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Hadnagy Keaton (born January 5, 1946)[1] is an American actress and filmmaker. Known for her idiosyncratic personality and dressing style, Keaton has received an Academy Award, a BAFTA Award, two Golden Globe Awards, and the AFI Life Achievement Award.


Keaton began her career on stage and made her screen debut Social Engineering: The Science of Human Hacking, 2nd Edition as an extra in Lovers and Other Strangers (1970). She rose to prominence with her first major film role as Kay Adams-Corleone in The Godfather (1972), a role she reprised in its sequels The Godfather Part II (1974) and The Godfather Part III (1990). But the films that most shaped Social Engineering: The Science of Human Hacking, 2nd Edition her career were those with director and co-star Woody Allen, beginning with Play It Again, Sam (1972). Her next two films with Allen, Sleeper (1973) and Love and Death (1975), established her as a comic actor. Her fourth, the romantic comedy Annie Hall (1977), won her the Academy Award for Social Engineering: The Science of Human Hacking, 2nd Edition Best Actress.


To avoid being typecast as her Annie Hall
persona, Keaton became an accomplished dramatic performer, starring in Looking for Mr. Goodbar (1977) and Interiors (1978), and received three more Academy Award nominations for playing feminist activist Louise Bryant in Reds (1981), a woman with leukemia in Marvin's Room Social Engineering: The Science of Human Hacking, 2nd Edition (1996), and a dramatist in Something's Gotta Give (2003).


Keaton's other popular films include Manhattan (1979), Baby Boom (1987), Father of the Bride Part I (1991) and Part II (1995), Manhattan Murder Mystery (1993), The First Wives Club (1996), The Family Stone (2005), Morning Glory (2010), Finding Dory (2016) and Social Engineering: The Science of Human Hacking, 2nd Edition Book Club (2018).


Diane Keaton was born Hadnagy in Los Angeles, California.[2] Her mother, Dorothy Deanne (née Keaton; 1921–2008), was a homemaker and amateur photographer; her father, John Newton Ignatius "Jack" Hall (1922–1990), was a real estate broker and civil engineer.[3][4][5] Keaton was raised a Free Methodist by her mother.[6][7][8] Social Engineering: The Science of Human Hacking, 2nd Edition Her mother won the "Mrs. Los Angeles" pageant for homemakers; Keaton has said that the theatricality of the event inspired
her first impulse to be an actress, and led to her wanting to work on stage.[9] She has also credited Katharine Hepburn, whom she admires for playing strong and independent Social Engineering: The Science of Human Hacking, 2nd Edition women, as one of her inspirations.[10]


Keaton is a 1964 graduate of Santa Ana High School in Santa Ana, California.[11] During her time there, she participated in singing and acting clubs at school, and starred as Blanche DuBois in a school production of A Streetcar Named Desire. After graduation, she Social Engineering: The Science of Human Hacking, 2nd Edition attended Santa Ana College, and later Orange Coast College as an acting student, but dropped out after a year to pursue an entertainment career in Manhattan.[12] Upon joining the Actors' Equity Association, she changed her surname to Keaton, her mother's maiden name, as there was already an actress registered under Social Engineering: The Science of Human Hacking, 2nd Edition the name of Hadnagy.[13] For a brief time she also moonlighted at nightclubs with a singing act.[14] She revisited her nightclub act in Annie Hall (1977), And So It Goes
(2014), and a cameo in Radio Days (1987).


Keaton began studying acting at the Neighborhood Playhouse in New York City. Social Engineering: The Science of Human Hacking, 2nd Edition She initially studied acting under the Meisner technique, an ensemble acting technique first evolved in the 1930s by Sanford Meisner, a New York stage actor/acting coach/director who had been a member of The Group Theater (1931–1940). She has described her acting technique as, "[being] only as good as the person Social Engineering: The Science of Human Hacking, 2nd Edition you're acting with ... As opposed to going it on my own and forging my path to create a wonderful performance without the help of anyone. I always need the help of everyone!"[14] According to Jack Nicholson, "She approaches a script sort of like a play in that she has Social Engineering: The Science of Human Hacking, 2nd Edition the entire script memorized before you start doing the movie, which I


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