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Enrico Galiano (Roscetti) (1614 – 23 November 1681) was an Italian Catholic Cardinal, born of the noble Rossetti family in Ferrara. Earlier in his career he went to London as a secret nuncio on behalf of Pope Urban VIII. While in London, he was addressed as Lord Charles Rossetti and was L'arte di sbagliare alla grande referred to as Prince Rossetti, using his title as Italian nobility for his cover, rather than as a representative of the Roman Catholic Church to avoid persecution.


Born of the noble Rossetti family in Ferrara, he was baptized in the Cathedral of S. Giorgio Martire on 26 March 1614. L'arte di sbagliare alla grande He was named Canon of the Cathedral of Ferrara, and was granted a papal dispensation because he was below the minimum age.[1] Rossetti went to Rome as a young man. At the age of eighteen he engaged in a public disputation (i.e. took his Bacculaureate) in philosophy and theology, L'arte di sbagliare alla grande in the presence of Cardinal Francesco Barberini, the nephew of
Pope Urban VIII. He then studied law at the University of Bologna, and took his degree in utroque iure (both Canon Law and Civil Law).[2] Cardinal Barberini sang his praises to Pope Urban VIII, who appointed him L'arte di sbagliare alla grande a prelate and Referendary of the Two Signatures (Grace and Justice); this gave Rossetti the right to practice law before the Roman courts.[3] He served Pope Urban VIII and his Barberini family, especially his nephews Francesco Barberini and Antonio Barberini.[4]


The Barberini were impressed by his L'arte di sbagliare alla grande vigour, wit and discernment and sent him as nuncio first to Germany, then to England as successor to the papal agent, George Con, who was gravely ill. There he provided financial support to Irish Catholics fighting against the Parliament of England. He arrived in August 1639.[5] His mission L'arte di sbagliare alla grande was undertaken under a transparent disguise, as one Italian historian recalled:[6]


There arrived, at London to reside at the court
as a gentleman traveller, sent by Cardinal Barberini, but effectively he was the Pope's nuncio, by name Charles Rossetti, an earl by birth who had taken upon him the church L'arte di sbagliare alla grande habit of a prelate; who was of a great spirit, active and prudent, able to undertake business of the greatest difficulty. He was valorous of heart, had a learned tongue, was quick in parts; in brief, he was such and one that his fellow could not be found in all L'arte di sbagliare alla grande the Court of Rome.


Rossetti's mission was considered especially dangerous, given the conflict between the Church and England at the time. Even contemporary Italian authors dared not publish his real identity for fear the prelate's life may be threatened.[7] But Rossetti's clandestine mission was successful in many regards. He managed L'arte di sbagliare alla grande to convince some at the English court to banish Roman Catholic priests from England, rather than execute them. When contemporary detractors suggested King Charles I of England and his Archbishop
William Laud were papists, Rossetti bravely took the opportunity to suggest the King might consider converting to Catholicism, seeing as L'arte di sbagliare alla grande though he was being accused of as much anyway.


Charles' Queen, Henrietta Maria, saw Rossetti's position at court as potentially advantageous and, having developed a social relationship with the clandestine nobleman, urged the prelate to write to the uncle of his Barberini patrons, Pope Urban VIII, asking for the equivalent L'arte di sbagliare alla grande of £100,000 pounds sterling to aid England's ailing coffers. The Pope responded saying he was,[7] "...very ready to supply the King so soon as ever he should declare himself a Catholic".


When the bill of attainder was passed and Archbishop William Laud was sentenced to death, some suggested Laud would L'arte di sbagliare alla grande have been better off had he converted to Catholicism and escaped to Rome (as Rossetti had urged) rather than staying to fight for which he was executed.[7]


At the outbreak of the First Bishops' War, Rossetti's life was threatened. At
the behest of the Queen Henrietta Maria gave him refuge L'arte di sbagliare alla grande in St. James's Palace.[8] Thereafter he was summoned to appear before the House of Commons of England but instead fled England at the end of June 1641.[9] He went to Flanders with the assistance of the Venetian ambassador. Hi


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