Eisenstein nos EUA
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Marlon Krüger
Jun 3, 2013, 10:18:30 AM6/3/13
to Estudos Deleuze
(memorando de David O. Selznick (!) p/ a MGM em 1926 sobre Eisenstein)
Selznick recommends – for purely artistic reasons – that ‘the organisation’ view The Armoured Cruiser Potemkin (1925), which he had seen at two earlier private screenings:
I shall not here discuss the commercial or political aspects of the picture but simply say that regardless of what they may be, the film is a superb piece of craftsmanship. It possesses a technique entirely new to the screen, and I therefore suggest that it might be very advantageous to have the organisation view it in the same way that a group of artists might view and study a Rubens or a Raphael.
Selznick recommends – for purely artistic reasons – that ‘the organisation’ view The Armoured Cruiser Potemkin (1925), which he had seen at two earlier private screenings:
I shall not here discuss the commercial or political aspects of the picture but simply say that regardless of what they may be, the film is a superb piece of craftsmanship. It possesses a technique entirely new to the screen, and I therefore suggest that it might be very advantageous to have the organisation view it in the same way that a group of artists might view and study a Rubens or a Raphael.
outros trechos falando sobre alguns projetos incompletos, inclusive a adaptação d'O Capital..
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