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Joyce Langwell
The first-ever collaborative album from Samantha Fish and Jesse Dayton, Death Wish Blues is a body of work born from a shared passion for pushing the limits of blues music. As one of the most dynamic forces in the blues world today, Fish has made her name as a multi-award-winning festival headliner who captivates crowds with her explosive yet elegant guitar work, delivering an unbridled form of blues-rock that defies all genre boundaries. Dayton, meanwhile, boasts an extraordinary background that includes recording with the likes of Johnny Cash and Waylon Jennings, touring as a guitarist for seminal punk band X, working with Rob Zombie on the soundtracks for his iconic horror films, and releasing a series of acclaimed solo albums. Produced by the legendary Jon Spencer of Jon Spencer Blues Explosion, Death Wish Blues ultimately melds their eclectic sensibilities into a batch of songs both emotionally potent and wildly combustible.
Samantha Fish (born January 30, 1989) is an American guitarist and singer-songwriter from Kansas City, Missouri. While often cited as a blues artist, Fish's work features and draws from multiple genres, including rock, country, funk, bluegrass, and ballads.
Fish's third studio album, Wild Heart, was released on July 10, 2015. The album is more roots rock than her earlier blues rock.[citation needed] Fish wrote five songs on the record. She co-wrote five other songs with Jim McCormick in Nashville, Tennessee. Luther Dickinson produced the album, as well as played various stringed instruments (guitar, bass, mandolin, lap steel) to flesh out the sound.[7] The album was recorded in four studios, Royal Studios and Ardent Studios in Memphis, Tennessee, Zebra Ranch in Coldwater, Mississippi, and Blade Studios in Shreveport, Louisiana.[8] Other musicians on the record are Brady Blade (drums), Lightnin' Malcolm (guitar), Shardé Thomas (drums), Dominic Davis (bass), Shontelle Norman-Beatty (background vocals), and Risse Norman (background vocals).[citation needed]
Campbell and the Arkansas Times have made numerous FOIA requests with the city related to LITFest. The city supplied the contract, an RFQ and some invoices. Think Rubix, responding to the same request, supplied, among other things, a host of emails to and from city employees and Think Rubix staff. So the city could and should have produced the same emails and presumably more.