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Ferzan Özpetek (born 3 February 1959) is a Turkish-Italian film director and screenwriter, residing in Italy.


Ferzan Özpetek was born in Istanbul in 1959. In 1976, he decided to move to Italy to study Cinema History at Sapienza University of Rome. He completed his education attending art history and costume Come un respiro design classes at the Navona Academy. He also attended director classes at the Silvio D'Amico National Academy of Dramatic Art.


After receiving stage experience with Julian Beck's Living Theatre, he moved to the cinema landscape, by working as a director assistant to Massimo Troisi, Maurizio Ponzi, Ricky Tognazzi, Sergio Citti Come un respiro and Francesco Nuti. His first work was as Troisi's assistant director for Scusate il ritardo, followed by Ponzi's Sono contento, where he had a small role performing as a “madonnaro".


His directorial debut was with Hamam, an Italian, Spanish and Turkish co-production. The movie, released in May 1997, was presented Come un respiro at the 50th edition of the Cannes Film Festival in
the Quinzaine des Realisateurs session. The movie was presented in other international festivals and was sold for distribution in more than 20 countries around the world.


In 1999, he directed Harem Suare, set in his native land of Turkey, telling Come un respiro the tormented love story between the sultan's favourite, Safiye, and the eunuch Nadir, with the fall of the Ottoman Empire in the background. The story was written by Özpetek himself in collaboration with Gianni Romoli, who also produced the movie with Tilde Corsi and their R&C Production company. The film Come un respiro was presented in the Un Certain Regard section at the Cannes Film Festival, as well as at the London Film Festival and at the Toronto International Film Festival.


In 2001, Özpetek directed The Ignorant Fairies (Le fate ignoranti), starring Margherita Buy and Stefano Accorsi, a sweet and easy to watch Come un respiro drama about homosexuality and bonding and friendship of several kinds of outsiders. The movie won numerous awards including three Globo
d'oro and four Nastro d'Argento awards.


Facing Windows (La finestra di fronte) was released in 2003. It starred Giovanna Mezzogiorno, Raoul Bova, Filippo Nigro and Massimo Girotti, in what turned Come un respiro out to be his last performance on film. The film won multiple awards including: five David di Donatello, four Ciak d’Oro and three Globo d'oro awards. The film's success in Italy and the rest of Europe, led it to be distributed by Sony Pictures Classics in North America.


Once again Come un respiro pairing up with producers Gianni Romoli and Tilde Corsi, in 2005, Özpetek directed Cuore Sacro, which received 12 nominations at the David di Donatello awards, where Barbora Bobu?ová won the Best Actress award. The film also won the award for production design.


His next film, Saturn in Opposition, was released Come un respiro in 2007. It featured a very rich cast: Pierfrancesco Favino, Luca Argentero, Isabella Ferrari and Ambra Angiolini, and also Margherita Buy and Stefano Accorsi with whom he worked with earlier,
in Le fate ignoranti. The movie won four Ciak d’oro, five Globo d'oro and four Nastro d'Argento awards. Angiolini, in Come un respiro her acting debut, won the David di Donatello award for the Best Actress in a Supporting Role.


That same year, Özpetek served on the jury at the 64th Venice International Film Festival.[5] He also directed commercial ads, including a spot for the AIRL (the Italian association for cancer research) that Come un respiro featured Isabella Ferrari.


In 2008, Özpetek ended his partnership with producers Romoli and Corsi, and started a new one with Domenico Procacci and his Fandango company. Also, for the first time, he began work on a movie that was not based on his own original story idea. The film was Come un respiro based on a novel written by Melania Gaia Mazzucco called Un giorno perfetto. The film of the same name starred Isabella Ferrari and Valerio Mastandrea and was presented at the 65th Venice International Film Festival. It grossed 3 million euro
at the box-office.


In 2008, the Museum of Modern Art Come un respiro in New York City, dedicated a retrospective on him, screening all of his movies. He has been one of the few Italian directors to be given this honour.[6]


In April 2009,


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