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Engineering: The Science of Human Hacking, 2nd Edition
Hadnagy Keaton (born January 5, 1946)[1] is an American
actress and filmmaker. Known for her idiosyncratic personality and
dressing style, Keaton has received an Academy Award, a BAFTA Award, two
Golden Globe Awards, and the AFI Life Achievement Award.
Keaton began her career on stage and made her screen debut
Social Engineering: The Science of Human Hacking, 2nd Edition as an
extra in Lovers and Other Strangers (1970). She rose to prominence with
her first major film role as Kay Adams-Corleone in The Godfather (1972),
a role she reprised in its sequels The Godfather Part II (1974) and The
Godfather Part III (1990). But the films that most shaped Social
Engineering: The Science of Human Hacking, 2nd Edition her career were
those with director and co-star Woody Allen, beginning with Play It
Again, Sam (1972). Her next two films with Allen, Sleeper (1973) and
Love and Death (1975), established her as a comic actor. Her fourth, the
romantic comedy Annie Hall (1977), won her the Academy Award for Social
Engineering: The Science of Human Hacking, 2nd Edition Best Actress.
To avoid being typecast as her Annie Hall
persona,
Keaton became an accomplished dramatic performer, starring in Looking
for Mr. Goodbar (1977) and Interiors (1978), and received three more
Academy Award nominations for playing feminist activist Louise Bryant in
Reds (1981), a woman with leukemia in Marvin's Room Social Engineering:
The Science of Human Hacking, 2nd Edition (1996), and a dramatist in
Something's Gotta Give (2003).
Keaton's other popular films include Manhattan (1979), Baby
Boom (1987), Father of the Bride Part I (1991) and Part II (1995),
Manhattan Murder Mystery (1993), The First Wives Club (1996), The Family
Stone (2005), Morning Glory (2010), Finding Dory (2016) and Social
Engineering: The Science of Human Hacking, 2nd Edition Book Club (2018).
Diane Keaton was born Hadnagy in Los Angeles,
California.[2] Her mother, Dorothy Deanne (née Keaton; 1921–2008), was a
homemaker and amateur photographer; her father, John Newton Ignatius
"Jack" Hall (1922–1990), was a real estate broker and civil
engineer.[3][4][5] Keaton was raised a Free Methodist by her
mother.[6][7][8] Social Engineering: The Science of Human Hacking, 2nd
Edition Her mother won the "Mrs. Los Angeles" pageant for homemakers;
Keaton has said that the theatricality of the event inspired
her
first impulse to be an actress, and led to her wanting to work on
stage.[9] She has also credited Katharine Hepburn, whom she admires for
playing strong and independent Social Engineering: The Science of Human
Hacking, 2nd Edition women, as one of her inspirations.[10]
Keaton is a 1964 graduate of Santa Ana High School in Santa
Ana, California.[11] During her time there, she participated in singing
and acting clubs at school, and starred as Blanche DuBois in a school
production of A Streetcar Named Desire. After graduation, she Social
Engineering: The Science of Human Hacking, 2nd Edition attended Santa
Ana College, and later Orange Coast College as an acting student, but
dropped out after a year to pursue an entertainment career in
Manhattan.[12] Upon joining the Actors' Equity Association, she changed
her surname to Keaton, her mother's maiden name, as there was already an
actress registered under Social Engineering: The Science of Human
Hacking, 2nd Edition the name of Hadnagy.[13] For a brief time she also
moonlighted at nightclubs with a singing act.[14] She revisited her
nightclub act in Annie Hall (1977), And So It Goes
(2014), and a cameo in Radio Days (1987).
Keaton began studying acting at the Neighborhood Playhouse
in New York City. Social Engineering: The Science of Human Hacking, 2nd
Edition She initially studied acting under the Meisner technique, an
ensemble acting technique first evolved in the 1930s by Sanford Meisner,
a New York stage actor/acting coach/director who had been a member of
The Group Theater (1931–1940). She has described her acting technique
as, "[being] only as good as the person Social Engineering: The Science
of Human Hacking, 2nd Edition you're acting with ... As opposed to going
it on my own and forging my path to create a wonderful performance
without the help of anyone. I always need the help of everyone!"[14]
According to Jack Nicholson, "She approaches a script sort of like a
play in that she has Social Engineering: The Science of Human Hacking,
2nd Edition the entire script memorized before you start doing the
movie, which I
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