Re: Tamil 1080p Video Songs Desh Drohi Hd
Malena Bower
Deshdrohi (transl. Traitor) is a 2008 Indian Hindi-language action thriller film directed by Jagdish A. Sharma. It was scripted and produced by KRK, who also appeared in the lead role alongside Manoj Tiwari, Hrishitaa Bhatt, Gracy Singh and Zulfi Syed.[2][3] Released on 14 November 2008, it was subject to negative reviews from critics, and is considered as one of the worst Bollywood films.[4][5]
The themes of the film consists of politics, prostitution, pimping, and corruption. At the start of the film, a man named Raja Yadav (Kamaal Rashid Khan) arrives in Mumbai from Uttar Pradesh searching for a watchman's job, after leaving his father and neighbour, Neha, both behind in his village in Uttar Pradesh.
In Mumbai, Raja meets Shekhar, a gangster, who works as a watchman, and Sonia, who works for a drug dealer named Baba Kadam. At one point, Raja helps Sonia escape from an attack by a group working for another drug dealer called Rajan Nayak, Baba Kadam's rival. The two eventually fall in love.
After realising that living in Mumbai is difficult for North Indians, Raja petitions Shrivastav, a North Indian politician who exploits common people for his political career, for help. The drug mafia of Mumbai city is assisted by politicians, and the media want to reveal the corruption prevalent in the city.
Due to his involvement, Raja is marked for death by Rajan Nayak, who contracts a police inspector to kill both him and Sonia. However, he fails and is killed. The police pursue Raja and Sonia, who are also hiding from Rajan Nayak. Raja attempts to obtain help from Shrivastav to no avail, and even Sonia's boss, Baba Kadam, abandons the pair.
There were accusations that the movie was attempting to profit off of the 2008 attacks on Uttar Pradeshi and Bihari migrants in Maharashtra. The head of the Mumbai office of the Central Board of Film Certification opined that the movie has scenes that were derogatory to a particular community.[7] Maharashtra Navnirman Sena expressed their protests against the movie. The Mumbai police served a notice for a special screening to find any objectionable content that might trigger unrest. Due to the protests and problems with exhibitors, the release date of the movie was postponed by a week from the original date of 7 November.[8][9][10] The movie was released on 14 November, except in Maharashtra, where it was banned by the state government for 60 days under the Bombay Cinema Regulation Act. The producers of the film petitioned the Bombay High Court to lift the ban on the movie.[11] After a two-month ban it was released on 23 January 2009 in Maharashtra.[12]
Oops, do we still have films like these being made? When times are really changing for Bollywood and anything which is typically 'masala' is out, one is surprised to see a film with a title like Deshdrohi. With hardly any known names involved, the writing is clear on the wall. The film stars Krishna Abhishek in the lead, is produced by Kamaal R. Khan - who not just acts in the film but also writes the lyrics - and is directed by Jagdish A. Sharma.
So what if the film has music by Nikhil who has gone solo after the split with Vinay? From a project with a title like Deshdrohi, one doesn't have any expectations from the soundtrack to follow.
A routine dance number for which attempts have been made to pep it up through fast paced arrangements, 'Ye Ishq Gunah Hone De' is a barely passable track sung by Shaan. Neither is guest lyricist Vimal Kashyap's writing any enticing nor is Nikhil inspired enough to create a kind of number which would hold any future whatsoever amongst music lovers. Belonging to the mid-90s, the song also appears in its female version with Khushboo Jain arriving on the scene. Well, the tune by itself is so banal that in spite of some English words being sprinkled in the proceedings, the number fails to create any kind of excitement.
Udit Narayan and Mahalaxmi Iyer come together for a kind of number that instantly makes one remember Anuradha Paudwal who ruled the scene in the first half of the 90s. 'Mera Wada Raha Jina Na' is truly in the mould of the kind of music which was made by T-Series in dozens with a similar melodic setting. Though Kamaal R. Khan has written the lyrics, one wonders whether he had got his inspiration from Sameer?
This one is supposed to be an item number in the making but the punch is clearly missing in 'Bewajah Youn Na Maar'. Now that's quite a pity considering it is Sukhwinder Singh at the helm of affairs. A number that sees Pramod Nair as the composer and Sahil Fatehpuri as the lyricist, 'Bewajah' is quite rooted and even has a rural appeal to it (something which was heard in 'Beedi Jalaile') but the overall composition just doesn't work. Khushboo Jain gives Sukhwinder Singh company here but ultimately this one turns out to be a forgettable outing.
With it's opening arrangements inspired from 'Tujhe Na Dekhoon To Chain' [Rang], 'Mera Halaat Ye Kya' takes a different route as it progresses and in the process doesn't come even 10% close to the Nadeem-Shravan composed tune. In fact this Zubeen sung number is more suited for the 'Bewafa'/'Bewafai' genre of non-film albums that Nikhil-Vinay had come up with in last few years and doesn't quite fit in well with a core Bollywood outing. Still, when compared to the numbers preceding it, this one may find some market for itself! No wonder the song is repeated a little later in the album.
The sound of flute at the very beginning of 'Tujhe Dekhoon To Aisa' reminds one of Anand-Milind from the late 80s/early 90s. Well, the number isn't anything better than what was heard a couple of decades back as Shaan and Shweta Pandit attempt a Punjabi outing. At maximum a kind of song that doesn't do any better that creating a feel of deja vu, 'Tujhe Dekhoon' too turns out to be a passable affair.
Whatever be the fate of the album (which doesn't really hold any surprises), credit must be given to Deshdrohi that it has indeed managed to get some top line singers coming together for the album. This is why one looks forward to what Sonu Nigam and Shreya Ghoshal have to do in 'Hum Karke Pyar Pachtay', a celebration number. Well, this one turns out to be the best of the lot and even though there isn't anything exceptional about the composition here, at least it keeps the fun quotient on with enough pep in it to keep the listener engaged. Thankfully, a decent ending.
One had zilch expectations from Deshdrohi and though the songs don't help much in any revival of fortunes for the album, a couple of tracks do turn out to be reasonably decent. Still, zero face value and promotion would mean that the music CDs would keep lying in the back row of the music stands and would subsequently be withdrawn in a matter of few weeks.
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