over one million views.[18]
In 2000, Chicago female rapper Strings released a single entitled "Tongue Song", which was a female response to "Thong Song".[72] It peaked at number 24 on the Billboard Bubbling Under R&B/Hip-Hop Singles chart and number 13 on Billboard Hot Rap Singles chart.
Sisqo appeared as himself in the fifth-season finale of Legends of Tomorrow, titled "Swan Thong", where the song played in the background as the Legends fight various villains of history when a button was pressed on the Sisqo display. A fan of the series himself, the singer agreed to wear the same outfit from the music video, as well as dying his hair platinum.[76]
The next photos showed the girl lying on a cheap bedspread, a hotel bedspread. She was laughing with her arm slung over her eyes. Then she was on the same bed, but her shirt was off, and she was smiling coyly at the camera. She was wearing the same bra that Kate wore, but her breasts actually filled it. She was pulling down her sweatpants to reveal the edge of the thong underwear. Her eyes looked nervous, but she was smiling a loose-lipped laugh. There was a different boy in this picture, standing at the sidelines, sipping on a Red Bull.
The light was tawdry in the next picture. Everything looked cheap, dilapidated, about the hotel room. The girl was looking at the photographer, her features pinched now, her expression frozen in rage and indignation.
She pretended to come so that he would stop, then he moved up to her level and pushed inside. She watched his face as he hovered above her. It looked different to her in the half-light, slightly unfamiliar, as if he were a soap-opera actor who had been replaced mid-season by somebody who looked almost the same.
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