Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo

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Dominio e sottomissione sono i due termini di un rapporto di potere fortemente asimmetrico che innerva la storia dell'umanità e che nella civiltà occidentale ha conosciuto numerose metamorfosi. Di questa vicenda millenaria Remo Bodei offre qui una ricostruzione, mettendo a fuoco alcuni momenti esemplari e sempre soffermandosi sulle teorie filosofiche che hanno plasmato i nostri modi di pensare, sentire, agire, e sulle implicazioni antropologiche, politiche e culturali connesse ai cambiamenti. A partire dalla tradizione antica della schiavitù che trova in Aristotele la sua più potente legittimazione, il racconto si snoda lungo i secoli per concentrarsi sull'evoluzione delle macchine chiamate a sottrarre il lavoro umano prima agli sforzi fisici più pesanti, poi a quelli mentali più impegnativi. Un processo che continua oggi con i prodigiosi sviluppi dei robot e degli apparecchi dotati di Intelligenza Artificiale o, detto altrimenti, con il trasferimento extracorporeo di facoltà umane come l'intelligenza e la volontà, e il loro insediamento in dispositivi autonomi.



Zadie Adeline Smith FRSL (born Sadie Adeline Smith; 25 October 1975)[2] is an English[3] novelist, essayist, and short-story writer. Her debut novel, White Teeth (2000), immediately became a best-seller and won a number of awards. She has been a tenured professor in the Creative Writing faculty of New York University since Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo September 2010.[4]


Smith was born in Willesden in the north-west London borough of Brent to a Jamaican mother, Yvonne Bailey, and an English father, Harvey Smith,[5] who was 30 years his wife's senior.[6] At the age of 14, she changed her name from Sadie to Zadie.[7]


Smith's mother grew up Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo in Jamaica and emigrated to England in 1969.[2] Smith's parents divorced when she was a teenager. She has a half-sister, a half-brother, and two younger brothers (one is the rapper and stand-up comedian Doc Brown, and the other is the rapper Luc Skyz). As a child, Smith was fond of Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo tap dancing,[2] and in her teenage years, she considered a
career in musical theatre. While at university, Smith earned money as a jazz singer, and wanted to become a journalist. Despite earlier ambitions, literature emerged as her principal interest.


Smith attended the local state schools, Malorees Junior School and Hampstead Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo Comprehensive School, and King's College, Cambridge, where she studied English literature. In an interview with The Guardian in 2000, Smith corrected a newspaper assertion that she left Cambridge with a double First. "Actually, I got a Third in my Part Ones", she said.[8] She graduated with upper second-class honours.[9]


Smith Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo seems to have been rejected for a place in the Cambridge Footlights by the popular British comedy double act Mitchell and Webb, while all three were studying at Cambridge University in the 1990s.[10]


At Cambridge, Smith published a number of short stories in a collection of new student writing called Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo The Mays Anthology. They attracted the attention of a publisher, who offered her a contract for her first novel. Smith
decided to contact a literary agent and was taken on by A. P. Watt.[11] Smith returned to guest-edit the anthology in 2001.[12]


Smith's début novel White Teeth was introduced to Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo the publishing world in 1997 before it was completed. On the basis of a partial manuscript, an auction for the rights was begun, which was won by Hamish Hamilton. Smith completed White Teeth during her final year at the University of Cambridge. Published in 2000, the novel immediately became a Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo best-seller and received much acclaim. It was praised internationally and won a number of awards, among them the James Tait Black Memorial Prize, and the Betty Trask Award. The novel was adapted for television in 2002.[2] In July 2000, Smith's debut was also the subject for discussion in a controversial Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo essay of literary criticism by James Wood entitled "Human, All Too Inhuman", where Wood critiques the novel as part of a contemporary genre of hysterical realism where "‘[i]nformation has become
the new character" and human feeling is absent from contemporary fiction.[13] In an article for The Guardian in October 2001, Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo Smith responded to the criticism by agreeing with the accuracy of the term and that she agreed with Wood's underlying argument that "any novel that aims at hysteria will now be effortlessly outstripped".[14] However, she rejected her debut being categorised alongside major authors such as David Foster Wallace, Salman Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo Rushdie, and Don DeLillo and the dismissal of their own innovations on the basis of being hysterical realism.[14] Responding earnestly to Wood's concerns about contemporary literature and culture, Smith describes her own anxieities as a writer and argued that fiction should be "not a division of head and heart, but Scarica PDF Dominio e sottomissione. Schiavi, animali, macchine, Intelligenza Artificiale di Remo Bo the useful employment of both".[14]


Smith served as writer-in-residence at the ICA in London and subsequently publishe


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