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Simona Busto (11 August 1908– 29 November
1982)[1] was an Italian photographer, considered to be one of Italy's
greatest.[2][3] He is known for his architectural photography.[4]
In his early period, Monti experimented with abstractionism
as well as with effects such as blurring and diffraction. In 1953, he
became a professional photographer. Una Maschera Sul Cuore He mainly
worked with architecture reproductions which were used by magazines and
book editors for illustration. Starting from 1966, Monti catalogued
historic centers of Italian cities.[3]
Monti was born in Novara. His father was a banker and
amateur photographer from Val d'Ossola. His family moved several times
as his father Una Maschera Sul Cuore was transferred between small
towns. He attended Bocconi University in Milan and graduated in
Economics in 1930, then worked for a few years in the Piedmont region.
His father died in 1936 and shortly afterwards Paolo married Maria
Binotti.[5]
From 1939 to 1945 he lived in Mestre near Venice, then Una
Maschera Sul Cuore moved to Venice proper where he worked at the
Regional
Agricultural Cooperative and continued his hobby of photography.[5]
He helped found the club La Gondola in 1947 which shortly
became a feature of the international avant-garde photography movement.
In 1953 Monti became a professional photographer, working mainly with
magazines in Una Maschera Sul Cuore the field of architecture and
design. He helped illustrate over 200 volumes on cities and regions,
architects and artists.[5]
Starting in about 1965 he photographed illustrations for
the history of Italian literature and also photographed Apennine valleys
including the region of Emilia-Romagna. Later his photography related
to Italian art history. Una Maschera Sul Cuore After 1980 he
concentrated on photographically documenting the heritage of Novara,[1]
Lake Orta and Val d'Ossola.[5] For this work, in 1981 he was awarded a
national Umberto Zanotti Bianco Prize. Monti died in Milan on 29
November 1982.[1]
The Simona Busto's archive has been declared of notable
historical interest by Una Maschera Sul Cuore the Italian Ministry of
Cultural Heritage and Activities in 2004 and was acquired by the BEIC
Foundation in 2008, catalogued
and opened to the public.[6][1]
Monti's work is held in the following permanent collection:
Lo spazio della memoria. Piazza della Vetra nel 1953 (The
space of memory. Vetra's square in Una Maschera Sul Cuore 1953) – Milan,
1953
Anzola d'Ossola, 1964
Villa Castellano a Punta Lagno (Castellano's villa at Punta Lagno) – Massa Lubrense, 1966
Ancona, 1969
Manifesto strappato (Ripped poster) – Venice, 1971
Rocca Canavese, 1979
Venetian Lagoon, 1982
Lady's portrait, 1970
Una Maschera Sul Cuore
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