Forza Soundtrack

[Jaunita Rousu]

Doesanybody know all of the song titles and artists? Some of the songs are a pain in the ass, but some are pleasant to my ears, and I already know that one of the songs is from THPS8.

That being said, this one is one of the better ones I've heard lately. All the tracks are pretty unique and different. Sometimes I find myself grooving to the weirdest songs out there. Alala by CSS is that song that I guiltily dance to every time it meets my ears.

It's a shame that there's no option to have the music on in races. I know it would take away from the realism of motorsport, but to me it would add realism as having music blaring out louder than the engine is how I drive.

Why are these songs so damn difficult to find. Almost all of them are like non-existant everywhere I look. Bah, I really don't want to wait for an official soundtrack..if they are even making one.

Some of the game's main soundtrack can be heard in Forza Horizon 2 Presents Fast & Furious, a standalone expansion of Forza Horizon 2, which makes certain songs only found in Xbox One-only radio stations available in the said standalone expansion's Xbox 360 version.

I had a great time talking shop and was delighted that he selected some of my lesser known works from my indie soundtracks to showcase among the crowd favorites from the Forza series in this interview.

This will be a detailed look at how the soundtrack to one of the first next gen video game soundtracks for the Xbox One was conceived and executed. Augmented by notes, images and video, Lance Hayes will detail the process of creating the 180 minute soundtrack using live orchestra and electronics from initial concepts to the composition phase to nation-wide recording at top facilities to final implementation and then on to release of the game and the soundtrack double album.

The March edition of Audio Media features a fantastic article by brilliant FM5 co-composer John Broomhall on the music and sound of Forza Motorsport 5. I had a great time talking with John about Forza and he followed up with many of the other notable talents that helped create this hallmark installment of the franchise.

Other site updates include new content on the Media and Music Page (If you want to skip the videos scroll to the bottom for music links). Also check out the newly revised Articles/Awards page as well as an updated Bio/Credits.

Originally made as a playlist we made to improve our personal experience playing Horizon 5, this mod completely overhauls the soundtrack of the game. The idea is to echo the original "inspired by Coachella/Tomorrowland" music festival vibe established by Horizon 1 and 2, improving from what we think is a really subpar vanilla tracklist.

JamesMiata - for being the brainchild of this entire thing and curating a lot of the bangers you hear in the radio, as well as for providing voice lines for Horizon XS and making the stingers for Aftertouch

JakeMG - for giving the idea to mod the songs in the game, for testing it in the Windows Store version, giving input for Horizon Block Party, for providing voice lines for the same station, and for providing the Horizon 2 and 3 audio files

NF - for helping overhaul Horizon Block Party

Pixzl - for being the #1 bug hunter of the mod, without you I'd likely be lost in a lot of troubleshooting

Havic - for creating the ingenious mod that allows for more music slots in all of the radio stations

CraptasticJack - for providing voice lines for Horizon Liquidity

Clxbsport - for curating for some of the other songs in the mod and importing the songs in the game, as well as providing voice lines for Aftertouch. This is me so... yes.

All songs are copyright of their respective owners.

For Forza Horizon 2, Playground Games has teamed up once again with renowned festival organizer and BBC Radio DJ Rob da Bank to curate a massive and eclectic soundtrack ranging from rock and pop, to the latest dance and electronic music.

Hi all! It's almost impossible to pick a favorite soundtrack when so many games are backed by some great music, but I'd have to say my favorite older soundtrack is Donkey Kong Country 2. It's just so catchy and is super nostalgic:

This is a great question and one that I never really considered. I can't say that these would be my favourite soundtracks per se - however, if I think of what soundtracks stand out for me it would be either of these two:

This is only due to playtime, I used to play these games so much when I was younger - and I just remember jamming out to the soundtracks consistently. Even playing little snippets right now for this post brings back a ton of nostalgia.

There's lots of really great soundtracks to choose from, but if I had to narrow it down to just one game I'd say Metroid Prime's OST. The entire sound track suits the game perfectly. There's something about Phendrana Drifts that I found to be especially captivating.

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When you meet with a developer about the music for a project, one of the first thing that the team will want to do, in most cases, is set the tone, style and genre for the soundtrack you are going to be working on. They will share artwork and video and or talk about their vision for the project and how the music may fit into it. Or they will consult with you about how music could fit the project they have created. Either way one of the next steps is often the development of the theme for the game, the characters and or any leitmotifs that will be used in the project.

Unless there are no major themes being created at which point, you may simply skip ahead to the work of scoring. Development of the cues and getting updated tracks and themes in front of the audio director, the design team or other decision makers for approval is an ongoing process. In a best case scenario this part of the job simply moves forward without too much looking back.

Often there is a lot of collaboration that goes into scoring so changes will be requested. This can range from a simple to fairly complicated process with only a modicum of changes or a lot of revisions and time spent working on nuanced alterations to outright rewrites. The team can change their mind based on a number of factors including a modification in the direction of the feel of the game, hearing the work in context or simply a transformation of the vision for the finished game.

Ultimately you will get up to production speed and start some serious writing and then moving on to the recording and or final stages before you let your soundtrack go into the game and out to the world.

This seems like a complex process and it can be. And there are additional considerations, such as working up arrangements for orchestra, working with additional musicians, trying to make sure you have the various levels of music in place for adaptive scoring. These are but some of the aspects common to the progression of a game soundtrack.

There are times that it can seem like the desire to create the greatest work of your life is being put to the test. Your finest ideas are being summarily dismissed by some new game mechanic that is going to lead to great player experience, but risks significantly altering your music in a way that will render your current draft flat and lifeless in the final version of the game.

In all creative pursuits your will is going to be tested. If you are focused, hungry and ready, you will be prepared when the proverbial luck shines on you. The strength you bring to the project will allow you to handle, with grace under pressure, the bumps and curves in the road that the industry and the medium will throw in front of you.

Many projects require that you work long hours and take few breaks for significant windows of time. You will need all of your excellence created through education, practice and experience to keep a high quality of work flowing if you want to traverse these waters successfully. You will need much heart to not lose sight of your craft and to bring top quality work to the project when the hours have grown small and you alone are pouring your soul into a cue that no one has approved, yet.

Delivering time and again, on time, is the key to getting the job done well. High standards for technical aspects of the process and accuracy in meeting the audio requirements require precision and accuracy over great timelines and even distances. There is not a lot of room for mistakes at certain junctures and in many cases there is not a lot of tolerance for error. You must deliver your music and all of your work with great precision and confidence.

So bring heart and passion for your work, deliver with precision and excellence. Your strength will carry you through the lean or difficult times and always stay hungry for new challenges. Do these things, and your music will always be compelling and with any luck, successful as well.

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